Ivan Grozev and the “New Cultural Race” in the Aesthetic Religious Project of Bulgarian Modernism Cover Image

Иван Грозев. „Новата културна раса“ в естетико- религиозния проект на българския модернизъм
Ivan Grozev and the “New Cultural Race” in the Aesthetic Religious Project of Bulgarian Modernism

Author(s): Tzvetana Georgieva
Subject(s): Philosophy, Aesthetics, Theology and Religion, Philosophy of Religion
Published by: Instytut Slawistyki Polskiej Akademii Nauk
Keywords: Ivan Grozev; Theosophy; New Cultural Race; Hyperion magazine; aesthetic-religious project; Bulgarian modernism

Summary/Abstract: The aesthetic-religious views of Ivan Grozev, a Bulgarian writer, poet and spiritual awakener, combine various aspects whose unifying center is the mystical ability of man to reach God: the Christian idea of man’s aspiration for God; theosophical and Masonic conceptions; and elements of Hellenistic philosophy and mystery. In his articles and studies that he published in the journal Hyperion, Ivan Grozev promoted ideas about the poet as “a priest and a prophet”, his “worldly sacrifice”, and “the steps towards godly knowledge” (scientist, genius, mystic). As a true Theosophist, he contrasts his utilitarian times with the spiritual from past eras (reason vs. mysticism), affirming the idea of a “New Heaven” and a “New Cultural Race” for the devoted ones. The Bulgarian modern consciousness from the late 19th and early 20th century perceived such ideas as a new type of religion of the aesthetic, and at the same time as a new ethic of the creator (prophet, Übermensch in the sense of Nietzsche or Rudolf Steiner) as a necessity of spiritual creation of a new cultural race that abandons mercantilism for the sake of ideal values.

  • Issue Year: 2020
  • Issue No: 20
  • Page Range: 1-24
  • Page Count: 24
  • Language: Bulgarian