АРХЕОГРАФІЧНИЙ АНАЛІЗ УКРАЇНСЬКИХ РУКОПИСНИХ ПІВЧИХ ЗБІРНИКІВ ТРІОДЕЙ XVI СТ.
ARCHAEOGRAPHIC ANALYSIS OF UKRAINIAN MANUSCRIPTS OF SINGING COLLECTIONS TRIODEY XVI CENTURY

Summary/Abstract: The purpose of the article is to analyze the Triodey manuscript collections in the collection of the NBUV Manuscript Institute; conducting an archaeographic description and identifying characteristic features in the songbooks of the Ukrainian Orthodox Church in the 16th century. The methodology includes system analysis, which made it possible to analyze and explore handwritten singing collections. Statistical and chronological methods were used to determine the temporal and quantitative characteristics of the analyzed material. Scientific novelty is to clarify the differences: in the design of the text of handwritten collections, in the use of ekfoneticheskoy and irrelevant notation, and the gradual modernization of the Ukrainian half-order. Conclusions. The archaeographic description of the manuscript Triodeus made it possible to identify common features in the design of ancient collections. The texts of handwritten collections were written by the Ukrainian half-mouth. Each section begins with a heading written in cinnabar script, and the end of each section has a certain design in the form of a colophon or a small graphic image. And also certain differences were revealed: in the design of liturgical texts and the gradual modernization of the Ukrainian half-order. Ephonetic and irrelevant notations in singing manuscript collections of the Triode of the 16th century has a certain variability. Church hierarchs did not consider this a violation of certain norms, but any variability in relation to liturgical texts was not allowed, since they were canonical.

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