From Role to Reading: The Dramatic Soprano Monologue in Wagner’s Elsa of Brabant
From Role to Reading: The Dramatic Soprano Monologue in Wagner’s Elsa of Brabant

Summary/Abstract: The monologues’ analysis shows how opera changed over time. The whole is reflected in the part. The way a performer mentally and physically prepares for performing a monologue can influence their concept of the whole role. On the other hand, monologues, even if they may be more exposed, or illustrative for a character, are not always that role’s most difficult part. Approaching Elsa of Brabant has particular challenges. Her melodic route abides for a long time in the passage zone between the middle and the high register, therefore requiring serious technical approach and uninterrupted vigilance. As well, the phrases are long, they often will not allow “sneaking in” a breath, so that a thorough practicing of the air column is mandatory. I will try to describe these issues in an analysis of the aria Einsam in trüben Tagen.

• Details
• Contents