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Poems by Zdravka Mila Marijanović: Povratak, Život, Sutra je novi dan, Glazba, Moj dom, Obiteljski album, Tvoj put, Ljubav, Ljubim te, Ti si toplo sunce, Razmišljanje o mladosti, Volim te, moja mila, I danas te volim isto kao prije, Hvala ti, Bože, Novi život, Ne idi, sine, Sine moj, Moj mali leptire, Mamin rođendan, Moja majka, Moj tata, Hvala ti mama, Moja teta, Starost, Božić mog djetinjstva, Dragi ljudi, Ljudska zloća, Mudrost, Lipanjska zora, Poziv liječnika, Moja ulica, Mostar, Sjećanje na vrelo radobolje, Radobolja, Zdrav korak, Moja domovina, Prijateljstvo, Proljeće, Kiša, Ivana, Oprosti, Naš fratar, Zar da napustim ovu zemlju.
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Poems by Matej Škarica: Besplodni relativizam, Poruke novog doba, Da sam imao više vremena II, Mostarski memento uz rijeku Savu.
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Poems by Miljenka Koštro: Umjesto tišine, Kroz maglu, Neću, Danas sam ptica bila, Riječ s vremenom, Svetište istine, Ili jesi ili nisi, Vjetar, Svjetlo i tama.
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Review of: Jidi Majia: Od leoparda do Majakovskog, pjesme i govori, Književni klub Brčko distrikt BiH, Brčko, 2017; Review by: Ivo Mijo Andrić
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Review of: Rapko Orman, "Pusta polja elegija", Print – GS d.o.o. Travnik, 2018; Review by: Sabina Omerović
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Poetry by Janusz Szuber ‒ Zdrój uliczny. Tu i poza tu. Fabryka dolarów. Epigram
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Poems by Lawrence Ferlinghetti, translated into Romanian by Senida Poenariu.
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What’s being analyzed in this essay is the recontextualization of the Scriptures in T. S. Eliot’s poetry in light of his aesthetic and spiritual ideals. Biblical allusions in Eliot’s poetry are understood as a way of interpreting and actualizing the biblical texts within the poetic dialogue of the 20th century. I focus here on the “The Waste Land” as the climax of the poet’s searching for personal and social integrity in which the Bible represents one of the many voices coming from the spiritual heritage. I conclude that the biblical contents alluded to by Eliot in this poem which interact with modern poetic production, stress furthermore the sterility of the modern society. In later religious poems, the poet’s approach to the Scriptures gradually changes in accordance with the new religious experiences and poetic concerns.
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The article offers a survey of the reception of Ovid in the Wawrzyniec Korwin’s astronomical dissertation Cosmographia dans manuductionem in tabulas Ptolemaei (ed. 1496) by applying literary perspectives of such Ovid`s poems as Metamorphoses, Fasti, Epistulae ex Ponto, Amores and Heroides. The title Korwin’s take on Ovid hints at the actual and real potential of his heritage that is both a fixed, poetic base shared by Korwin since his study at the Cracow Academy as well as a body of references constantly being reinterpreted in response to astronomical and geographical challenges of the work of the Polish writer. The reader is given an insight into the processes shaping Korwin’s borrowings from Ovid and the importance of Cosmographia to the Polish Renaissance culture.
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The essay entitled “Food Imagery in Lesley Saunders’ Poetry” expands upon various food issues that will be approached via Gaston Bachelard’s aesthetic theory which situates us in the proximity of a sensible point of objectivity further enlarged upon from a phenomenological perspective that merges the exterior substantiality of food with the reality of imagination. The acquired intimate connotations of the poetess’ food environment are tackled in terms of the inner/outer opposition and the Platonic dialectics that involves old versus new, good versus evil, plenty versus scarcity, revealing the dynamic virtues of “roots,” the emblem of the diversity of food. Our approach to the house, where various types of food are being prepared, in relation to its pivotal functions of dwelling, preparing food and sharing it, turns both the house and food into the unfailing communality and sociality constructs of all places and ages.
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