Влиянието на фламандската (маслена) живопис върху венецианската школа. Приемници и последователи
The Influence of Flemish (Oil) Painting on the Venetian School. Successors and Followers
Author(s): Vyara PopovaSubject(s): Philosophy, Fine Arts / Performing Arts, Visual Arts, Aesthetics
Published by: Институт по философия и социология при БАН
Keywords: oil technique; tempera; maniera ponentina; maniera moderna; neuroaesthetics; neuroarthistory; Florentine line; Venetian color;
Summary/Abstract: The text considers oil technique as a specific Flemish manner of painting. The author traces how oil technique was transported in 1450 to Italy, where, at the time, the typical painting technique in use was tempera. Oil and tempera are defined as the respective characteristic features of the Northern and Southern Renaissance. And while Flemish oil painting is emblematic of color, the Italian tempera technique corresponds to form.
Journal: Философски алтернативи
- Issue Year: XXX/2021
- Issue No: 5
- Page Range: 116-126
- Page Count: 11
- Language: Bulgarian
- Content File-PDF
