Impact of the near reality on my assemblages
Impact of the near reality on my assemblages

(sources of the raw objects)

Summary/Abstract: This text is part of the research work in the field of visual arts, representing an important chapter of the thesis which focuses on the stages of creation. The objectives of the research are the development of painting and painting-object; further blurring the boundaries between two-dimensional and three-dimensional space; achieving various degrees of formal and chromatic purity; developing new means of reducing in art; a set of observations about relationships between form, colour, space, derived from elements selected from the immediate reality and the process of passing them through various methods of reduction. The desired result is enriching the visual arts by documenting experiments related to technical, technological and social processes, a decrease in the so called accumulation mentality from the Kitch domain [kitsch is manifested by five principles after Engelhartd. These are: the principle of inadequacy, accumulation, synesthesia, mediocrity and comfort. Abraham Moles in Psychology of Kitch, ed. Meridiane, Bucharest, 1980 p. 60] as a contemporary attitude. One can notice the universality of the subject by touching the cross-cutting areas such as psychology, sociology, economics, marketing.

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