MONOLOG I DIALOG W DRAMATACH KONSTANTEGO TRIENIOWA
MONOLOGUE AND DIALOGUE IN KONSTANTY TRIENIOV’S DRAMAS

Summary/Abstract: The author analyses the structure of composition of dialogue and monologue in K. Trieniov’s dramas pointing to the evolution of closed-cirole psychologism — a character­istic feature of the style of the dramatist. The author formulated a conclusion about the influences of Czekhov’s tradition (especially in the drama The Dorogins). The author also emphasized new possibilities of psychologization of heroes in the dramatic works in the Soviet Union of the half of the 20’s of this century.

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