NORWEGIAN THEATER PRODUCTION MODEL AND THE DEVELOPMENT OF STAGE ARTS Cover Image

NORVEŠKI KAZALIŠNI PRODUKCIJSKI MODEL I RAZVOJ SCENSKIH UMJETNOSTI
NORWEGIAN THEATER PRODUCTION MODEL AND THE DEVELOPMENT OF STAGE ARTS

Author(s): Srđan Vukadinović, Ljubiša Veljković, Jakov Amidžić, Damir Mahmutović, Alisa Brkić
Subject(s): Theatre, Dance, Performing Arts, Music, Recent History (1900 till today), Sociology of Art
Published by: Vlada Brčko distrikta BiH
Keywords: Theater Production; Norwegian Model; Performing Arts; Opera; Ballet; Stable Structure;

Summary/Abstract: The connotations of one theatrical model and other forms of performing arts in the European space are best reflected through the Norwegian theatrical production model. Over time, the aspiration has been in Norway to primarily build a production model that will be sustainable. In accordance with the Nordic philosophy of life, which is present in all spheres of existential and labor activity, a model was built based on extremely high state subsidies, which is one of the rarities. Unlike the Danish theater model, the one in Norway is not based so much on the development of experimental and amateur theater, but is more focused not only on theater but also on the development of opera and ballet stage art. Production theater model of Norway represents an extremely stable structure in the repertoire, organizational and financial part, which has given rise to a significant number of plays and protagonists of a specific theater school and the notion of theater.

  • Issue Year: 2021
  • Issue No: 2
  • Page Range: 69-76
  • Page Count: 8
  • Language: Bosnian