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The article analyzes the experience of sensual self-approval ,that a person receives in the process of imagination. The possibilities of the imagination in the overall process of aestheticization of the world are being explored on the basis of the analysis of productivity of imagination at the work on musical work.
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In the article it makes an effort to form a new conception of historical and musical science (and also new course of history of the Ukrainian music for high schools), basing on the analysis of scientifical researches of modern Ukrainian researchers and science-pedagogical workers.
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The article is devoted to the coverage of compositional and artistic features of trio genre interpretation in the first half of XIX century. Through the prism of romantic world understanding and world perception makes an effort to distinguish new dynamic features of trio genre model on the example of Clara Schumann’s (Wik) fortepiano trio. The first time in the Ukrainian musicology makes an analysis of chamber and instrumental creative of Clara Schumann in the context of German musical romantism of the first half of XIX century.
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This article is devoted to conceptual albums which represent a large form in rock music. Conceptual album is determined by different signs as genre. An attempt of conceptual albums classification including their integrity, maintenance and performance composition is made. Author uses analytical apparatus of the academic musicology investigating nonacademic musical tradition.
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The article is dedicated to pedagogical and performing work of famous Katerinoslav pianists: N. Vilpert, M. Zubov, M. Pasenko, P. Lur’ye-Zastrabska, A. Shepelevska – the representatives of school of Esipova, K. Fan-Arka, P. Shlotzer and the analysis of the influence of their creativity on the evolution of piano school region.
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The article is devoted to the difficult period in development of the Ukrainian jazz – 60-70 years of XX item where attempt to systematize event is carried out, actions, creativity of Ukrainian jazz musicians in the traditional (for today) jazz centers of Ukraine.
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The article considers a sense correlation of the range of definitions: creativity – creative art activity – artistic environment. It investigates an art activity as an important factor of forming of the modern artistic environment. A significance of extra studying creative cultural arrangements on the formation of the creative personality and art environment is proved.
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It is a question of the features of the singsong in its historical, theoretical and practical aspects, about sources of the domestic church singing culture in the context of the historiographic sources in the article.
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Historical aspects of development of photo-electrical musical instruments are researched in the article. Original classification is provided, along with the main working principles of several instruments.
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In the article documents which light up private pedagogical activity of pianist S. Dnistryanska in Uzhgorod are regarded. The special attention is given on the analysis of her tutorial, concert and pedagogic repertoire for students.
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The article studies the peculiarities of the Ukrainian musical performance and traces their functioning in the works of Ukrainian artists in exile. The works of pianists Lyubka Kolessa, Savitsky Roman, and Daria Hordynsky-Karanovych are considered. Depth trends of musical thinking that form the individual style of each of the musicians which are closely associated with the Ukrainian mentality and traditions of Ukrainian musical culture are discovered.
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In the article the considered achievements of composers and musical theorists of XVII of century : N. Dileckiy, S.Ribak, M. Berezovskii, G. Golovni, S. Bishakovskie, that inculcated, in that time, the single general and specialized musical departmental teaching.
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The article is dedicated to the problem of the humanity return to lost harmony and order. The idea of this research is in opening of the assimilation of the highest organizing meta-principle of Reiteration in art of music, which is potentially able to reinforce the effect of the humanistic philosophical intentions by adequate harmonic means.
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The work is direct to view the course of life of Oleksandr Znosko-Borovskiy. The author concentrates on the presentation of the complete biographical lists about the composer with the insertion of the cultural and historical context of his time.
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The article deals with figures of two guitar virtuosos of the first half of the 20th century Charlie Christian and Django Reinhardt in the context of introducing the guitar into jazz art. The contribution of both guitarists to a jazz guitar performance of the 20th century and to the jazz manouche style formation in particular is analysed.
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The article is sanctified to research of features of forming of voice ideal in the Zakarpattia instrumental culture of shepherd tradition.
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This article deals with the main junctions of performing apparatus in the process of sound producing with different wind instruments, as well as theoretical and practical aspects of intonation in wood and brass wind instruments.
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In the article are analysed processes which took place in cultural life of Vinnytsya at the beginning of the XX item. That by the characteristic features of cultural and art life of Vinnytsya of third of the XX item were: origin and development of dramatic art; intensive concerto tour activity; organization of the system of musical activity of branch Allukrainian musical of the name of M. of Leontovicha, directed on development of domestic musical culture; creation of plenty of choral, instrumental, vocally instrumental artistic collectives.
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The article examines the compositional style features major concert works for them accordion-known Ukrainian accordionist Nikolai Rizol that made AV-uring in 1940-50s. Focuses on the artistic value of these works in the process of becoming commonplace domestic professional literature.
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