‘Lojë’ andrrimesh në katër modele (N. Mjedja, E. Koliqi, M. Camaj, Z. Zorba)
‘Dream game’ in Four Models (N. Mjedja, E. Koliqi, M. Camaj, Mr. Zorba)

Summary/Abstract: 'The play' of the dream/dreaming takes in consideration the dream as a sign, as an object and as a poetic subject; 'the play' identified as a conscious moment on poetics of Mjedja, Koliqi, Camaj, Zorba; 'the play’ perceived as dynamics, (presence, absence, repetition, reactivation, substitution, abstraction, etc.) and as a comparison between four variations of dreaming.The concrete paper’s object is the comparison of dream poetics as a transformation path (from romanticism to hermetic) to different plans. The approach considers analysis of texts whichgivesanswers to research questions like:which are the plans where the dream/dreaming is projected on and how close and distant are they?The hypothesis supports the idea of a similar dreaming perception (dream like sensation, desire, inspiration, memory, commotion, illusion, imaginary experience, identity) but also as a transformative and distinguished model from one to another. Dream is related to each one’s creativity and inspiration as thought, imagery, conscious are. The conclusion is grounded in the statement that the dream/dreaming as a poetic sign and as an experience is activated in poems such as imagery, fantasy, unfulfilled and incomplete desire, exploration, figure, belief etc., and all these features are present or mutable from one poetic to another. What unifies them it is strongly related with the activation of the dream like a poetic sign. Dreaming is also related to the vibrant aspect of the soul while it flies out of the body and the time.

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