Still Ekphrasis? Visual and Non-Visual Art in Contemporary Anglophone Fiction
Still Ekphrasis? Visual and Non-Visual Art in Contemporary Anglophone Fiction

Summary/Abstract: The article explores the ancient notion of ekphrasis in an attempt to further adjust it to the requirements of the contemporary literary and artistic landscape. An overview of the transformations in the world of art in the 20th century allows us to update our understanding of what art is today and to examine its existence within the literary context. In light of the above, I emphasize the significance of broadening the definition of ekphrasis so as to include not only painting and sculpture on the one side, and poetry on the other, but also to open it up to less conventional forms of artistic expression, and popularize its use in reference to prose. In order to illustrate its relevance to the novel, I have conducted a study of three contemporary novels – John Banville’s Athena, Kurt Vonnegut’s Bluebeard and Don DeLillo’s Mao II – in order to uncover the innovative ways in which novelists nowadays use ekphrasis to reinvigorate long prose.

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