Изобразителното изкуство като средство за емоционално-естетическото развитие на децата

Author(s): Tatiana Buyanova / Language(s): Russian Issue: 2/2017

The article deals with the role of aesthetic feelings in the upbringing of a child, the importance of fine art for the emotional and aesthetic development of preschool children. The term “language of fine art” is defined, its features are revealed, accessible for perception to preschool children. The interrelation between the children’s mastering of artistic means of fine arts with the increase in the quality of emotional expressiveness of children’s drawings and, in general, with the development of children’s fine art is proved. It is noted that art can be regarded as a factor in the integration of a child into a cultural space.

Публикации по старобългарска литература и култура, излезли в България през 2017 г.

Author(s): Adelina Germanova / Language(s): English,Bulgarian,Russian Issue: 57-58/2018

Rezensionen

Author(s): Author Not Specified / Language(s): German Issue: 16/1984

Review of: Olaf Leitner: Rockszene DDR. Aspekte einer Massenkultur im Sozialismus. Hamburg 1983. Rororo 7646, 509 Seiten, öS 150.50/DM 19.80 Ossip Mandelstam: Die Reise nach Armenien. Bibliothek Suhrkamp, Frankfurt 1983,138 Seiten Edward Topol & Fridrikh Neznansky: Red Square. Corgi Books, London 1983,413 Seiten, £1.95 Alexander Nemow: Geschäfte in Baku. Scherz Verlag, Bern und München 1983, 288 Seiten, öS 232.40/DM 29.80 Sowjetunion 1982/83: Ereignisse, Probleme, Perspektiven. Hg. vom Bundesinstitut für ostwissenschaftliche und internationale Studien. Hanser Verlag, München-Wien 1983, 366 Seiten Hans-G. Wehlin (Hg.): DDR. Verlag Kohlhammer TB 1064, Stuttgart 1983, 239 Seiten, öS 156.-/DM 20.- Rudolf Ströbinger: Der Mord am Generalsekretär. Stalins letzter Schauprozeß — Das Tribunal mit Rudolf Slansky in Prag. Burg Verlag, Stuttgart-Bonn 1983, 144 Seiten Iring Fetscher: Der Marxismus. Seine Geschichte in Dokumenten. Philosophie, Ideologie, Ökonomie, Soziologie, Politik. R. Piper & Co Verlag, München 1962, 1983. 960 Seiten, öS 193.40/DM 24.80 Jerzy Holzer: »Solidarność« 1980- 1981, Geneza i Historia. Herausgegeben von: Institut Literacki, Paris 1984, 357 Seiten, öS 275.- Wolfgang Seiffert: Kann der Ostblock überleben? Der Comecon und die Krise des sozialistischen Wirtschaftssystems. Gustav Lübbe Verlag, Bergisch Gladbach 1983, 254 Seiten

Głos ze świata. „Wersy o koniecznym oporze” Szczepana Kopyta

Author(s): Patryk Szaj / Language(s): Polish Issue: 2 (20)/2022

Patryk Szaj attempts to inscribe Szczepan Kopyt’s Wersy o koniecznym oporze [Verses about the Necessary Resistance] into the theoretical framework of the Capitalocene. The starting point is the reconstruction of the conditio of criticism in the Anthropocene. He opposes the beliefs expressed by some representatives of the Anthropocene discourse that criticism is ineffective in the face of the planetary challenges of this epoch. He argues that we criticism is till needed, as is also emphasized by the concept of the Capitalocene as an alternative to the Anthropocene. Next, Szaj moves on to a dialogue with Kopyt’s work. Using both the findings of critical theory and (new)materialistic concepts, Szaj points to Kopyt’s debt to both these traditions. He shows that Kopyt has managed to avoid the “speaking out of nowhere” that is associated with criticism. Kopyt speaks “from the world,” and his voice is that of a participant. This perspective, reconstructed in the article on the basis of Kopyt’s Wersy o koniecznym oporze, allows the poet to diagnose the anachronism of some Marxist heterodox practices (autonomism), as well as to note and creatively develop the positive and negative entanglements of human and inhuman actors in the era of Capitalocene.

На ръба на играта: "Притчата за Стенли/The Stanley parable"

Author(s): Snezhana Popova / Language(s): Bulgarian Issue: 13/2023

Galactic Cafe's videogame The Stanley Parable (2013), with a 2022 remake as The Stanley Parable Ultra Delux, becomes a base for reflections about the communicative boundaries of the game in its classical parameters.

Възходът на аудиовизуалното съдържание за компютърни игри в социалните мрежи

Author(s): Nikolay Kolev / Language(s): Bulgarian Issue: 13/2023

Since the 1970s, the Gaming Industry has grown rapidly into a cultural, social and economic phenomenon. Until another major tumultuous social change or process occurs, Digital Transformation will dictate the trends of blending the borders of virtual and real worlds for current and future generations. Parallel to that the Rise of Audiovisual Content for Video Games also stands out. A hybrid process that turns a computer game into a mix of Active and Passive Entertainment as well as a social experience.

Животът като игра и играта като живот: качества и особености на успешната симулационна игра

Author(s): Gergana Minkova / Language(s): Bulgarian Issue: 13/2023

The study, based on part of an even larger study in the gaming field, examines the characteristics and features of simulation games, focusing on some of the most widely recognized benchmarks in the genre - The Sims, Animal Crossing and Second Life. What makes a simulation successful and how can it hold the attention of the audience? The text offers hypotheses and possible answers, developing on the basis of fan base behaviour, aesthetic qualities and product capabilities.

Технологичното решение за изнасяне на подкастите на БНР в отделна среда

Author(s): Alexandra Ilieva / Language(s): Bulgarian Issue: 13/2023

The Podcast as a separate format has gradually become more and more popular in the Bulgarian National Radio network. This process was initiated back in 2019 when “BETAgames” became the first ever BNR podcast. The development of the podcasts in the BNR network went through different stages, each of which implemented different technical and consumer solutions. These technological solutions to a very large extent influenced and shaped the way the audience accepted the new format. The article studies these different stages with a strong accent on the implemented solutions and the feedback from the audience. In addition, the article includes some recommendations that would increase the popularity and the reach of the podcasts in the BNR framework, resulting in an even higher level of fulfilment of the statutory mission of the Bulgarian public service radio.

Новите медийни фигури от социалните мрежи

Author(s): Ivelina Georgieva / Language(s): Bulgarian Issue: 13/2023

The easy and free access to social networks enables many individuals to gain popularity with their media activities. There are also more and more internet celebrities who create content for mass audiences primarily on platforms such as YouTube, Facebook and Instagram. The text examines the interaction between traditional media and social networks through the prism of the popular personalities in them

Изкуството в рекламата

Author(s): Nikola Vangelov / Language(s): Bulgarian Issue: 13/2023

The article discusses the manifestations of art in advertising communication. Object of analysis are world brands that creatively use the different movements and styles of art in order to lend colour to their communication and present their products and services in an interesting and unorthodox way to their target audiences. The various emotional appeals that aid in involving the consumers in this type of marketing communication are also studied

Рецензия на книгата „Фирмената реклама в България през първите десетилетия на ХХ век“

Author(s): Nikola Vangelov / Language(s): Bulgarian Issue: 13/2023

The monograph studies the business advertising in Bulgaria in the early twentieth century. More than 200 print adverts that are typical for the period have undergone detailed analysis. The German, Austrian and Swiss advertising theory and practise are also analysed, so that a comparison with the Bulgarian print advertising is made. The art critic’s read on the advertising communication makes up for a gap in the Bulgarian scientific field and is also useful for the specialists, as well as a wide range of readers, who are interested in visual communication.

За книгата: Антоанета Робова. Творчески фигури и кръговрат на изкуствата в прозата на Ерик-Еманюел Шмит. София, Унив. изд. „Св. Климент Охридски“, 2022, 304 с., ISBN 978-954-07-5505-2

Author(s): Margarita Serafimova / Language(s): Bulgarian Issue: 1/2023

Book review: Antoaneta Robova. Artistic Characters and Cycle of Arts in Eric-Emmanuel Schmitt’s Prose Writings. Sofia, St Kliment Ohridski University Press, 2022, 304 p., ISBN 978-954-07-5505-2

ДЖЕРЕЛА ІРМОСІВ КАНОНІВ БОГОЯВЛЕННЯ І СТРІТЕННЯ ГОСПОДНЬОГО ЦЕРКОВНОГО ПРОСТОПІНІЯ БОКШАЯ-МАЛИНИЧА 1906 РОКУ

Author(s): Ihor Zadorozhnyі / Language(s): Ukrainian Issue: 1/2023

The purpose of the article is to generalise and clarify the sources of the musical texts of irmoses’ canons of the Baptism of Jesus and the Epiphany of Church Prostopinije by Bokshay-Malynych in 1906 through the prism of close relation with the manuscript and printed irmologions of the XVII-XIX centuries. The research methodology is based on a complex system approach combining a critical understanding of literature, source studies, music-analytical, comparative methods in the analysis of musical texts. In the comparative analysis of irmoses of different lists, we use the scientific provisions by O. Tsalai-Yakymenko regarding the formative principles of time dimensional metric in sacral monody. The scientific novelty of the research consists in clarifying the sources of the musical texts of irmoses’ canons of the Baptism of Jesus and the Epiphany of Church Prostopinije by Bokshay-Malynych in 1906, structuring of the musical material, features of changes in the formation of condensed forms of singing liturgical texts. Conclusions. The analysis of irmoses’ musical texts of the Baptism of Jesus and the Epiphany of Prostopinije shows a direct connection with the manuscript and printed irmologions. The main differences in Prostopinije's irmoses are caused due to the orientation of church singers to concise and simplified forms of singing liturgical texts, the use of several typical chants, as a result of which the new intonation formations have taken place. Comparisons of musical texts from various sources demonstrate the peculiarities of the pattern formations, the preservation and renewal of ancient forms of sacral monody in regional church singing practice at the beginning of the 20th century.

Bottom-up Content Convergence Phenomena in Socialist Cultural Economies: The Case of Premodern Story Universes of Romanian Film and Music

Author(s): Constantin Parvulescu,Emanuel COPILAȘ / Language(s): English Issue: 03/2023

Our article focuses on an instance of cross-media content convergence in state-socialist cultural economies. We deliver a cultural studies intervention addressing the hybrid nature of the cultural economies of the former Soviet Bloc. We show that this instance of convergence was not the effect of a top-down imposition of a policy of state-socialist power, but rather a bottom-up phenomenon, triggered by artistic and economic interests and more specific to capitalism. These interests respond to consumer demand, competition, and box-office success. We borrow the concept of convergence from the writings of Henry Jenkins. Our case study explores a synergy of content between cinema and rock music in 1970s Romania, generating evidence by means of close readings and exploration of reception and production information. Under scrutiny are the adventure film The Immortals (Sergiu Nicolaescu, Romania, 1975) and the music and public presentation of the Romanian band Phoenix. We argue that the inclusion of Phoenix’s music in the soundtrack of the film is a key testimony to bottom-up convergence, marking a synergy of discourses that independently developed the same story universe. We show that this synergy took place because the two discourses had the potential to boost each other’s artistic and economic performance.

Muzyka przyszłości. Muzyczne projekty science fiction

Author(s): Andrzej Juszczyk / Language(s): Polish Issue: 1 (21)/2023

In his article Andrzej Juszczyk focuses on science fiction projects carried out in popular music, including the work of Kraftwerk, Gary Numan and Nine Inch Nails. Juszczyk discusses both the aspects that constitute specific stories within the represented worlds as well as the sound layer responsible for the projects’ highly immersive character. The music and the sounds heard in these artists’ music can be regarded as experimental signs of the future not only because of the subject matter of the songs. An important element of the projects consists in their innovative and original creation process, which goes far beyond the expectations of average listeners.

„ФАТА ИДЕТ ОТ ДУНАВ НА ВОДА, САЛЬКО ИДЕТ ОТ СОЛУНА ГРАДА“ – ГЕОГРАФСКИ И ПРОСТРАНСТВЕНИ ПРЕДСТАВИ В ПЕСЕННИ ТЕКСТОВЕ ОТ ОБЛАСТТА ГОЛО БЪРДО, АЛБАНИЯ

Author(s): Veselka Toncheva / Language(s): Bulgarian Issue: 22/2023

The text presents songs from the repertoire of the region of Golo Bardo, Albania, with a focus on geographical names and spatial ideas used in their lyrics. They illustrate the knowledge of its own, neighboring and foreign space and, more generally, of the location of the area on the Balkan map as a part of the Bulgarian historical territory.

Music, Language and Identity in Greece. Defining a National Art Music in the Nineteenth and Twentieth Centuries

Author(s): Ivan Moody / Language(s): English Issue: 28/2020

Review of: Music, Language and Identity in Greece. Defining a National Art Music in the Nineteenth and Twentieth Centuries. Edited by Polina Tambakaki, Panos Vlagopoulos, Katerina Levidou and Roderick Beaton. London and New York: Routledge 2020. ISBN 978-1-138-28002-1 xiv+318pp.

Артистичен порив без чадъра на професионалните регламенти и йерархии.

Author(s): Georgi Lozanov / Language(s): Bulgarian Issue: 15/2024

Speech by Georgi Lozanov at the opening of the exhibition "Dvoitsa" on February 15, 2024.

Да направиш снимка е най-лесният и същевременно най-изтънченият фокус.

Author(s): Ventsislav Dimov / Language(s): Bulgarian Issue: 15/2024

Ventsislav Dimov's interview with Orlin Spasov on the occasion of the exhibition “Both of us”(“Dvoitsa”). Spassov's answers show photography as a hobby and part of his professional interests.

Нещотърсачеството като бягство и любов, която измисля света с образи.

Author(s): Orlin Spassov / Language(s): Bulgarian Issue: 15/2024

Orlin Spassov's interview with Ventsislav Dimov on the occasion of the “Both of us” (Dvoitsa”) exhibition. Dimov's answers present art as a child's play, as an escape from words, as a search for meaning through invention.