Desktop documentary. On the making, narrative and contexts of Kevin B. Lee’s Transformers: The Premake Cover Image

Dokument z pulpitu. O kulisach powstania, narracji i kontekstach Transformers: The Premake Kevina B. Lee
Desktop documentary. On the making, narrative and contexts of Kevin B. Lee’s Transformers: The Premake

Author(s): Paweł Biliński
Subject(s): Fine Arts / Performing Arts, Film / Cinema / Cinematography
Published by: Uniwersytet Gdański
Keywords: video essay; Lee; Transformers; documentary; desktop; YouTube

Summary/Abstract: The paper focuses on an analysis of Kevin B. Lee’s video essay Transformers: The Premake. The Author refers to the narrative components of the film and to the context of its production (which is also one of the themes of the analyzed video essay). Transformers: The Premake is characterized not only by the work of Lee – one of the most appreciated contemporary video essayists – but also as a film on production and audience studies. As a desktop documentary, Lee’s video essay is a self-reflexive film in which the main topic – in this case the more or less conscious participation of spectators in the process of the promotion of Michael Bay’s Transformers: Age of Extinction – remains as important as the editing of The Premake: video essay on the work of contemporary film/video essayist, who shapes the narration of his film with the usage of material available on the Internet (videos on YouTube or Vimeo) and available software (Adobe Premiere, Google Maps, etc.).

  • Issue Year: 2020
  • Issue No: 24 (31)
  • Page Range: 104-121
  • Page Count: 18
  • Language: Polish