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Poem by Nikola Šimić Tonin: Prkosan osmijeh škabrnjskog dječaka
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Kada me Nikola Šimić Tonin prije nekoliko dana pozvao da dam svoj prinos današnjem predstavljanju, Marinu Kljajo Radić mi je, među ostalim, predstavio kao modernu pjesnikinju. Dopustite mi, stoga, da ovo izlaganje započnem riječima velikoga Ive Andrića koji kaže: „Pisac i ne može ne biti moderan, ako želi da u beskrajnom nizu naraštaja kaže svoju reč, u prvom redu svome pokolenju, a zatim i onima koji dolaze iza njega (…) […]
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The poetic re-actualization of the myth of Tammuz represents the paradigm of modern Arabic poetry. One of the most prominent representatives of the Tammuzi poets was the well-known Iraqi poet, Badr Shakir al-Sayyab. His poetry is abundant with references to various myths from the Middle East. Along with the myths of ancient Sumerian, Acadian and Phoenician cultures, al-Sayyab often refers to sacred books of Christianity and Islam. He thus developed a complex mythopoetics of the modern Arabic world. At the core of this mythopoetics is the narrative of Tammuz. Inspired by T. S. Eliot, this poet used a mythological podium to illuminate the fall of a modern Arabic man, but also the hope for a spiritual revolution.
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Considered “a new poet” and deemed “a valedictorian,” Dimitrie Stelaru (1917–1971) constitutes a telling example of a modernity viewed as surpassing the modernist radicalism represented mainly by purism and surrealism. Thus, for the Romanian poetry of 1937–1947, being modern is no longer synonymous with being a modernist.
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Poems signed by Romanian poet George Vulturescu.
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