POEZIJA- MUNIAM ALFAKER
Poetry by Muniam Alfaker ("Vizija tijela i duha"; "Vizija daljine i blizine"; "Vizija Savjesti"; "Vizija Tuge")
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Poetry by Muniam Alfaker ("Vizija tijela i duha"; "Vizija daljine i blizine"; "Vizija Savjesti"; "Vizija Tuge")
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Poetry by Niels Hav ("Riječi na papiru"; "Svi moji kišobrani su kupljeni u Istanbulu"; "Pregovori o plati"; "Trijumfalna povorka narcisoidnih"; "Nezdravi Razum"; "Govori za sebe"; "Spavanje"; "Nešto se desilo")
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Poetry by Kurt Harrits ("Euridika"; "Zvijezde, poletite"; "Perspektiva"; "Proljeće"; "Zagonetka"; "Posljednji horizont")
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Poetry by Josef Leikart ("Ljubobivstovanje"; "Ljubobivstovanje II.")
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Poetry by Jadviga Malina ("Cipele sveta"; "Ljudski zološki vrt"; "Na sudu"; "O dželatima"; "Na pomolu je rat"; "Ratovi i znaci"; "Pasija"; "Anđelima"; "O usamljenosti"; "Čovečiji sine")
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Poetry by Jonathan Mann ("Planovi za zaista veliku pjesmu"; "Usamljeno žuto cvijeće"; "Šta mogu naučiti od čaplje"; "Pokraj bare"; "Vrsta preambule, preludija ili lažnog početka (Isto)")
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Poetry by Božica Jelušić ("Snježnice"; "Dvije trećine zime"; "Requem nakon zime"; "Skeptik na Valentinovo"; "A što ćete mi dati?"; "Vrbe, vrbopuc"; "Središte, gubilište"; "Zapisano po mrazu")
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Poetry by Nikola Šimić Tonin ("Ulfeta Tuco, Babica of tisuću srca")
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Poetry by Živko Kareski Gornoselec ("Мурате, Брате"; "Митана"; "Житије Великино")
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Poetry by Marija Miklaušić ("Tak je negda bilo"; "Za kosce; "Za kosce"; "Na sinokoši"; "Zutra bum rakiju pekel"; "Snočka"; "V ribičiji"; "Udaja"; "Da je bilo"; "Zornica"; "Ide proleč"; "Post"; "Vuzmeni ruček")
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Poetry by Hana Noćurak ("Šarlatani"; "Šta ču sa onim što nije poezija"; "Kuma; "Osveta; "Hajde"; "Zlatna Dolina"; "Studentska")
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Poetry by Aleksaandar Yevgenjevich Belih ("Višnjeve latice")
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Poetry by Suad Bilalović ("Zidovi";" Cvet u okovima"; "Eho nemira"; "Smeh"; "Umesto pogovora")
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Poetry by Hasiba Mujačić ("Pjesmom na pjesmu"; "Lako osuđujemo"; "Hladna kišna jesen"; "Zabole li tebe jesenje kiše")
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The article aims to disclose how the encounters with Drainac changed Bagryana’s poetry and her perception of poetic language and herself. For that purpose, the poetry of Bagryana before 1930, mainly the key poems from “The Eternal and Holy”, will be analysed. The views expressed in those poetic strophes will be related to Drainac’s own poetic texts from the 1920s and his ideas on aesthetics and writing as expressed in the magazine “Hypnos”. Then the article will proceed to examine Bagryana’s 1930-31 poems and the tangible alteration in her wording, images and poetic rhythm. The final underlying question this article attempts to answer is about the struggle of poetic language to reinvent itself while incorporating and reassembling the poet’s everyday life and encounters within the poems’ structure.
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