ROMANIAN ART SOCIETY - A LANDMARK OF THE AUTOCHTHONOUS AESTHETICS IN 1918
ROMANIAN ART SOCIETY - A LANDMARK OF THE AUTOCHTHONOUS AESTHETICS IN 1918
Author(s): Cristina GelanSubject(s): History of Art
Published by: Editura Academiei Forțelor Aeriene „Henri Coandă”
Keywords: autochthonous aesthetics; artistic bastion; Romanian art; the Romanian Art Society;
Summary/Abstract: On March 9, 1918, the Romanian Art Society was founded in Bucharest. This was an organization that appeared as a form of protest at the proposal of an authorized artistic force of the time, the Artistic Youth Society, addressed to the artists who were mobilized by the Great General Headquarters of the Romanian Army in Iasi to participate in the great exhibition that they organized in April 1918. Revolted by the academic-romantic-idyllic spirit, reflected in the works of the representatives of the Artistic Youth Society, out at the issues of daily life, artists such as Ştefan Dimitrescu, Camil Ressu, Nicolae Tonitza, I. Ştefănescu, Ion Theodorescu- Sion, Nicolae Dărăscu, Alexis Macedonski, Ionescu Doru, Oscar Han and Traian Cornescu wanted to create an artistic bastion that would provide them with a framework where their aspirations can be revealed and offer them the legitimacy to seek a line of expansion and deepening of the ways of expression specific to Romanian art. During the period 1918 - 1924, the Romanian Art Society became the main attraction of the ideals of the artists who were mobilized on the front of the First World War and who contributed to the realization of works of art, of a high artistic level, grounded in the surrounding reality. Thus, the Romanian art becoming in this period the carrier of a humanist message based on the promotion of national specificity, a real landmark of the aesthetics of the time.
Journal: Redefining Community in Intercultural Context
- Issue Year: 7/2018
- Issue No: 1
- Page Range: 25-30
- Page Count: 6
- Language: English