We kindly inform you that, as long as the subject affiliation of our 300.000+ articles is in progress, you might get unsufficient or no results on your third level or second level search. In this case, please broaden your search criteria.
The text presents the main conclusions based on the study of the political messages in the Turkish series broadcasted on Bulgarian television and on Netflix. The main political messages in the series, showed on Bulgarian television, are the responsibility for decisions, connect with the life of a woman and a child. Among the important political topics are: migration, education abroad and returning home, conflicts between rich and poor.
More...
After a theoretical review of the studies of dreams in anthropologically oriented research, the author especially considers folkloristic studies of the dreams symbolism, as well as the dream stories as a genre. The second part of the paper is dedicated to the analysis of field narratives – the stories of prophetic dreams. The focus is on the problems of the interpretation logic, the way of fitting into the autobiographical experience, and the relationship between the individual conceptions of dreams symbolism and the traditional matrices.
More...
Book Review: Disenchantment, Re-enchantment and Folklore Genres. Ed. by Nemanja Radulović, Smiljana Đorđević Belić. Belgrade: Institute for Literature and Arts, 2021. 286 pp. ISBN 978-86-7095-286-7
More...
Choosing a name is an important part of the construction of significant infrastructural projects, such as dams. Naming is not only a utilitarian procedure of individualizing a concrete space, but also a symbolic act that gives value to a specific name and transforms it in a cartographic and geographical “site of memory”. The selected name is picked out among other possible variants and is thus the result of a choice that implies an intention or at least a mental attitude. The article attempts to reconstruct the logic underlying the naming of Bulgarian dams.
More...
In the narratives of migrants from submerged areas, four main concepts can be distinguished: home, land, church and cemetery. The article is devoted to the concept of a cemetery in the memories of forced resettlement from areas submerged during the construction of hydroelectric power plants in Ukraine. Excerpts from memories about the moving of cemeteries are presented. Folk beliefs, nominative vocabulary for events, places, characters, plots, persistent themes, and basic folklore plots are explored. The following main ideas are identified: it is not possible to move a cemetery entirely; disturbing the peace of the cemetery leads to dangerous consequences and provokes the wrath of the dead; the re-installation of grave crosses restores the sacredness of the graves, consolidates the resettled community and updates the memory of its historical past.
More...
The ways in witch advertising uses folklore motifs are rather varied and interesting. In this article, we first clarify what the essence of advertising is at a theoretical level, who it is aimed at, what is presented and how it is presented, and of course, also who orders the advertisement. This synthesizing theoretical introduction is necessary in order to fully understand the differences between audio advertising, visual and audio-visual presentation, as well as how contemporary advertising permeates the media environment including Internet and social networks. Also significant is the psychological effect on the costumers, which uses a number of traditional stereotypes and expected behaviour patterns. Subsequently, we will look in more detail at the role of folklore and especially folklore narratives in advertising, including its changes in the last century, which we will illustrate with two specific examples. The next part of the article consists of an analysis of two contemporary advertising campaigns with dominant folklore motifs in the Czech media environment (Equa bank and Seznam.cz), in which we show in detail the way they communicate with the costumer, the folklore stereotypes used and the comments of the clients and creators of these advertisements regarding the expected effect of the campaign.
More...
Diverse influences of folklore tradition in contemporary media are presented in this article. The pandemic “closure” and encapsulation of the normal rhythm of life in 2020 unleashed a wave of creative TV, radio, social media manifestations, focused not only on covering the unusual situation, but also on the particular “return” to traditional practices and ways of adapting to the daily life routine. Self-introspection became a journey towards primordial rituals where tragic and comic coexist in the resistance and affirmation of life. The observed and analysed examples are from the Czech and Bulgarian media environment.
More...
Artanuji, the oldest city of Klarjeti, historical Georgia, is within the boundaries of Turkey on the grounds of Kars Treaty (1921). According to the data, gathered through the fieldwork in 2010‒2014, ethnic Georgians were exiled from Artanuji after the World War II. The article deals with the written sources and field data, providing detailed information about the Artanuji population, ethnic Christian Georgians as well as Muslim Georgians. The historical past in this region reminds of itself through the toponyms that appeared in the places of historical Georgia and through the speech of population and covers the history of the ethnic groups. The toponyms attested on the territory of historical Georgia have a great importance for they shed light on a certain period of history and are the only witnesses of Georgian settlement here.
More...
The article briefly evaluates the vast literature relating to the worship of St. George in Georgia and draws on the ethnographic data collected by the author in the years 1977 to 1987. It explores the worship of St George in the Caucasus Georgia both in the past and present. Consequently, it discusses such categories as religious practice, belonging to the parish and territory, identity and, sharing holy places, epithets of the Saint, hybrid cults, etc. The materials used are: written historical sources, ethnographic data attested in the writings of Christian Missionaries (Christopher Castelli, Jean Chardin, Arcangelo Lamberti, etc.), the ethnographic data gathered (during 2018-19) among Internally displaced persons, and contemporary emic and etic researches undertaken by anthropologists of the 20th and 21st centuries. The argument of the present contribution is based upon a series of ethnographic observances that present traditional feasts of the saint and their transformations in the light of current political processes. Accordingly, detailed ethnographic field data and observations are contextualized in time and space, using the explorations and studies of anthropologists and historians. The article tries to show how once traditional Christian site (lieux de mémoire in Pierre Nora’s sense) with its real environment and with is firm identity is deterritorialized and transformed into a shared place of mixed and ambiguous pilgrimage place through the political processes and hybridization.
More...
Georgian everyday life is highly tied up with the rich religious traditions that have been developed as a result of the centuries-long synthesis of pre-Christian and Christian practices and worldviews. The Soviet period caused the fragmentation of the traditional religious knowledge and the practice moved to the household level and was paganized. In the post-Soviet period, the burst of religious sentiments and search for identity increased the involvement of big masses to religious practices. The transformations were accompanied by a process of individualization of religion, which has led to a change of forms of religiosity. Based on the ethnographic data of East Georgia, the article discusses the correlation of the normative, vernacular and resistant forms of religiosity. Historical-comparative and parallel analyses are used to research two examples of religious practice: Lomisoba and Berikaoba. Lomisoba is analyzed as an example of hybrid, massive, collective holiday. Berikaoba is more local, not connected to a sacred site, performative festival. It is argued that the contemporary processes are having an impact on the religiosity and the religiosity of certain groups is trying to be defined in new forms. All the old and new forms of religiosity are explicitly displayed and played out in contemporary Georgia. At the same time there are some hidden, or rather implicit practices.
More...
The article introduces to the late medieval romance in verse Vepkhistq’aosani by Shota Rustaveli – the central artefact in Georgian cultural self-awareness and the top item of ‘high’ Georgian cultural export. It briefly presents its narrative content, indicating the correlation of two plot-lines (initially through enframing, after some point though horizontal interlacing). It briefly introduces to the main fluctuations and 20th-century tendency in translating the work’s title, interpreting the fluctuations as indicative of aesthetic differences, and the tendency as an indication of the ‘cultural market’ success of the Soviet-Georgian (in its ideological and aesthetical basis –a Stalinist and socialist-realist) image of Rustaveli’s masterpiece. It presents two influential to dominant claims of Georgian Rustvelology – that the work is a poema (and not a novel/romance) and that it displays, at least partially, Renaissance outlook and poetics, – considering these claims as tools (1) of Soviet “Culture Two” to allot a proper place to Georgian nation within the alternative modernity of the USSR and its premodern background-under-construction, and (2) of Soviet-Georgian cultural nationalism to define a usable past in post-Soviet conditions; and (3) as beliefs. It revitalises the option to contextualise the work of Rustaveli (and, indirectly, Georgian cultural identity) in non-Eurocentric terms, providing some factographic and theoretic clues from the field of macrohistory (J. Abu-Lughod et al.) and a methodological one from sociology of arts (P. Bourdieu).
More...