ANNAS (ASJAS) LĀCIS LOMA VALTERA BENJAMINA FILOZOFISKĀS DOMAS ĢENĒZĒ

Author(s): Beata Paškevica / Language(s): Latvian Issue: 2/2015

Walter Benjamin’s collection of articles, Passagenwerk (The Arcades Project), is regarded as the quintessence of his philosophical thought and aesthetical beliefs. A forerunner of this monumental work is the travel description entitled “Napoli”, written in co-authorship with Anna Lācis, where the keyword is porosity, which is a metaphor for the specific way of thinking for Walter Benjamin. The collection of literary sketches “One Way Street” and “Moscow Diary”, created in cooperation with Anna Lācis, are also important records of the 20th century aesthetical perceptions and ideological considerations. There exists an interesting intertextual link between the images of cities in various Benjamin’s works – Naples, Rīga, Moscow. The article is an attempt to discover the “unclear” influence of Asja Lācis on the philosophical thought of Walter Benjamin and is based on Beata Paškevica’s monograph “In der Stadt der Parolen. Asja Lacis, Walter Benjamin und Bertolt Brecht” published in Germany in 2006. The conclusion is that Asja Lācis has not had a great influence on Benjamin’s political views but on his aesthetical views. This has been metaphorically formulated by Benjamin himself in the dedication text of his book “One Way Street”.

REPUBLIKA Godina VII (1995), Broj 113, 1-15. april

Author(s): Nebojša Popov,Miodrag Stanisavljević,Milenko Marković,Teofil Pančić,Mirko Đorđević,Živorad Tasić,Vojislava Vignjević ,Momčilo Popović,Milan Prodanović,Miloš Bobić,Jovanka Matić,Đuro Šušnjić,Vasilije Popović,Pavle Radić,Nikolaj Timčenko,Nikola Racković / Language(s): Serbian Issue: 113/1995

Nebojša Popov, Žive Sarajlije Novak Pribićević, Iskušenja prebogate trpeze Milenko Marković, Sticanje novog imidža Teofil Pančić, Bosna: jedna cinična priča Biti i ostati izolovan Ćutljivi predsednik Šta nam to poručuje režim Uvek isto: memorandumi i balvani Od koga će Crkva tražiti oprost Mirko Đorđević, Res non verba Živorad Tasić, „Takotrebajuća“ čorba Vojislava Vignjević, "Ić" Momčilo Popović (AIM), Poslužili su se nama - kao igračkama Milostinja za treće doba Nebojša Popov, Mir teži od rata Milan Prodanović, Mostar kao opomena Miloš Bobić, Profil serijskog ubice „Pod lupom" Jovanka Matić, Razoružavanje mržnje Đuro Šušnjić, Sveto u vremenu svjetovnosti (Budućnost religije, Jakov Jukić, Matica hrvatska, Split, 1991, str. 263.) Vasilije Popović, Šta je ispod leda Pavle Radić, Odocnelo pukovnikovo pismo Nikolaj Timčenko, Zloćudno lice nacionalizma Nikola Racković, Razgrađivanje ličnosti (Danilo Eraković: Nepostojeći ljudi, Beograd, Partenon, 1994.) Republika na Fakultetu političkih nauka Miodrag Stanisavljević, Nacionalni buvijak

Can Transhumanism Help People Turn Their Lives into Art?

Author(s): Zoltan Istvan / Language(s): English Issue: 1/2018

Transhumanist artists have recently been increasing in popularity and numbers. Whether it’s metal-welding sculptors, futurist-oriented video game developers or techno-musicians celebrating life extension, there is more of it being created every day, some of it in new forms of media.

Приоритети в телевизионното програмиране

Author(s): Ivan Draganov / Language(s): Bulgarian Issue: 3/2016

Purpose: We analyze the development of the television field after the liberalization and licensing procedures in Bulgaria. Results: We outline the programming priorities and the features of the main TV channels. Contributions: We summarize what the Bulgarian TV audience has won after the liberalization of the TV area in the country.

Idea for creating of dream TV- the missing university students television

Author(s): Ivan Draganov / Language(s): English Issue: 3/2016

Purpose: One of the problems, which lies ahead of Bulgaria is how the audience from different social groups can learn more about students and scientists. Results: Despite the large number of TV channels and stations, there are still free program niches. Contributions: Such empty niche is the idea of youth TV channel, created by students, graduates and professors. With the programs of this channel, the academic community could take active participation in the public debate about the development of the country and the society.

Dimensioning and evaluation of the radio frequency orbital resource

Author(s): Boncho Balabanov,Georgi Petrov,Anushka Stancheva / Language(s): English Issue: 3/2016

This paper shows a new concept for optimization of Radio frequency spectrum (RFS) orbital resource in international domain. The RFS resource is necessary for proper operation of different telecommunications systems. This resource has three physical dimensions: frequency bandwidth, space coverage area and time. RFS has also quality characteristics: quality (purity) of the spectrum, RFS load, RFS use (consumption), public and professional interest in the use of RFS. A novel model for dimensioning of RFS is described and a short explanation is shown.

Проблеми на обществената телевизия в посткомунистическите държави

Author(s): Ivan Draganov / Language(s): Bulgarian Issue: 3/2016

Purpose: The development of public TV stations most clearly reveals that in Europe the state tends to withdraw from a lot of its duties and concede them to society. How does that actually happen in post communist countries? Results: The main problems are the lack of political culture, political will for liberalization of the electronic media and desire for honest public debate. Contributions: We can say that for the political fairness of public electronic media, we need honesty and responsibility from each and every journalist. The key problem is whether the political and social situation allows such discourse in electronic media, which is crucial for democracy itself.

Modernität oder Wohltätigkeit? Hinter den Kulissen der Kriegspropaganda in Bulgarien und Europa: der Spielfilm „Bogdan Stimoff“ und die Teilnahme der bulgarischen Königsfamilie (1916)

Author(s): Peter Stoyanovich / Language(s): German Issue: 3-4/2018

At the height of the First World War, a German-Austro-Hungarian-Bulgarian production of a feature film Bogdan Stimov was created in Bulgaria. It had an unmistakable propaganda goal, but it also financially supported the objectives of the large Samaritan network, headed by Queen Eleonora. The then ruler of Bulgaria Ferdinand I (1887-1918) and his spouse took part in the film, which makes the production the first in the world to feature rulers.

Проблясъци от старо злато

Author(s): Ventsislav Dimov / Language(s): Bulgarian Issue: 5/2019

A review of professor Rosemary Statelova’s book “Estrada and Socialism: Glimpses”

СТАЉИНОВИ ПОКЛОНИ - ТЕМАТИКА ЈУГОСЛОВЕНСКОГ ИГРАНОГ ФИЛМА 1945-1955

Author(s): Goran Miloradović / Language(s): Serbian Issue: 1/2002

The mass interest that movies attracted made film an extremely important means of influencing public opinion in Yugoslavia. As a result, the party-run state strove to keep the film industry under rigid control. In the first decade following World War II the Yugoslav film reflected the state’s new policy of turning towards the West, gradually drawing away from socialist realism and adopting Hollywood-style forms of propaganda. Although for reasons of foreign policy Yugoslav communists had veered towards the West in the beginning of the fifties, they had not done much to introduce democracy in the country’s internal relations. The appearance of new and more liberal trends in art drew criticism and repression. Modern themes were undesirable despite their authors’ unreserved loyalty to the Party because they inevitably disturbed the mythic perception of reality that the Party had endeavored to create. Because of its importance in forming the perception of the masses film-making was entrusted only to individuals who had proven themselves beyond doubt both ideologically and politically. Despite the rigid rule exercised over the ‘brotherly’ nations of Yugoslavia such deviations occurred which cannot be ascribed to coincidence or to individual digressions but are more likely to have been the result of some form of political pluralism. The fact that this pluralism appeared within a specific single-party system makes this phenomenon even more interesting and its consequences more complex. The critical spirit managed to survive and grow in art despite state and party control and overt political pressure, occasionally producing outstanding works. Film quite frequently preceded other forms of art in this respect.

ХРОНИКА

Author(s): Author Not Specified / Language(s): Serbian Issue: 1/2002

1.INSTITUTE OF CONTEMPORARY HISTORY ASSOCIATES’ ACTIVITY (JANUARY-JUNE 2002)

Къде са жените в цялата картина на изкуството

Author(s): Dobromira Terpesheva / Language(s): Bulgarian Issue: 39/2019

The text offers an analysis of the role of women in art and society today and poses fundamental questions regarding the visibility of female artists in Bulgaria. This study was created in connection with the Women's Artistic Projects Fund, a project of the Bulgarian Women's Fund. The fund aims to act against the under-representation of women in the professional arts and the cultural sector, to give visibility to the creativity of female artists and to increase their access to financial resources.

Образи на близкия и далечния друг в изкуството в България от края на ХІХ и началото на ХХ век

Author(s): Irina Genova / Language(s): Bulgarian Issue: 39/2019

Можем ли да преценим характера на човек по снимки

Author(s): Alexander Todorov / Language(s): Bulgarian Issue: 39/2019

И всеки оставя по нещо, за да има следващият какво да руши

Author(s): Vladimir Dimitrov / Language(s): Bulgarian Issue: 39/2019

Berlin Theater Treffen 2019 – актьори, материали, фабули

Author(s): Violeta Decheva / Language(s): Bulgarian Issue: 39/2019

Мисия – благотворителност! (За книгата на Евелина Христова „Комуникация на благотворителността“)

Author(s): Albena Pavlova / Language(s): Bulgarian Issue: 39/2019

„Образователни кинохоризонти“ в полето на медиа образованието

Author(s): Penka Kozhuharova / Language(s): Bulgarian Issue: 5/2019

Educational Cinematic Horizons in the Field of Media Education

Bolek i Lolek: od widowni dziecięcej do systemu rozrywkowego. Rekonesans badawczy

Author(s): Piotr Sitarski / Language(s): Polish Issue: 03/2018

The paper examines the Polish television series Bolek and Lolek (1963 – 1986) and discusses its growth into an entertainment supersystem as defined in Marsha Kinder’s Playing with Power in Movies, Television, and Video Games. Modes of image circulation of the system are described as well as various modes of addressing the audience and expanding it to include various groups of older viewers. Special attention is paid to numerous toys and other objects produced within the system by the socialist state media industry but also by small private companies and individual fans.

Whaddya rebellin’ against? Youth Rebellion and Domesticity in The Wild One and Rebel Without a Cause

Author(s): Mirosław Aleksander Miernik / Language(s): English Issue: 04/2018

The article focuses on the conflict between youth and domestic values in 1950s America on the example of the movies The Wild One and Rebel Without a Cause. Using elements of subcultural studies, the films are discussed as didactic in purpose, conveying a sense of fear of youth culture, then a new development, and reinforcing the patriarchal structure of mid-20th century US society. This was achieved by depicting troubled young people who manage to overcome various difficulties with the help of a strong masculine father-figure. However, as a result of this, some young people sought for characters who in their opinions embodied a non-conformist stance to a much greater extent than the protagonists. These characters, Chino in The Wild One and Plato in Rebel Without a Cause, became subcultural icons in their own right, and illustrate the impact that such cinematic portrayals may have on the development of a subculture.