Kız Ney ile Bolahenk Akortta İcra ve Notasyon: Rast Kâr-ı Nâtık Örneği
Performance and Notation of Bolahenk Tuning with Kiz Ney: Rast Kar-i Natik As An Example

Summary/Abstract: Five kinds of neys are mostly used today which are performed both as solo and in accompaniment. These are the mansur (D-yegâh), which also gives its name to the tunings in the Classical Turkish Music theory, each of which is also a kind of ney, the kiz (E-hüseyniaşiran), supurde (G-rast), mustahsen (F balance '4 commas' sharp-irak) and bolahenk (A-dugah). These types of ney can be modified according to the exercise or can be used by transposition of different tunings with a single ney. At the same time, this is considered an indicator of mastery indicator the ney. In this study, the Dede Efendi's Rast Kar-i Nâtik has been chosen as an exemplary work in order to have many maqam passes and to provide the opportunity to the transposition of different curtains with this feature. The selected sample work was passed on to the bolahenk tuning with the kiz ney and the passages of the maqam were analyzed. In the study, suggestions were made in order to overcome technical difficulties in terms of transposition of the ney.

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