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Questions regarding Cyril and Methodius and their legacy—traditionally one of the major themes for Slavic studies—have been the object of intense exploration by Polish scholars since WW2. The new geo-political situation in the Polish state and society after 1945 left an imprint on medievalist scholarship, even though most of the authors managed to avoid excessive ideologization. Certain changes in the ways the work of SS. Cyril and Methodius is described and evaluated became visible after the fall of communism in Poland as well. In the course of almost eight decades, Polish scholars have produced a considerable number of books, papers and anthologies related to Cyril and Methodius, which constitute an important contribution to international Slavic Medieval studies. This article attempts to review in a synthetic form the Cyrillo-Methodian publications that appeared in Poland after 1945 as well as those produced by leading Polish researchers for foreign publications.
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The text presents the newly published book by Prof. Anatol Anchev (2022) – content, composition, style, author’s self-assessments.
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Heritage science and conservation science represent interdisciplinary fields that weave together exact sciences (chemistry, physics, biology, geology) and humanistic sciences, thus providing essential information for researching, recording, classifying, preserving, restoring and enhancing cultural heritage for exhibition purposes. Unfortunately, only 13 scientific investigators (physical-chemical investigations) certified as experts currently work in the Romanian museum network and, according to the author’s knowledge, about 5 others are in training, extremely few relative to the mobile heritage they are responsible for studying. The situation is all the more worrying as the number of certified investigators is decreasing every year through retirements and transfers. The training of investigators requires many years of practice. The concern is also accentuated by the lack of posts, of specialist courses and of the equipment needed for investigations. Moreover, the museum investigator / researcher is omitted from the COR (Classification of Occupations in Romania), and the idea of investigation seems to be disappearing from the collective mind. Museum labels, exhibition catalogues, conservation-restoration events, museum databases do not include and are not based on research data, even when research results exist. These problems concern the entire museum network and the passivity of decisionmakers and specialists inevitably contributes to the deterioration of cultural heritage. Therefore, the purpose of this article is to draw attention on this situation, and to justify the importance of physicochemical investigations for the knowledge, conservation and enhancement of cultural heritage.
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Personal diaries in special library collections in Bulgaria. The testimonies of Petar Dinekov and Boris Delchev; Socialization of the museum entities in the town of Tryavna; Indicators for studying the information behavior of users in the university libraries in Bulgaria; Integration of collections of digital objects of cultural heritage through cloud technologies
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All travellers and explorers have always had the desire and the ambition to discover, for different reasons and motivations, remote and unknown lands. Hungarian travellers and explorers are no exception here. Eminent Hungarian Orientalists, archaeologists, geographers, as well as anthropologists, geologists, zoologists and botanists, and other brave and adventurous scientists, have become justly recognised in recent centuries, even worldwide, for their oeuvres and their scientific achievements.After 1945, travel opportunities in socialist Hungary became more limited, and Hungarian scientists and researchers could embark on their expeditions only with great difficulty, overcoming many obstacles and with scarce financial resources.In this study, I introduce five such brave and determined Hungarian travellers: Dénes Balázs: geographer and karst researcher, János Balogh: biologist, ecologist and professor, Steve Bezuk: engineer and extreme sportsman, who lived in the United States, Ödön Jakabos: Transylvanian writer and “Székely pilgrim”, and finally, Tibor Székely: travel writer, museologist and Esperantist from Vojvodina.They all – through their individual scientific achievements, discoveries, perseverance and human attitude – have become worthy heirs of the outstanding Hungarian explorers and travellers of the past centuries.
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The initial conservation state of the late-18th century Royal Doors was very poor when they reached the Restoration Laboratory of the Theology Department – Sacred Art Specialization of the University in Piteşti. The adhering and clogged layers of sooth diminished not only the legibility of the painting depicting the Annunciation, but also the polychromy of the bas-relief sculpture. For this type of degradation and for the purpose of identifying the execution technique, a preliminary research was needed; this stage involved multidisciplinary examinations from the part of various specialists. Cleaning tests utilizing several types of solvents and their mixing in various proportions has led to the colors’ identification: gold and silver leaves, red, and green. Following the conservation-restoration proposal by the project coordinator, the works of conservation and restoration of the two Royal Doors were undertaken. The restoration team was composed of BA and MA students from the specializations of Sacred Art and Restoration of Icons and Mural and Easel Painting, respectively, both specializations belonging to the Department of Theology, Letters, History, and Arts of the University in Piteşti.
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Jarmila Mařanová, artiste qui se consacre depuis longtemps à l’art graphique, s’est présentée pour la seconde fois à la synagogue Espagnole dans une exposition organisée le 8 juin 1967 par les soins du Musée juif d’Etat et comprenant un recueil de vingt trois feuilles graphiques sur le thème Franz Kafka et Prague. L’oeuvre littéraire et le personnage de Franz Kafka attirent de nombreux artistes qui tentent de reproduire l’atmosphère de l’oeuvre et les pensées du grand écrivain. Parmi ceux-ci se range Jarmila Mařanová par son cycle d’illustrations du roman „Le Procès“.
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1. La nouvelle exposition du Musée juif d’Etat „Millenium judaicum bohemicum“ (Libretiste: Doc. dr. Vladimir Sadek, Architecte: arch. Bohumil Ulrich, Graphique: Jaroslav Béza) 2. Conférences d’automne 1967 du Musée juif d’Etat
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1. Le cycle des conférences d’automne 1970, du Musée Juif d’Etat 2. Le cycle des conférences du Museé Juif d’Etat en 1971 3. L’exposition „Kepler et Prague“
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1. Terezín (Theresienstadt) am 3, September 1972 2. Le cycle des conférences „De l’histoire de l’art juif“
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Exposition „Terezín dans les dessins des prisonniers 1941—1945“; “The Precious Legacy“ — An Exhibition from the Collections of the State Jewish Museum; International Scientific Session in Warsaw; Review of: Jacek E. Vilczur, Roman Hrabar, Zofia Tokarz — Czas niewoli, czas šmierci. Martyrologia polskich dzieci podczas okupacji hitlerowskiej, Warszawa 1981, 211 S.
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1. Детские рисунки из концентрационного лагеря Терезин 2. Выставка, посвященная работе Государственного еврейского музея в Праге 3. Ein Bericht über die Restaurierung und Konservierung einer Gewürzbüchse
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1. Выставка «Советскя Армия» - освободительница» 2. Die Kunst im Konzentrationslager Theresienstadt als Form des antifaschistischen Widerstandskampfes 3. Information on the Course of General Restoring the Memorial Placed in the Pinkas Synagogue
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1. The Restoration of the Old Jewish Cemetery in Prague (the Tombstones Belonging to the Members of the Spira Family and a Group of Tombstones Dating Back to the 17th Century 2. A New Guide-Book to the Exhibition of the State Jewish Museum “The Silver Objects from Czech Synagogues“
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