Between Suppression and Authenticity. The Metaphor of Don Carlos in Leontine Sagan’s Movie Mädchen in Uniform Cover Image

Między stłumieniem a autentycznością. Metafora Don Carlosa w filmie Leontine Sagan Dziewczęta w mundurkach
Between Suppression and Authenticity. The Metaphor of Don Carlos in Leontine Sagan’s Movie Mädchen in Uniform

Author(s): Daria Mazur
Subject(s): Gender Studies, Recent History (1900 till today), Interwar Period (1920 - 1939), Film / Cinema / Cinematography, History of Art
Published by: Uniwersytet Adama Mickiewicza
Keywords: Weimar Republic Cinema; intertextuality; homotextuality; suppression; authenticity; woman director;

Summary/Abstract: The article is a comprehensive analysis of the intertextual references to Frederick Schiller’s tragedy Don Carlos in Leontine Sagan’s movie Girls in Uniform (Mädchen in Uniform, 1931). The author considers the complex circumstances of the cooperation between the director and the artistic director, Carl Froelich, during the production. Moreover, she also presents the literary basis for the movie, namely the tragedy by Christy Winsloe (Gestern und Heute – Yesterday and Today).On this basis, the author analyses the multilevel presence of two phenomena in the movie: suppression and authenticity, which are related to the metaphor of Don Carlos and the plot of love between two women. The contexts for the analysis are inspired by research in the anthropology of romanticism, psychoanalysis, the psychology of sexual identity, and research on the works of Frederick Schiller.

  • Issue Year: 2019
  • Issue No: 32
  • Page Range: 143-166
  • Page Count: 24
  • Language: Polish
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