Rytmika E. Jaques-Dalcroze’a – przez ruch do muzyki
E. Jaques-Dalcroze Eurhytmics – through movement to music

Author(s): Marta Kula
Subject(s): Theatre, Dance, Performing Arts, Fine Arts / Performing Arts, Music, Sociology of Art
Published by: Wydawnictwo Uniwersytetu Śląskiego
Summary/Abstract: 2015 was a year of celebration the 150 birth anniversary of Emil Jaques-Dalcroze – founder of Eurythmics. In Poland, known rather often as a method of working with children. Meanwhile deep humanistic dimension did not allow to close method just to music pedagogy.It was thought to develop musicality in any age group among musicians, amateurs, dancers, actors and in therapy, but moreover – to educate sensitive human being. All because of significant role of connetcted to the music, authentic and organic movement of the body, which is trained to function in harmony. Dalcroze has underlined that the aim of method is to gain balance and free cooperation between thoughts, the nervous and motoric system. Artistic dimention of Eurythmics during activity of Dalcroze has also influenced on research and changes in dance and choreography and among authors connected to the stage. They willingly visited the Hellerau Instuitute to take a part in Eurythmics, solfege and improvisation lessons, and to see results of his works during public demonstrations (it is worth to mention such an artists as W. Niżyński, M. Wigman, M. Rambert, S. Diagilew, P. Claudel, B. Shaw). What is a body musicality in Eurythmics method? Why Dalcroze criticized ballet productions? Who and what for Eurythmics exists today?

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