Keywords: government; structure; organization; functionality; political system
The volume tackles the meaningful stages of the historical-legal level that equaled the emergence and evolution of the concept of „government”, starting from the example of the Paris Convention (1858) and continuing with the Romanian Constitutions from 1866, 1923, 1938, 1952 and 1965. In light of the doctrine and legislation, a thorough analysis was performed regarding the organizing, functioning and, nonetheless, particularities of the governments that succeeded the Romanian government in the bourgeois and communist political system.
More...Keywords: turism; Carpatians; Hohe Rinne; SKV; Sibiu
This work presents the way Hohe Rinne (Păltiniş) resort was founded, from the first intentions (1885) to the building of the first chalets (1892-1894). The research has been based on documents, postal history items, postcards and photos, SKV year books and memoirs. Păltiniş (Hohe Rinne) was the highest altitude resort opened in the Carpathians (June 10th, 1894). Its founder was The Transylvanian Carpathian Tourists Society (S.K.V.), an important Saxon association, active between 1880-1945, who also built many chalets like Bâlea, Negoiu, Preşba, Urlea, Mălăieşti, Bolboci, Parâng. The chalets of Păltiniş Rest Home (Kurhaus auf der Hohen Rinne) and related facilities needed a high amount, equivalent to about 100 kg of gold in that time currency. This sum was obtained 50% from donations and SKV funds, the rest being guaranteed with his own wealth by the first president of SKV, advocate dr. Carl Conradt. The first buildings from Hohe Rinne were constructed by Romanian workers leaded by Şerban Cruciat from Răşinari.
More...Keywords: Vasile Voiculescu; poetry; traditionalism; Orthodoxism in poetry; discours; allegory; lyricism; ideal; hieratic.
Vasile Voiculescu resorts to a vocabulary that has no aesthetic tradition. His poetic word reflects, on one hand, a contingent reality and, on the other, it transfigures it, it restores a degree of ideality to it, a hidden facet that can only be retrieved through a poetic "reading" of the world. Voiculescu perceives with unexpected intensity the drama of language which is unable to represent reality without flaw, integrally, with its many-sided facets, as he lucidly records the subtle relationship between expressed and unexpressed, between nameable and unnamable. The exuberant diversity of allegories, together with the uttermost plasticity of parables in Voiculescu’s poetry translate the ideal into the terms of the real. Harsh, unrefined, succulent words appear to address the sense of taste more than aesthetic perception. However, there is a specific grace of detail and stylization, like in the art of reverse glass icon-painting, that renders lyrical images hieratic. Heavy materiality, elementary force and Botticellian hieratism are combined in a new poetic flow. The poetic word is also a revelation of the world's original dimensions, a mirroring, in a small sonorous space, of the boundlessness of the universe. But the word is also the one that incorporates in its fragile pattern human emotions of an overwhelming diversity: love, hate, distortion, rebellion, nostalgia, suaveness.
More...contents of studia Philosophia 2/2002
More...Keywords: history; review;
Review by Silvia Bocancea
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