MÜNİR NURETTİN SELÇUK’UN RAST AĞIR SEMÂİ ve NİHÂVEND YÜRÜK SEMÂİ ESERLERİNİN MAKAMSAL AÇIDAN İNCELENMESİ
ANALYSING THE WORKS OF MUNİR NURETTIN SELCUK IN RAST AGIR SEMAI and NİHAVEND YURUK SEMAI IN TERMS OF MAKAM

Summary/Abstract: Turkish music, together with its deep-rooted infrastructure, contains works in various forms. “Ağır Semâî” and “ Yürük Semâî ” which are composed of oral music forms, are performed consecutively in the classical set order. In our research, the works in the forms of “Sâkî parıldasın şafak-ı meyle câmımız rast ağır semâî ” the form of "Nihâvend Yürük Semaî Ruhsârına aybetme nigâh ettiğimi " will be analyzed in modality. The works that we will analyze in our work were composed by Münir Nurettin Selçuk, the creator of a new school in Turkish music, composer, voice performer, choir conductor, and music teacher. Münir Nurettin Selçuk has contributed to Turkish music, which has been musical in the training of young generation artists in Turkish music directly or indirectly. Selcuk, who was always open to both traditions and innovations, performed important services in order to perceive, transfer and reinterpret music. Our study is based on the descriptive research method based on the scanning model. In our research, firstly, the life and composer personality of the composer Münir Nurettin Selçuk will be mentioned, then the mentioned makams, the forms of the works and at the last stage, the works will be analyzed in terms of modality.

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