Literatura popularna. T. 3: Kryminał
Popular literature. Vol. 3. Crime story
Contributor(s): Ewa Bartos (Editor), Katarzyna Niesporek-Klanowska (Editor)
Subject(s): Language and Literature Studies, Studies of Literature
Published by: Wydawnictwo Uniwersytetu Śląskiego
Keywords: popular literature; crime story
Series: Studia literackie
- E-ISBN-13: 978-83-226-3541-4
- Print-ISBN-13: 978-83-226-3540-7
- Page Count: 376
- Publication Year: 2019
- Language: Polish
Bibliografia, Indeks nazw osobowych, Noty o Autorach
Bibliografia, Indeks nazw osobowych, Noty o Autorach
(Bibliography, Index of personal names, Notes about authors)
- Author(s):Not Specified Author
- Language:Polish
- Subject(s):Language and Literature Studies
- Page Range:339-373
- No. of Pages:35
Współczesna powieść kryminalna jako głos w sprawie ważnych wydarzeń społeczno‑politycznych XX wieku
Współczesna powieść kryminalna jako głos w sprawie ważnych wydarzeń społeczno‑politycznych XX wieku
(The modern crime novel as a platform for the expression of opinions about important socio‑political events of the 20th century)
- Author(s):Bernadetta Darska
- Language:Polish
- Subject(s):Language and Literature Studies
- Page Range:15-26
- No. of Pages:12
- Keywords:crime novel; history; memory; oblivion
- Summary/Abstract:The article constitutes an attempt at examination of the modern incarnations of the crime novel in the context of the recurrent themes of the return to important socio‑political events of the 20th century. Crime fiction authors pit their protagonists against the past, either in the form of struggles with memory and oblivion or through an unequal fight of justice and the obliteration of guilt. Therefore we are dealing with ethically ambiguous deeds, with choices which reveal the peculiarity of their time and also with criminals who, although they do not cease to be guilty of the evil they perpetrate, are also the victims of the things which they experienced many years ago. It turns out that the past is part of the present. This is what both the detectives, the criminals and the victims realise.
- Price: 4.50 €
Karnawał okrucieństwa w retrokryminałach Marka Krajewskiego
Karnawał okrucieństwa w retrokryminałach Marka Krajewskiego
(The carnival of cruelty in the retro crime fiction of Marek Krajewski)
- Author(s):Barbara Łągiewka
- Language:Polish
- Subject(s):Language and Literature Studies
- Page Range:28-50
- No. of Pages:24
- Keywords:cruelty; violence; retro crime fiction;Marek Krajewski;
- Summary/Abstract:The field of my research, whose fruit is the present article, constitutes crime, violence and cruelty in the retro crime fiction of Marek Krajewski. The object of my study constituted the novels of the Wrocław‑based writer, which represent the so‑called cycle about Breslau and Lwów. I intended my text to demonstrate the growing popularity of not so much the genre itself, which is constituted by crime fiction in its retro incarnation, but what propels it and what somewhat becomes its natural foundation i.e. cruelty. This is how this work arose – work which walks the fine line between the macabre, the ugly and the disgusting of all kinds, which demonstrates with complete awareness the savage side of human nature. However, it is the body and corporality which come to the fore in the article. These elements cease to be merely our private “property”, the body is no longer exclusively testimony of our existence but of repulsive mortality which is presented for effect, for the public to see, or it finally becomes an instrument in the hands of a murderer who triumphs, being able to do whatever he wants with the body of his victim. In the retro crime fiction of Marek Krajewski the body was cast from the pedestal into the area of sordid profanum, where the word “human” no longer produces a feeling of pride.
- Price: 4.50 €
Co porabia detektyw w czasie wolnym?
Co porabia detektyw w czasie wolnym?
(What does a private eye do in their free time?)
- Author(s):Adam Regiewicz
- Language:Polish
- Subject(s):Language and Literature Studies
- Page Range:52-69
- No. of Pages:19
- Keywords:crime story; comparative; music; culinary;feminism;
- Summary/Abstract:Crime novel is nowadays one of the most interesting stories about social and cultural phenomena. The greatest amount of information on these elements of reality, and at the same time the cultural identity, is conveyed in side plots, involving free time of the characters, mostly those leading investigations. Analysis of crime narrative from various national and cultural background (Polish, Italian, Spanish, French, Scandinavian and Russian) brings forth the differences in various manners of spending free time and therefore – practicing culture. Characters’ actions taken in their free time become an ideological element: of consent to or fight with the current rules of social life, the current customs. It can be seen that the manner of presenting the investigator’s free time affects the plot structure.
- Price: 4.50 €
Szpony zbrodni i szaleństwa? Choroba psychiczna w powieściach Roberta Galbraitha Wołanie kukułki (2013), Jedwabnik (2014) i Żniwa zła (2015)
Szpony zbrodni i szaleństwa? Choroba psychiczna w powieściach Roberta Galbraitha Wołanie kukułki (2013), Jedwabnik (2014) i Żniwa zła (2015)
(A dangerous combination. Mental illness in Robert Galbraith’s Cuckoo’s Calling (2013), The Silkworm (2014) and Career of Evil (2015))
- Author(s):Katarzyna Szmigiero
- Language:Polish
- Subject(s):Language and Literature Studies
- Page Range:72-87
- No. of Pages:17
- Keywords:crime fiction; mental illness; motivation of the killer; psychopath
- Summary/Abstract:Since Edgar Allan Poe, a master of the supernatural and horror, is usually seen as the father of the detective genre, it should come as no surprise that the character of an insane killer is so frequently met on the pages of crime fiction. An unpredictable psychopath/serial killer plays a pivotal role in many novels. Mental illness, which often remains hidden from the world, motivates the killers to commit perverse crimes while his cunning and intelligence makes them so difficult to trace. Such a presentation is not only inaccurate, since most murderers do not have any mental health issues, but also harmful for those diagnosed with a mental disorder. They frequently fight social stigma as for most people who are exposed to mass culture and sensation‑seeking media, a schizophrenic is usually synonymous to a killer. That is why, the three novels written by Robert Galbraith (a pen name of J.K. Rowling, known for her Harry Potter series) are worth a closer look. She plays with crime novel conventions presenting most murderers as ruthless and wicked but sane. It is their victims and the detectives who battle with traumatic memories and see mental health specialists. Mental illness often accompanies also other characters in order to make their lives more mundane, not more sensational.
- Price: 4.50 €
Fantazmat zagadki detektywistycznej
Fantazmat zagadki detektywistycznej
(Phantasm of a detective riddle)
- Author(s):Dominik Sulej
- Language:Polish
- Subject(s):Language and Literature Studies
- Page Range:92-115
- No. of Pages:25
- Keywords:Riddle; detective novel; Agatha Christie;Vladimir Nabokov;
- Summary/Abstract:The paper contains a semiotic characteristics of a riddle as a structure implemented in narrative prose. The aim of Agatha Christie’s and Vladimir Nabokov’s novels analysis is to prove that a riddle structure stays intact under specific conditions – the text must be a kind of a frame story which includes mise en abyme.
- Price: 4.50 €
Multimodalność jako narzędzie narracyjne w literaturze kryminalnej
Multimodalność jako narzędzie narracyjne w literaturze kryminalnej
(Multimodality as a Narrative Device in Crime Fiction)
- Author(s):Ksenia Olkusz
- Language:Polish
- Subject(s):Language and Literature Studies
- Page Range:118-139
- No. of Pages:23
- Keywords:Multimodality; literary theory; crime fiction; focalization; narratology
- Summary/Abstract:The article is focused on the analysis of the concept of multimodality in crime fiction, providing an outline of the multitude of the utilized narrative devices. This various aspects of multimodality are studied in visual (typography, layout, illustrations, binding, composition), audial or diegetic context, as well as in the ways the narrative may be focalized. This predominantly aesthetic components are not merely illustrating the plot, but serve as vehicles for world‑building as they contribute for constructing credible and immersive storyworlds. The exemplified works of crime fiction, both founding for the genre, and more contemporaneous, are viewed as relevant for postclassical narrative studies which therefore allows for revising the structural stereotypes of crime fiction from 60s.
- Price: 4.50 €
Początki kryminału – Auguste Dupin i Sherlock Holmes. Reminiscencje
Początki kryminału – Auguste Dupin i Sherlock Holmes. Reminiscencje
(Beginnings of crime novels – Auguste Dupin and Sherlock Holmes Reminescences)
- Author(s):Anna Depta
- Language:Polish
- Subject(s):Language and Literature Studies
- Page Range:141-154
- No. of Pages:14
- Keywords:Auguste Dupin; Sherlock Holmes; sociology of literature;detective story;
- Summary/Abstract:The main topic of the article is to show influence of Auguste Dupin and Sherlock Holmes, two most popular fictional XIXth century detectives (created by E.A. Poe and A.C. Doyle) on genre developement. The author characterises protagonists and describes how their features has become parts of literary detective category. What is more, she shows difference in heroes’ creation, which eventually let Sherlock Holmes be the detective’s archetype. In the articles terms from sociology of literature were used, especially those from reception theory by Marcin Rychlewski – division for transfer and esthetic zone.
- Price: 4.50 €
„[…] fałszywe tropy, zwodnicze, mylące pociągnięcia tego, kto stał niewidzialny, za całą tą sprawą”. Poetyka kryminału w Przyjacielu Stanisława Lema
„[…] fałszywe tropy, zwodnicze, mylące pociągnięcia tego, kto stał niewidzialny, za całą tą sprawą”. Poetyka kryminału w Przyjacielu Stanisława Lema
(„[…] false tropes, deceptive, misleading pulls by the invisible one who stayed behind all this”. The poetics of crime in Friend by Stanisław Lem)
- Author(s):Łukasz Kucharczyk
- Language:Polish
- Subject(s):Language and Literature Studies
- Page Range:156-168
- No. of Pages:14
- Keywords:Stanislaw Lem; genre conventions; crime story; anti-crime story;science fiction;
- Summary/Abstract:The article deals with the specificity of crime novels by Stanislaw Lem and presents the analysis of his short story Friend. The text begins with Lem’s views on contemporary crime stories and puts forward a most appropriate shape, which – in Lem’s opinion – model detective stories should take. After the presentation of the research conducted on Lem’s crime novels, I proceed to analyse Friend, the text that bears imprints of Lem’s future anti‑crime stories as well as displays certain relation with deconstruction.
- Price: 4.50 €
Po trosze powieść kryminalna. Przypadek Zbigniewa Białasa
Po trosze powieść kryminalna. Przypadek Zbigniewa Białasa
(A bit of a criminal novel. The case of Zbigniew Białas)
- Author(s):Dariusz Nowacki
- Language:Polish
- Subject(s):Language and Literature Studies
- Page Range:172-189
- No. of Pages:19
- Keywords:Zbigniew Białas; crime fiction; detective and historical fiction; Sosnowiec
- Summary/Abstract:The article deals with the book series written by Zbigniew Białas referred to as “Sosnowiec chronicles”, which were announced in the years 2011–2015. The writer employed some elements belonging to the convention of the urban vintage crime fiction, especially in the first and second parts of the trilogy. The author of the article reflects on the usefulness of the solutions employed by the writer, inquiring what he has achieved with them, how he has modelled the plot, and what prompted him to choose the formula of the historical detective novel as a matrix. These considerations are embedded in a broader genological context. Also, the author discusses the career of a sub‑genre of contemporary crime fiction initiated by Marek Krajewski’s first novel and its transformations, as well as critical literary reactions to this sub‑genre. The author pays special attention to the links between the urban vintage crime fiction and the so‑called literature of little homelands, a trend that dominated the Polish literature of the 1990s. He asks about the possibility of literary „splendouring” of urban space, demonstrating various solutions in this matter. At the same time, he reflects on socio‑literary transformations, pointing out that the authors of vintage crime novels – with few exceptions – have enjoyed only local fame, and their works seem to have been a response to local needs, often associated with the promotion of particular cities. Then he presents the image of the city (Sosnowiec) which emerges from Białas’s trilogy, focusing on the differences in the approach to spatial issues that are observed in the three subsequent volumes. At the end of the article, the author wonders about the perspectives of the story about Sosnowiec.
- Price: 4.50 €
Powieść post‑, neo‑ czy antymilicyjna. O twórczości Ryszarda Ćwirleja
Powieść post‑, neo‑ czy antymilicyjna. O twórczości Ryszarda Ćwirleja
(A post‑, neo‑ or antimilitia novel. On the works of Ryszard Ćwirlej)
- Author(s):Agnieszka Czyżak
- Language:Polish
- Subject(s):Language and Literature Studies
- Page Range:192-203
- No. of Pages:13
- Keywords:crime fiction novel; militia novel; new regionalism; tradition; memory;identity;
- Summary/Abstract:The main aim of the article is the interpretation of the works written by Ryszard Ćwirlej in the 21st century, in the years 2007–2016. The series of crime fiction novels shows investigations conducted by the Citizen’s Militia officers in Poznań in the 1980s, during martial law and a few years later. However, in Ćwirlej’s work, the history of the Wielkopolska community during the declining period of the People’s Republic of Poland is more important. Numerous images of the regional variation of those collective experiences and (too) many portraits of the inhabitants of the Polish province are the features that distinguish the author from many other contemporary writers of crime fiction.
- Price: 4.50 €
Polska powieść kryminalna retro. Czołowi przedstawiciele subgatunku i ich pomysły na cykle
Polska powieść kryminalna retro. Czołowi przedstawiciele subgatunku i ich pomysły na cykle
(Polish vintage crime novels The leading representatives of the sub‑genre and their ideas for novel sequences)
- Author(s):Ewa Krzywicka
- Language:Polish
- Subject(s):Language and Literature Studies
- Page Range:206-218
- No. of Pages:14
- Keywords:vintage crime novel; Marek Krajewski; Marcin Wroński; Paweł Jaszczuk; Konrad T. Lewandowski; Izabela Żukowska
- Summary/Abstract:The aim of the article is to introduce the most important representatives of Polish vintage crime novel, to provide a brief characteristics of their novel sequences and to indicate the elements from which they build their vintage worlds. The first part of the work is devoted to Marek Krajewski, the forerunner of this sub‑genre in Polish literature. The second part presents the works of writers who have followed his footsteps: Marcin Wroński, Paweł Jaszczuk, Konrad T. Lewandowski and Izabela Żukowska.
- Price: 4.50 €
Kobiecy detektyw w dziewiętnastowiecznych powieściach detektywistycznych i we współczesnych kryminałach retro autorstwa kobiet. Kilka uwag do tradycji kryminalnego pisania
Kobiecy detektyw w dziewiętnastowiecznych powieściach detektywistycznych i we współczesnych kryminałach retro autorstwa kobiet. Kilka uwag do tradycji kryminalnego pisania
(Female detective in the nineteenth century mystery novels and in the vintage‑style crime fiction by women writers A few remarks to the tradition of female crime fiction)
- Author(s):Maria Berkan‑Jabłońska
- Language:Polish
- Subject(s):Language and Literature Studies
- Page Range:220-236
- No. of Pages:18
- Keywords:lady‑detective; female crime fiction of the 19th century; A.K. Green; L.C. Pirkis; M.R. Rinehart; N. Szagdaj; vintage‑style crime fiction
- Summary/Abstract:The article reminds a few works representing the nineteenth‑century detective literature by women writers with a female protagonist in the role of detective. Stories and novels by Catherine Crowe, A.K. Green, L.C. Pirkis and M.R. Rinehart can be not only a good example illustrating the meandering path of development of the literary genre, but also can document the ways in which the popular literature, with its important component like crime stories, cooperates with the growing emancipation tendencies. The characters of female detectives illustrate the problems of identity of women and reveal the truth about their difficult confrontation with the public life in the 19th century. The analysis of the past detective novels give the opportunity for the fuller assessment of contemporary vintage‑style crime fiction by women authors, which plot refers to the nineteenth‑century realities (eg. R. Bowen, N. Szagdaj).
- Price: 4.50 €
Joe Alex – kryminał inteligencki w PRL‑u
Joe Alex – kryminał inteligencki w PRL‑u
(Joe Alex – highbrow crime fiction in the People’s Republic of Poland)
- Author(s):Rafał Szczerbakiewicz
- Language:Polish
- Subject(s):Language and Literature Studies
- Page Range:240-254
- No. of Pages:16
- Keywords:Maciej Słomczyński; Joe Alex; highbrow crime fiction; the People’s Republic of Poland (PRL)
- Summary/Abstract:The literary projects of Maciej Słomczyński – a renowned translator of the classical canon of the so‑called serious literature (Shakespeare, Milton, Carroll, Faulkner etc.) – which cover popular genres, are an integral part of his multi‑faceted artistic output. He was inter alia the author of milicja novels (published under the pen name of Kazimierz Kwaśniewski) and the author of novels which constitute a peculiar continuation of the Anglophone crime fiction represented by the tradition of Agatha Christie (published under the pen name of Joe Alex). These works indicate that in Poland the metatextual crime fiction of the theoreticians of literature (e.g. Marek Krajewski, Mariusz Czubaj, Krzysztof Zajas) represents a more durable tradition that we think. In the present article I focus on the figure of Joe Alex as the desired alter ego of Słomczyński himself. On the one hand, the erudition of the distinguished translator to a great extent make these novels intertextual novels, which imitate his favourite Shakespearean “theatre within a theatre”, but which also engage a peculiar game with the fluid boundaries of modernist literature and – in a broader fashion – of culture. On the other hand, they are underappreciated, very early (in the Polish circumstances) and right away ironically refined literary games which undermine the binding discourses and regimes of the so‑called high culture.
- Price: 4.50 €
Joe Alex i kicz
Joe Alex i kicz
(Joe Alex and kitsch)
- Author(s):Ewa Bartos
- Language:Polish
- Subject(s):Language and Literature Studies
- Page Range:256-269
- No. of Pages:15
- Keywords:Joe Alex; kitsch; Maciej Słomczyński; crime fiction
- Summary/Abstract:According to Saul Friedländer, kitsch has an aesthetic and an ethical dimension. The short essay Joe Alex and kitsch [Joe Alex i kicz] is an attempt at a description of the crime novels of Maciej Słomczyński as a peculiar representation of kitsch in both dimensions.
- Price: 4.50 €
O kilku aspektach kryminałów Zygmunta Miłoszewskiego i ich recepcji w świetle świadectw odbioru trylogii o prokuratorze Szackim
O kilku aspektach kryminałów Zygmunta Miłoszewskiego i ich recepcji w świetle świadectw odbioru trylogii o prokuratorze Szackim
(On several aspects of Zygmunt Miłoszewski’s crime novels and their reception in the light of facts regarding reception of the trilogy starring prosecutor Szacki)
- Author(s):Leszek Bedkowski
- Language:Polish
- Subject(s):Language and Literature Studies
- Page Range:272-291
- No. of Pages:21
- Keywords:detective story; movie; review;Zygmunt Miłoszewski;
- Summary/Abstract:Aspects of the discussion being subject of the article are focused on three intersecting issues: popularity, evaluation and polemical readings of Zygmunt Miłoszewski’s novel sequence and they are captured in the perspective of reception evidence on the polish writer’s trilogy of crime novels, which is also a point of the undertaken reflection. The evaluated evidence confirms that the convention of „social” crime novel being implemented by the author of „Rage” is not inherent in trespassing the horizons of readers’ expectations and the feeling of repudiation (diminution) of crime novel genre rules or blurring its boarders; it also does not diminish the feeling of attractiveness of crime intrigue in particular parts of the series. This is tightly coherent with reflection on the condition of society, which indicates crucial impact of interpersonal relationships and social phenomena, being depicted in the novels, affecting the course and the final result of each of the described investigation. They expressly determine motivation of actions undertaken by the detective and criminals; “marks” and „scars” or even tools and methods being left after committing the crime lead to them, as well. Furthermore, „social” contents and moral background used in the trilogy of crime novels represent also a part of the author’s intellectual game played with the reader, which goes beyond the crime scene investigation. The combination of an attractive intrigue and a social diagnosis that both appear as the most crucial attribute and value of the author’s novels, becomes the source of disputes over the series of novels featuring prosecutor Szacki. Regretfully, they are ideological in their nature, alas, numerous records of reception, becoming a subject of political discourse, are losing the „literacy” aspect of the author’s crime novels; they also marginalize their perceptible contrariness, irony, internal dialogism, which undermine the uniqueness of ideologised interpretations and assessments.
- Price: 4.50 €
Zbrodnia w utopii, czyli realizm fantazmatyczny w nordyckich kryminałach
Zbrodnia w utopii, czyli realizm fantazmatyczny w nordyckich kryminałach
(Crime in Utopia, or phantasmatical realism in Nordic crime fiction)
- Author(s):Andrzej Juszczyk
- Language:Polish
- Subject(s):Language and Literature Studies
- Page Range:296-310
- No. of Pages:16
- Keywords:crime fiction; utopia; Scandinavia; novel;phantasm;
- Summary/Abstract:In the present article the point of departure is represented by the immense popularity of Nordic crime fiction, inter alia in Poland, which it has enjoyed for at least a few years. An attempt at explaining this phenomenon necessitates an examination of the peculiar features of this literature, among the most important of which seems to be faithful, even veristic representation of the local communities of Northern Europe. O wing to a more in‑depth analysis one may discern a certain phantasmaticality of the image of the North as the background of crime fiction plots – this phantasm is astonishingly constant and permanent, and also appealing to the Polish (and the European) reader. The permanence of this literary model is confirmed by various practices of the publishers, e.g. the fabrication of the Nordicness of authors who have nothing to do with northern Europe or the setting of books in the increasingly outer reaches of Europe (the Faroe Islands, the Shetlands, Iceland etc.). The article contains analyses of numerous literary examples of crime fiction in order to establish a standard model of Nordic crime fiction, and it also constitutes an attempt at answering the question about the origin of its current popularity.
- Price: 4.50 €
Niepokoje Anniki Bengtzon – cykl Lizy Marklund jako przykład wieloaspektowości szwedzkiej powieści kryminalnej
Niepokoje Anniki Bengtzon – cykl Lizy Marklund jako przykład wieloaspektowości szwedzkiej powieści kryminalnej
(Unrest Annika Bengtzon – the series of crime novels by Liza Marklund as an example of a multifaceted Swedish crime fiction)
- Author(s):Monika Samsel‑Chojnacka
- Language:Polish
- Subject(s):Language and Literature Studies
- Page Range:311-325
- No. of Pages:15
- Keywords:Protagonist; women’s social role; Scandinavian noir
- Summary/Abstract:When at the end of the 20th century a Swedish journalist Liza Marklund entered a competition for the best female debut within the crime novel organized by Deckarakademin she opened the new perspectives and possibilities for young female writers writing about crime. In the meantime she also introduced some new dimensions into the genre. Her series tells a story of Annika Bengtzon who started her job career as a young journalist apprentice in the capital city and continued climbing up the career ladder while fighting with injustice, as well as learning constantly new thing about life and society. The series a modern example of Bildungsroman which is divided into eleven volumes. A very important aspect, which is present in the whole series, is an observation of metamorphosis undergoing within the two decades on the verge of centuries. The novels become an anthropological record, showing a society during transformations, as well as evolution of Stockholm as seen by the main character of the novels. Each volume is a voice in a social debate concerning violence against women, immigrants, the heritage of the generation of 68 and their communist ideals, capital punishment, the role that media play in the society, neutrality of Sweden as well as anonymity on the Internet and responsibility in the virtual world. However, the story character of Annika herself is a construct which remains under the debate as the young journalist tries to combine her career with family life as well as struggles with various social roles ‑ more or less successfully. It makes her also fight with dilemmas which seem to be common for the European women nowadays.
- Price: 4.50 €
Skandynawski kryminał XXI wieku na przykładzie serii Andersa de la Motte’a „Geim”
Skandynawski kryminał XXI wieku na przykładzie serii Andersa de la Motte’a „Geim”
(Scandinavian crime novel of the 21st century – the novel series „Geim” by Anders de la Motte)
- Author(s):Rafał Chojnacki
- Language:Polish
- Subject(s):Language and Literature Studies
- Page Range:328-337
- No. of Pages:11
- Keywords:Nordic noir; Anders de la Motte; Geim; new media;technology;
- Summary/Abstract:One of the reasons why crime novels are constantly so popular and successful, is the adaptive abilities of crime fiction itself. Although one could believe that there is no place for a mystery and riddle in the modern world of mobiles, computers and omnipresent cameras, it occurs that writers are able to surprise their readers. Scandinavian crime fiction has made us get used to the fact that it is much more than just pure entertainment. After reading a few novels coming from Scandinavia one may await something more than is usually offered by this genre. We crave for being told more about problems and fears of people nowadays as well as their beliefs and judgements about the modern world. This has been followed by a Swedish writer Anders de la Motte in his debut novel: [geim]. It is the first part of the trilogy with the same title. It characterizes with swift action and the plot located in the contemporary reality of the biggest one of Scandinavian metropolises. The author presents the dangers which accompany the newest technologies. He uses also new possibilities of the fiction plot offered to us by the 21st century, thanks to that he sets Scandinavian crime fiction on new tracks.
- Price: 4.50 €
