Teologiczne wątki maryjne mozaik Centro Aletti w sanktuarium św. Jana Pawła II w Krakowie
Theological Marian Themes of the Centro Aletti Mosaics in the Sanctuary of Saint Paul II in Krakow
Author(s): Lucjan BartkowiakSubject(s): Christian Theology and Religion, Fine Arts / Performing Arts, History of Church(es), Visual Arts, Theology and Religion, Systematic Theology, Pastoral Theology, Eastern Orthodoxy, History of Art
Published by: Wyższe Seminarium Misyjne Księży Sercanów
Keywords: Centro Aletti;sacred art;Mary;mosaics;artistic creation;
Summary/Abstract: The post-conciliar liturgical indications, of which the free-standing altar with the priest celebrating the liturgy „facing the faithful” became a visible sign, freed the presbytery walls of newly built churches from large altar extensions. The situation became a kind of call for the creators of sacred art, providing an opportunity to return to the noble mosaic art, whose monumental works of the first millennium have survived to this day. It is enough to mention the temples of Ravenna, Palermo or Rome itself. Their iconographic programs, rich in form and content, are continued in the large-format, contemporary altar mosaics by Father Marko Ivan Rupnik, in which a refined artistic form intertwines with a well-thought-out theological concept, showing the vitality of tradition at the threshold of the third millennium. The aim of this article is to present the basic Marian theological themes present in the largest complex set of mosaics that has been built in Poland in recent years.
Journal: Sympozjum
- Issue Year: 40/2021
- Issue No: 1
- Page Range: 103-127
- Page Count: 25
- Language: Polish