CRIME, PUNISHMENT AND TRAUMA: PERPETRATOR’S PERSPECTIVE IN EVIE WYLD’S NOVEL "ALL THE BIRDS, SINGING" Cover Image

ЗЛОЧИН, КАЗНА И ТРАУМА: ПЕРСПЕКТИВА ПОЧИНИОЦА У РОМАНУ "СВЕ ПТИЦЕ ПЕВАЈУ" ИВИ ВАЈЛД
CRIME, PUNISHMENT AND TRAUMA: PERPETRATOR’S PERSPECTIVE IN EVIE WYLD’S NOVEL "ALL THE BIRDS, SINGING"

Author(s): Nataša Milojević
Subject(s): Language and Literature Studies, Studies of Literature, Other Language Literature, British Literature
Published by: Универзитет у Крагујевцу
Keywords: Evie Wyld;trauma;perpetrator;guilt;otherness;antinomic narrative

Summary/Abstract: One of the most common words encountered in trauma discourse, the unspeakable, embodied in All the Birds, Singing as an antinomic non-linear narrative, serves to testify to the protagonist’s traumatic events as well as the otherness perpe- trated by her traumatic experience. Relying on theories of Cathy Caruth, Dominick LaCapra and other major theorists of trauma, this paper aims to corroborate the claim that the ghosts and haunting elements encountered in the novel indicate both the protagonist’s guilty consciousness as well as perpetrator trauma. Extending the temporal distance between the other and herself, Jake is condemned to a sentence without a verdict, remaining imprisoned within perpetual nightmares and phantoms, hence infinitely searching for home devastated by trauma.

  • Issue Year: XX/2019
  • Issue No: 69
  • Page Range: 327-337
  • Page Count: 11
  • Language: Serbian