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Conversation between Dr. Anatoli Kanev and Prof. Dr. Miliyana Kaymakamova about Bulgarian history and role Politics played in different periods of it. There is one question to be answered and it is: How to make history "interesting" in suited in the modern society?
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Conversation between Dr. Anatoli Kanev and Prof. Ilia Todev about the role of historians and more specifically the history of Batak.
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With interdisciplinary and deeply original and pioneer scientific contributions, Emil Racoviţă was a Romanian biologist and bio-speleologist, founding father of this later discipline, well known all around the world. Hard-worker, with an exemplary scientific probity, with unusual analytical intellect, both in laboratory and in the field investigations, he proved to be a visionary explorer of oceans and caves, and author of general concepts in the evolutionary thought. We celebrate in 2018,150 years since Racoviţă was born. The scientists from the Institute of Speleology (founded by him), together with all biologists from the country, are grateful and proud to continuing his ideal of scientific research of living beings, and to working in their morphology, systematics, ecology, origin, evolution and distribution.
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The present paper aims at research of relations between Assyria during the reign of Ashurnasirpal II and three Neo-Hittite kingdoms – Carchemish, Patina and Kummuhu, situated in North-western Syria and neighbouring parts of Turkey. The first part of the study is dedicated to the political events in the relations, marked by the campaigns of the Assyrian ruler in the first half of IX century BCE. The analysis here is based mainly on written sources – Assyrian royal inscriptions, which describe events in terms of campaigns, subjugation and tributes, received from Neo-Hittite kings. The second part of the study is dedicated to the cultural interaction between Assyria and the three kingdoms mentioned above, as result of their subjugation. Here the analysis is based on artifacts, mainly stone slabs with reliefs and some cylinder seals. Some new observations on the chronology of the monuments and their scenes are added, as also some new conclusions on the direction of influence in some artifacts and their elements. The question about the role of Assyria in the process of cultural interaction is especially discussed in the light of new observations. It is concluded, that the cultural interaction in this period is a bilateral process with long-term consequences in the art and politics.
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The five petal flower is not a simple decoration. It's an important heraldry. Looking at the old seal of Câmpulung, which, together with the seals of the cities of Baia (14th century) and Roman (15th century), are the only ones with a legend in Latin, we draw attention to a repetition - the presence of two times of the star and the semilune. The star and the crescent also appear on the coat of arms of Moldova. Next to these flowers with five petals. In order to find the meaning of the symbol, there are presented old and new examples of rosettes or flowers with five petals, respectively ten petals, if they are double lobes. The study looks at elements of architecture, urbanism and landscaping in setting up the whole area of Campulung with the two towers on which these flowers appear in stone sculptures, that of Negru Voda, the highest medieval center in Wallachia and SfGheorghe church potters. The location of these towers, taking into account the distances and landslides, reveals advanced astronomy knowledge. This type of construction and the tectonic discharge of the system, using semisferic arches and domes, leaving ample, free-at-ground ground voids, forming the triumph arcs, shows the personality of the imported rulers who ordered them. In the 14th century Câmpulung was the capital of Wallachia where, in 1352, it passed to the eternal, the Great Basarab I the Founder.
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Aim: The aim of the text is a brief presentation of the conference that took place on March 15-16, 2018. At that time, the 3rd National Scientific Conference entitled: “Man – Information. Book. Media “ took place at the Collegium Humanisticum of Nicolaus Copernicus University in Toruń (hereinafter: UMK) Its organizer was the PhD Student Scientific Circle ePRINT, operating at the Institute of Information Science and Bibliology of Nicolaus Copernicus University. Research method: The author participated in the symposium sessions, listening to all speeches, additionally asking questions during the discussion. Results/Conclusions: The conference is a great initiative for young scientists, who thanks to it can test their skills in this type of activity; it was the fourth edition of this congress. Unfortunately, the overall positive impression was spoilt by a few speeches of low quality that should not have been allowed to be delivered.
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The essay focuses on love as a characteristic marker of a finite existence and its inherent relationship with others. Against the thanatophilic thought of Martin Heidegger, who defined human life as being-towards-death, the author would like to develop a philosophy of love which is, at the same time, an alternative philosophy of finitude. In order to do so, she evokes the Jewish concept of ahava which cannot be reduced either to the Greek sublimatory eros or the Christian agape. The author understands ahava as a way in which finite contingent life says yes to itself as a life, and not as a short-lasting moment of being, dead the very moment it gets born (as in Schopenhauer.s famous pun: natus est denatus). She also claims that there is a specifically Jewish conception of the love of the neighbour, which cannot be conflated with the Christian one and which implies its own rendering of both ‘love’, constituting an alternative to death, and ‘the neighbour’, constituting the truly singular other.
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Na odabir termina paratekst, kojim je moguće definirati specijalne žanrove u srednjovjekovnoj književnosti, filolozi su potaknuti definicijama i interpretacijama iz teorije književne kritike do kojih je došao Gérard Genette. Paratekstualnost je odnos između teksta i njegovog parateksta, koji okružuje glavni tekst, kao što su naslovi poglavlja, predgovor, uvod, pogovor, sažetak, napomene, ilustracije, sve što je pored teksta, s osnovnom svrhom da poboljša i prilagodi njegovu recepciju. U srednjovjekovnoj su rukopisnoj tradiciji naslovi poglavlja ili glave (capita), koje nose glavno (kapitalno) značenje sadržaja pripovijesti, potom popratni tekstovi u rukopisnoj tradiciji četveroevanđelja poznatoj kao sinopsis i hipotezis tipično paratekstualne prirode, a takvim se može smatrati i aparat koji je specijalno osmišljen za sinoptičko čitanje teksta četiriju evanđelja, naime Euzebijevi kanoni na hotizontalnim marginama. U Mletačkom i Hvalovom zborniku ta se pravila nalaze na istaknutom mjestu, na početku knjige a popraćena su tradicionalnim tekstom, Euzebijevom poslanicom Ciprijanu, u kojoj je objašnjena njihova svrhovitost. Riječ je o podjeli teksta četveroevanđelja na takav način koji omogućava usporedbu odlomaka u kojima su “evanđelisti jedno rekli.” Osim svih tih formalno uočljivih uputa redaktora oko, ispred, iza i iznad samoga glavnog teksta, kao paratekst se tumače načelno i svi parabiblijski tesktovi, koji se u odnosu na kanonski tekst mogu smatrati periferijskim tekstovima. Tekstovi ove vrste širili su se uglavnom sekularnim putevima i sačuvani su u zbornicima apokrifne literature. Nešto su rjeđi slučajevi kada oni ulaze u sastav kodeksa s primarno kanonskim sadržajem. Većina ih je prevedena u Preslavu u razdoblju od kraja 9. i početka 10. stoljeća. Obilježeni su intertekstualnošću, koja uključuje citiranje, reminiscencije i aluzije na kanonski tekst. Priređivači tih tekstova uživali su veću slobodu pri prepisivanju nego što je to slučaj s prepisivanjem kanonskih tekstova. Dijalektalne odlike lakše su prolazile u te tekstove, pa oni imaju poseban značaj i sa stanovišta historije jezika.
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From 2002 to 2015 a considerable number of large-scale, geopolitical bannered exhibitions have been dedicated to the ‘the Balkans.’ This article aims to analyze and compare two types of regional, large scale exhibitions from/on the Balkans: contemporary art exhibitions and interpretative (dedicated to historical and ethnographic themes) exhibitions. The pervasiveness of the stereotypical visual representations of ‘the Balkans’ – called by the Bulgarian artist Luchezar Boyadjiev the ‘Balkan blue’ – as a region of everlasting conflicts and binary oppositions coincides with the birth of contemporary Balkan art. By attempting to overcome the stereotypical images of the Balkans (‘the Balkan ethos’) still prevalent in our days, the travelling exhibition ‘Imagining the Balkans: Identities and Memory in the Long 19th Century’ – opened in Ljubljana (Slovenia) at the National Museum of Slovenia, in April 2013 and then displayed in other national museums of history from the Balkan region – endeavors to place national histories in a perspective where they interact.
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The first part of the article presents the theoretical and methodological basis of the study of interconnections and interactions between the social and plant world in gardens, with an emphasis on the concept of biocultural diversity. Experience from collaborative field studies of ethnologists and botanists has been shared. The second part presents observations and reflections on the garden as a multilayered topos: an economic but also an aestheticized place; a place of conservation of genetic resources and knowledge, but also of experiments and innovation; a place where the diversity and composition reflects social relations, hierarchies and conflicts, social mobility and migration, memory of important events and loved ones, cultural orientations and values. The analysis shows that the garden is characterized by constant doing and incompleteness, that it is a place where people bring together different spaces and times and that each garden has its own biography that reflects the life trajectories of its owners.
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The author of the article “Romanian gard – An Old Germanic Loan and Its Linguistic-Historical Implications” aims to clarify the etymology of a much discussed Romanian term. About the origin of Rmn. gard (‘enclosure, fence, garden, wickerwork barrier for fishing’) three main etymological explanations have been proposed in course of time: (1) earliest of all, Diez considered that Gothic gards (‘house, household, family, courtyard’) could account for both Romanian gard and Albanian gardh (‘hedge, palisade, dam’); later it was only Scriban and Gamillscheg who were definitely in favour of an Old Germanic origin for Rmn. gard; (2) most other scholars followed Miklosich’s authoritative (but hardly credible) opinion according to which the Romanian word under discussion simply derived from Old Slavic gradъ (‘fortified settlement’); (3) and in more recent times, specialists like Russu and Brâncuş considered Rmn. gard to be a substratal (Thraco-Dacian) term closely related to Alb. gardh. The present author brings new arguments in favour of the Old Germanic etymology (which was credibly sustained in Gamillscheg’s Romania Germanica). One of the main arguments taken into account below is that O.Slav. gradъ itself is best explained as a very early borrowing from Germanic, that idea being archaeologically supported by the numerous traces of Old Germanic (even pre-Gothic) “enclosures” that have been found in now Slavic territories north of the Carpathians. In regard to phonetics, in Slavic (a satem language, like Thracian, for that matter), a word that etymologically corresponds to Phrygian -gordum (in Manegordum) and to Latin hortus ‘garden’ should have an initial z; and, in fact, Russian does contain such a native word: zorod ‘enclosure for haystacks’, a remote relative of Russ. gorod ‘city’ (the latter being an East-Slavic version of the Germanic loan gradъ). This author considers that, even before East-Scandinavian Vikings came to control East-Slavic territories that they designated as Gardar (on the Dniepr), earlier Slavs had come into touch with Old Germanic “enclosures” (as power-centres, and nuclei of cities to-be), of the kind designated by Goth. gards. Such a term also became known, independently, to pre-Roman ancestors of the Romanians (and to proto-Albanians) in Central-Southeast European regions controlled by one or another kind of Old Germanics (as Herrenvolk). That kind of early contact, which certainly preceded the Slavic expansion of the 6th–7th centuries, can account for the fact that Romanians have preserved the term gard with archaic-rural meanings, and (in form) without the specific Slavic metathesis, gar > gra (a feature that is manifest, for instance, in the Romanian term grădină ‘garden’, an obvious Slavic loan). So, Rmn. gard appears to come from pre-Roman substratal idioms (as several important scholars have assumed), but in those idioms such a term was an Old Germanic loan, a fact that is indicated by both its initial consonant g, and its vowel a (as regular Germanic development from an Indo-European o – cf. Lat. hortus). From the language of earliest Slavs (Sklavenoi) who moved south, Romanians subsequently inherited ogradă, grădină, and grădişte (themselves based on Old Germanic loans), but not also gradъ.
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