![Книги 2016–2017](/api/image/getissuecoverimage?id=picture_2017_33480.jpg)
Книги 2016–2017
Selected bibliography in the field of Bulgarian Studies published in the current year
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Selected bibliography in the field of Bulgarian Studies published in the current year
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The Balkan Wars (1912–1913) triggered in Bulgaria and Greece unseen enthusiasm and hope for prosperity, as well as for the ‘liberation of our brothers living under yoke”. In the Bulgarian society the Balkan Wars have left a deep emotional trauma. But how does the Greek society evaluate these events? How durable are the Greek military victories and do they nurture new internal or external problems? How do the people in Greece evaluate their own contribution to the success in the Wars and how do they see themselves and their neighbors? What is the relationship between tradition and modernity and what is the place of humanism in this military clash? Is the image of the war undergoing a process of democratization?Seeking for the answers of these and other questions, we decided to present a Greek album from the period. The album is dedicated to the Balkan Wars and remains poorly known. We hope that the analysis of the illustrations in it will enable us to trace the attempt of the authors of the album to influence the audience and will thus allow to see the Balkan Wars through the eyes of the Greeks from the beginning of the 20th century.
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The family and the relations in it have always been in the focus of the social sciences and humanities. They attract particular interest in cases of mixed marriages between individuals from different confessional communities. The present study will pay attention to mixed marriages between Orthodox Christians and Jews. It is based on the history of a family from the city of Sofia, the attitude of the spouses towards religion and the impact of these relations on the children in the family in the 20th century.
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The introductory article of the first issue of 'Medialog' journal presents the new academic journal, part of a new media culture portal. 'Medialog' is a journey into the media worlds. 'Medialog' is an invitation to dialogue addressed to academic researchers and university lecturers, PhD students and students; to all who are curious to understand something more and different about media, communications and culture.
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A review of Ivaylo Dichev’s book „Cultural scenes of the political”
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The article’s goal is to imagine a productive form of teaching creative writing as part of a Master's program in fields only remotely connected to literature and literary studies, such as digital media and videogames research. The text begins with a discussion on talent as the ability to perceive and submit to adequate and working models of writing. The topic is then further developed by analyzing talent within the framework of specific creative tools such as close reading and worldbuilding. Finally, the idea of creative writing as a model oriented and model guided activity is connected to the nature of the computer game as a space inhabited by a variety of new discourses, which the player - like a careful and attentive reader – has to learn to read and work with, thus making them part of her personal experience.
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A review of the collection “The Soft power of popular music in media (by examples from Bulgaria and the Balkans”, comp. Lozanka Peicheva. Sofia: “St. Kliment Ohridski” University Press, 2020 (160 p.). The collection is part of research collective’s work on the eponymous scientific project “The soft power of popular music in media (by examples from Bulgaria and the Balkans”, financed by the Bulgarian national science fund.
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The study focuses on part of the submerged heritage under the waters of several dams in Bulgaria (Ovcharitsa, Rozov Kladenets and Tsonevo). Popular folk singers (Stefka Sabotinova and Penka Pavlova) and singing groups and local singers („Sminana Kitka“, Silvia Dimitrova), who keep songs from the sunken villages, are presented. The focus is on research and knowledge of folklore as a pillar of memory, in the case of the village of Asparuhovo, near and under the waters of Tsonevo Dam. Emphasis is placed on the role of various media and especially digital new media spaces for the „emergence” of the traditional song heritage from the villages left at the bottom of various dams.
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Two decades after the publication of the Green Paper on the convergence (1997), radio and television are not only creating and disseminating more and more digital content through digital technologies but are striving for an increasingly integrated online presence. Along with search engines, internet platforms have become an important intermediary between media service providers and audiences whose habits have changed dramatically in the second decade of the 21st century. Broadcast media (BM) have no choice but to be where the users of media content are - content of different quality, origin, purpose, logic of distribution. At the same time, audiences are overwhelmed with mis- and disinformation, which often comes from fake pages and profiles posing as legitimate media organizations, and set against trustworthy media and journalists from public figures. This creates an information crisis, which can be counteracted both by legislative measures and by empowering the audience with media literacy. And while the implementation of educational reform is a slow process, the BM, which still have the largest audiences and are most trusted, can play an essential role in increasing the media literacy of citizens. A function of great public importance, at the same time entirely in their interest.
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Review of Rosemary Statelova's latest book ‘The Story of a Musicologist’ (Sofia: Riva, 2020). The book, defined as ‘memoir-autobiography’, is not only a biography of Rosemary Statelova, her family and professional environment, but also a biographical history of the packed Bulgarian time in the last 70 years, structured as fragments of memories and texts.
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Né à Turnu-Severin (Roumanie) en 1942, fils de Nicolae Foarță, médecin, et de Yvonne Foarță, née Burger, professeure de musique, Șerban Foarță a fait ses études à la Faculté de Philologie de l’Université de Timișoara (1960-1965), spécialisation roumain-allemand. En 1978, il a soutenu sa thèse de doctorat en littérature dans le cadre de la même université, thèse publiée deux années plus tard : Eseu asupra poeziei lui Ion Barbu [‘Essai sur la poésie d’Ion Barbu’], Timișoara, éditions Facla, 1980. Il a été professeur à la Faculté des Lettres de l’Université de l’Ouest,à Timișoara, de 1992 à 2005. Membre de l’Union des Écrivains de Roumanie, Șerban Foarță est premièrement poète, essayiste, prosateur et critique littéraire. Il est trèsconnu pour sa poésie qui, lui a valu non seulement desprix littéraires mais surtout une large reconnaissance auprès de ses lecteurs: Simpleroze (Timișoara, éditions Facla,1978); Șalul, eșarpele Isadorei / Șalul e șarpele Isadorei (Bucarest,éditions Litera, 1978); Holorime (Bucarest, éditionsLitera, 1986) et nombre d’autres volumes après 1989. Il atraduit en vers les livres poétiques de la Bible (Hexachordos: Psalmii. Ecleziastul. Cantarea Cantarilor. Iov. Psalmii lui Solomon. Odele, pre stihuri retocmite; Timișoara, éditions Brumar, 2011). Il a traduit des poèmes de la littérature française médiévale, y compris les fatrasies de Philippede Beaumanoir (dans la plaquette 33 de fatrazii, Bucarest,éditions Art, 2008). Cependant son début en tantque poète, avant la publication de la première plaquette (Texte pentru Phoenix, Bucarest, éditions Litera, 1976) s’est fait dans deux LP. Ses vers ont été enregistrés par Phoenix en 1974 (Mugur de Fluier) et 1976 (Cantafabule).
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Articolul aduce în atenția istoricilor de artă veche transilvăneană o serie de desene și acuarele reprezentând picturile murale ale bisericii „Sfântul Nicolae” din Bârsău, realizate în secolul al XIX-lea. Dintre cele 15planșe păstrate încă în registrele Muzeului Maghiar al Arhitecturii și Centrului Documentar pentru Protejarea Monumentelor de la Budapesta, una îi aparține lui Horváth Miklós, restul lui Szinte Gábor – ambii profesori de desen la Școala Superioară Regală Maghiară de Stat din Deva în perioada 1882-1886. Valoarea de neprețuit a acestor desene este efectul direct al degradărilor continue ale picturilor bisericii din Bârsău. Stadiul dezastruos de conservare din ziua de astăzi face ca cercetarea picturilor datate în a doua jumătate a secolului al XVI-lea să fie aproape imposibilă pornind de la realitatea in situ.
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Our study demonstrates that the analysis of culture should be embedded into the history of capitalism. Through this understanding of culture's materiality, we highlight that culture is not only a spiritual but also a materially embedded phenomenon. We argue that this analysis is also essential to outline culture's role in a post-capitalist world.Our study offers four perspectives to analyze the diverse, often indirect, relationship between culture and capitalism. We show how the diversity of culture is more than heterogeneity but rather part of class conflicts and struggles. By examining the cultural institutions, our paper points out that they play a crucial role in the reproduction of the laborforce. It also points out that global and nation-state-led cultural production are not contradictory but entangled phenomena. Finally, our paper emphasizes that the relationship between culture and capitalism cannot be understood as abstract laws but must also always consider the social trajectories of professional cultural producers, who are a central but often invisible dark matter.
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In the 50-ies and beginning of the 60-ies two great film critics and historians Paulo Emilio Salles Gomes and Alex Viany have a fundamental impact on the Brazilian Cinema novo and influence its flourishment and world recognition. With their erudition, knowledge of world cinema processes, huge critic’s activity and “militant cinephily” they educated and guided the young directors towards professional achievement and the search of national identity applying originally the lessons of the Italian neorealism and the French New wave. Their contribution to the revelation of the national film legacy, the new film movements, the foundation of a modern Film archive, the inauguration of the film education in Brazil and the oldest film festival in the country is undeniable.
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The text reviews the scientific monograph of Nurie Muratova ‚Women beyond the Archive. Invisible Histories of Women in Bulgaria‘, published by University Press ‚Neofit Rilsky‘ in Blagoevgrad. The book explores the place in the Bulgarian and world archives of two marginalized social groups – women and women with minority status. It is established that their visibility and invisibility, accessibility and secrecy, significance and underestimation depend on certain archival policies, social conditions, social stereotypes and prejudices.
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National identity in Bulgarian socialist cinema and especially in the films of the program 1300 years of Bulgaria is understood mainly as a plot – to reflect events from our native history and way of life. Very cleverly, they glided over only those events that, even in their drama, are positive for our self-esteem. But the constructive direction was in the films about migration and guilds as a native modification of the results of industrialization and modernization. In the time of transition, national identity appeared as a problematization – ethnic minorities, ideological, religious, and other repressions came into focus. I define the third stage of identity as confusion. There is no magnetic energy, innovative ideas, deep truth, and sincerity – the screen is 18 percent gray.
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The text examines the narrative of the video game Hellblade: Senua’s Sacrifice through Jean-Noël Thon’s three-part perspectivist model, focusing on its third dimension - the ideological perspective. It states that the elements of the gameplay, usually defined as purely ludic, in fact play a prominent narrative role. The game manages to trick the player without lying to them by relying on classic video game relations such as believing in what is seen and told, the self-identification of the player with the avatar, and uncritically accepting the game’s instructions/information as relating to their own actions, not to those of the avatar. The ideological perspective of the characters combined with the thus created ‘misleading’ gameplay question the game-player relationship, while at the same time succeeding in an original way to distance the player from the avatar and ultimately succeeding to make the player feel towards the game as the character feels within in his own world. Accordingly, if the gameplay has a message, i.e., allows itself to be semanticized independently of and in conflict with the cinematic cuts in the game, it functions narratively and creates a dissonance resulting from two different and parallel forms of storytelling.
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The edited volume “Journalism, Values, World. A Jubilee Collection in Honour of Prof. Dr. Maria Neykova” (University Press “St. Kliment Ohridski”, 2022) contains 20 articles united by 5 common themes that contribute to the understanding of a wide range of issues of journalistic practice and to professional debates in the field
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The unconscious (das Unbewusste; etymologically, that which is unknown) is a relatively modern concept that naturalized areas of the unknown previously explored by literature, mythology, and metaphysics. Each in their own domain, Karl Marx, Sigmund Freud and Friedrich Nietzsche, the three ‘masters of suspicion’ (according to Paul Ricoeur), debunked the hubristic claims of modern rational consciousness, exposing its social, existential and psychological grey zones. 1 Inspired by, yet critiquing humanity’s confidence in the power of reason, their acknowledgement of the limits of the Enlightenment is emblematized in Freud’s charting of the conflictual relations between the orderly ego and the unruly id.
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