
THE NOVELTY OF THE INTERWAR FEMALE CHARACTER: IRINA – THE HYPOSTASIS OF THE VICTIM IN FRONT OF THE EXECUTIONER
Feminine characters appear in ample hypostasis, especially since we refer to the innovative period of interwar literature. The present paper aims to highlight the way in which, in the name of a strong passion, a woman is willing to abandon herself, to give up any dignity and to become the marionette of the irrepressible intellectual man who is self-condemning to lucidity.
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