Вълшебни огледала с добавена реалност: eстетическата игра със собственото тяло

Author(s): Silvia Petrova / Language(s): English,Bulgarian Issue: 3/2019

The article traces some aspects of the impact of augmented reality technology on the perception of the mirror image in the media context. The study is focused on so-called magic (or smart) mirrors, which can be interpreted as a new stage in the cultural evolution of the mastering of our reflection. With new magic mirrors, the screen of mobile devices functions as a mirror with a utopian function – it allows a continuous improvement of the image in search of perfect beauty. In this sense, the body (and also the world) is perceived as an endless field for aesthetic experimentation.

Ценностите, властта и културата на интернет

Author(s): Iva Kuyumdjieva / Language(s): Bulgarian Issue: 4/2019

Повишаване на математически компетенции с динамична геометрия

Author(s): Sava Grozdev / Language(s): Bulgarian Issue: 3/2020

Mathematical competence increase through dynamic geometry

Рефлексивен модел за преподаване на компютърно моделиране в началния етап на обучение

Author(s): Julia Doncheva / Language(s): Bulgarian Issue: 3/2020

Reflective model for teaching computer modelingin primary stage of education.

Bajki dla deleuzjanistów

Author(s): Adam Lipszyc / Language(s): Polish Issue: 16/2019

Nowoczesność i zbawienie

Author(s): Tomasz Herbich / Language(s): Polish Issue: 16/2019

Не гора, а неоново технологично градско дърво (За изложбата „Пред мен“)

Author(s): Ventsislav Zankov / Language(s): Bulgarian Issue: 41/2020

The author’s exhibition In Front of Me is a visual symbiosis of two themes: two crises intertwined in the human behavior – the ecological one and the social one borne by the pandemic situation that turns into a deeper existential crisis and questioning of the human. The trees represented in large-scale paintings are not a forest but rather some singular entities, bare-stripped crowns strenuously cut into a gloomy sky.

Карол Рама и удоволствието на образа

Author(s): Eva-Maria Ivanova / Language(s): Bulgarian Issue: 41/2020

Carol Rama is one of the most provocative artists of the XX and XXI centuries. Althoughin different periods her work has been associated with some of the significant artisticmovements of the XX century, such as surrealism, art brut, arte povera, she does notjoin any of the leading trends and artistic groups. This makes her work a challenge tothe history of contemporary art.

Музеят – интерпретации и преживяване

Author(s): Iveta Pirgova,Nikolay Nenov / Language(s): Bulgarian Issue: 3/2020

П. Кърджилов. Озарения в полите на Витоша. Летопис на ранното кино в София (1896 – 1915). София, 2016

Author(s): Mariyana Piskova,Anelia Kasabova / Language(s): Bulgarian Issue: 3/2020

Национална научна онлайн конференция „Детето, децата, детството. Етнокултурни аспекти“ – възможният смислен научен диалог по значими теми

Author(s): Petya Bankova / Language(s): Bulgarian Issue: 3/2020

Od Verne’a do Tulleta. Sto lat obecności francuskiej literatury dla dzieci i młodzieży na polskim rynku książki

Author(s): Joanna Frużyńska / Language(s): Polish Issue: 2/2019

Paprocka, N. (2018). Bibliografia polskich przekładów i adaptacji francuskiej literatury dla dzieci i młodzieży wydanych w latach 1918–2014. Kraków: TAiWPN Universitas. Paprocka, N. (2018). Sto lat przekładów dla dzieci i młodzieży w Polsce. Francuska literatura dla młodych czytelników, jej polscy wydawcy i ich strategie (1918–2014). Kraków: TAiWPN Universitas. This review article discusses two books by Natalia Paprocka (2018): Bibliografia polskich przekładów i adaptacji francuskiej literatury dla dzieci i młodzieży wydanych w latach 1918–2014 [Bibliography of Polish Translations and Adaptations of French Literature for Children and Youth Published in the Years 1918–2014] and Sto lat przekładów dla dzieci i młodzieży w Polsce. Francuska literatura dla młodych czytelników, jej polscy wydawcy i ich strategie (1918–2014) [A Hundred Years of Translations for Children and Youth in Poland: French Literature for Young Readers, its Polish Publishers and Their Strategies (1918–2014)], which belong to the field of children’s literature translation studies, bibliology, and sociology of art. The article describes the arrangement of the bibliography of Polish translations of French literature for children and young adults compiled by Natalia Paprocka and it summarises the most important assumptions of her research: she applied the concept of the literary field of Pierre Bourdieu, the notions of import/transfer and culture repertoire as understood by Itamar Even-Zohar, and Bruno Latour’s actor-network theory. According to the researcher, throughout the entire century, Polish publishers chose the strategies of re-releases of the classics, which significantly reduced the transfer of innovative phenomena of French children’s culture.

Nie tylko Pinokio. Dwa głosy o włoskiej literaturze dziecięcej i młodzieżowej na polskim rynku wydawniczym

Author(s): Dorota Rejter / Language(s): Polish Issue: 2/2019

Biernacka-Licznar, K. (2018). Serce Pinokia. Włoska literatura dla dzieci i młodzieży w Polsce w latach 1945–1989. Warszawa: Wydawnictwo Naukowe i Edukacyjne SBP. Ożóg-Winiarska, Z. (2017). Włoska literatura dla dzieci i młodzieży w zbliżeniach polskich. Kielce: Instytut Filologii Polskiej UJK. In this review article, two publications devoted to the reception of Italian children’s and young adult literature on the Polish publishing market in the 20th and 21st centuries are analysed. The first one – Serce Pinokia. Włoska literatura dla dzieci i młodzieży w Polsce w latach 1945–1989 [Pinocchio’s Heart: Italian Literature for Children and Young Adults in Poland, 1945–1989] by Katarzyna Biernacka-Licznar (2018) – systematises and organises the phenomena concerning the reception of Italian literature for children and youth against the background of dynamic political changes in Poland during the titular period. The second dissertation – Włoska literatura dla dzieci i młodzieży w zbliżeniach polskich [Italian Literature for Children and Young Adults in Polish Close-ups] by Zofia Ożóg-Winiarska (2017) – is a critical monograph on contemporary Italian literature for young readers which emphasises the aesthetic values of those writings and their complex, multidimensional nature.

Nieznane losy znanej książki. O ponownym odkrywaniu klasycznego utworu Heinricha Hoffmanna

Author(s): Kamila Kowalczyk / Language(s): Polish Issue: 1/2020

Dybiec-Gajer, J. (2017). Złota różdżka – od książki dla dzieci po dreszczowiec raczej dla dorosłych. Kraków: Tertium. The review article discusses the book by Joanna Dybiec-Gajer, Złota różdżka – od książki dla dzieci po dreszczowiec raczej dla dorosłych [A Golden Wand – from a Children’s Book to a Thriller Rather for Adults] (2017). The text presents the structure, methodology, and the most important theses of the monograph on the already classic work by Heinrich Hoffmann (1845), as well as indicates the scholar’s original and valuable findings proving the sense of rediscovering texts belonging to the cultural canon. The article points out also to the productivity of creating a microhistory of a literary work, taking into consideration numerous contexts of its functioning, and refers to Dybiec-Gajer’s reflections on the ways of writing the text (including the structure, genre convention, adaptive mechanisms) and how to read it (including interpretation, reception), which is particularly interesting in the context of relations between the German Struwwelpeter and the Russian Stëpka‑Rastrëpka (1849), or the Polish Złota różdżka [A Golden Wand] (ca. 1858).

Fairy Tale Futures: Critical Reflections

Author(s): Kendra Reynolds / Language(s): English Issue: 1/2020

Praet, S., & Kérchy, A. (Eds.). (2019). The fairy tale vanguard: Literary self-consciousness in a marvelous genre. Newcastle upon Tyne: Cambridge Scholars. This article provides critical reflections on Stijn Praet and Anna Kérchy’s edited collection, The Fairy Tale Vanguard: Literary Self-Consciousness in a Marvelous Genre (2019). Vanguard can be defined as “the foremost part of an advancing army or naval force,” with established and emerging critics marching in defence of the fairy tale against the genre’s complicated reception throughout the ages. The form’s self-consciousness and intertextual complexity is foregrounded, with fairy tale experiments ranging from those of 17th-century French female conteuses, to modernist short stories and contemporary films, which all combine into a celebration of the genre’s sophistication and continued relevance. The book engages with the generic complexity of the fairy tale, defying any kind of neat categorisation. ‘Fairy tale’ often functions as a ‘catch-all’ term for different fairy tale narratives, but this study paves the way for reflections on new subgenres such as the ‘anti-tale’. Finally, it is suggested that Rikki Ducornet’s idea of the ‘deep magic’ of fairy tales opens us up to a possibility, to an embrace of the unknown and all of its potentiality, providing us with an imaginative space within which to envision a new and better reality. This is foregrounded as a central tenant to The Fairy Tale Vanguard’s privileging of experimentation, which highlights that the fairy tale harnesses a deeply political potential in challenging current oppressions. Perhaps it is not us, fairy tale scholars, who are marching to the aid of the fairy tale then, rather it is the tales fighting for us in an unjust world.

ГДЕ ЈЕ БОГ, А ГДЕ ЧОВЕК?

Author(s): Aleksandra P. Stevanović / Language(s): Serbian Issue: 69/2019

ВРЕДАН ДОПРИНОС САВРЕМЕНОЈ ЛЕКСИКОЛОШКОЈ ТЕОРИЈИ

Author(s): Gorica R. Tomić / Language(s): Serbian Issue: 69/2019

О ПРИРОДИ И ЗНАЧАЈУ ИСТОРИЈЕ И ФИКЦИЈЕ ( ТЕМАТ ЛИПАРА 70)

Author(s): Dušan R. Živković / Language(s): Serbian Issue: 70/2019

У ПОТРАЗИ ЗА КЊИЖЕНСТВЕНИМ ГРАДОМ

Author(s): Nina Marković / Language(s): Serbian Issue: 70/2019

АМЕРИКА, АМЕРИКА – ИЛУЗИЈА И ОБЕЋАЊЕ УТОПИЈЕ

Author(s): Katarina Z. Milić / Language(s): Serbian Issue: 70/2019