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Predlozi za teoriju recepcije književnih dela

Author(s): Stefan Żółkiewski / Language(s): Serbian Issue: 265/1981

Svakodnevni način izražavanja identifikuje kritiku sa svojevrsnim i posebnim vidom književne delatnosti, koja se zasniva na formulisanju razrađenih — kao rezultat višestrane analize odabranog književnog dela — opravdanih ocena istog dela. Profesionalna kritika je relativno kasno počela pratiti već prilično dug istorijski razvoj književnosti, naime, tek na pragu novog veka, u kulturi kapitalističkih društava. Pri tom njen razvoj nije bio dugotrajan, jer su se kritičari već polovinom XX veka počeli interesovati ne samo za vrednosti dela i principe svojih ocenjivanja, već pre, a često isključivo, za preciznost svojih analiza i koherentnost svojih teoretskih pretpostavki. Sami su se počeli smatrati ekspertima za književnu analizu, a ne kritičarima.

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Ezoterija pisma

Author(s): Nebojša Vasović / Language(s): Serbian Issue: 275/1982

Proučavaoce Koderovog dela zbunjivalo je često i to što se u njegovoj poeziji niigde ne mogu naći tragovi neposrednih uticaja, niiti iz naše niti iz stranih pesničkih tradicija. Međutim, najveća zabluda bi bila imlsLiti da je to otuda što Koder nije dovoljno poznavao svet poezije i književnosti. Koliko je bilo Koderovo poznavanje literature i kolika je bila njegova ljubav prema književnostima drugih tradioija, najbolje svedoči Jakov Ignjatović u svojim Memoarima: »Klasičnu književnost osobito je studirao. Valjda nije bilo štampanog klasika grčkog koga nije čitao, ne isamo čitao, već a citate napamet izvesti mogao. Ksenofon, Tukidid, svi redom. Omirovu Ilijadu gotovo je napamet znao, i đacima koji su hteli tumačio je. Od srpskih književnika najvećma je uvažavao Dositeja li Simu Sarajliju. Sarajliju je držao za najvećeg srpskog pesnika, i što se dubine tiče, sravnjivao ga je u mnogome sa Šekspirom, kog je kroz i unakrst pročitao i shvatao«.

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Wyobraźnia, empatia i twórcze pisanie

Author(s): Hanna Sieja-Skrzypulec / Language(s): Polish Issue: 1/2017

The author analyzes the exercises in Polish creative writing guides, involving imagination, sensitivity and empathy. The article is an attempt to answer the question: what is the role of exercise in the stimulation of the writing process?

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Granice kreatywności w reportażu

Author(s): Izabella Adamczewska / Language(s): Polish Issue: 1/2017

The aim of the article is to present the problem of invention in Polish contemporary narrative journalism. The analysis of creative non-fiction books written by Katarzyna Surmiak-Domańska, Jacek Hugo-Bader and Wojciech Jagielski helps to distinguish the levels of invention (e.g. incorporating elements of fantastic or realistic fiction, creating events in undercover journalism) in this literary-journalistic genre. While comparing the chosen examples, the author tries to show whether/ in what conditions fabricated or exaggerated facts lead to breaking a factographic pact between writer and reader.

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Srebrne treści cyfrowe: międzypokoleniowy transfer mądrości poprzez internetowe twórcze pisanie osób starszych

Author(s): Piotr Toczyski / Language(s): Polish Issue: 1/2017

The digitally wise human does not have to be a digital native as even a digital immigrant can achieve digital wisdom. For people aged 85 or more and publishing on the Web (digital sages 80+) creative writing results in social media connection and new media inclusion. However, it is mainly an expression of intergenerational transfer in which seniors’ wisdom matches digital competences of their younger cooperators. Such model of seniors’ creative writing on the Web is illustrated by action research and metaphorically named silver digital content.

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Uvek sam težio da budem svoj

Author(s): Ljubisav Andrić,Mihajlo Kovač / Language(s): Serbian Issue: 288/1983

Interview with Mihajlo Kovač by Ljubisav Andrić

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Djelokrug kognitivne naratologije

Author(s): Kristina Peternai Andrić,Viktoria Kluiser / Language(s): Croatian Issue: 1/2017

The paper thematizes cognitive narratology as a direction developed within postclassical and new narratologies by observing it in a series of related concepts such as cognitive poetics, cognitive linguistics, cognitivism, and evolutionary literary theory. It delineates its scope and reach within cognitive science, and discusses concepts such as schemata, frames, narrativity, parables, and others, which can influence the development and transformation within cognitive narratology.

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Pojam parateksta Gérarda Genettea u okviru suvremene naratologije

Author(s): Ivana Buljubašić / Language(s): Croatian Issue: 1/2017

The paper proposes a rethinking of the contemporary narratological apparatus and the integration of Gérard Genette’s concept of the paratext in modern narratological practice. Considering the contextuality of the postclassical narratology and its tendency to explicate narratives through an interdisciplinary framework, the paratexts proposed by Genette could be understood in the same sense. The paper tries to overcome the shortcomings of the structuralist understanding of narrative, and to properly situate the paratext in terms of analysis and interpretation of narrative, within and beyond it.It also aims to analyse some paratexts, suggested by Genette in his study, and provide guidelines for further analysis of similar features in the literary texts.

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V.R.T.LARSTVO U JEZIKU

Author(s): Vujica Rešin Tucić,Dragoslava Barzut / Language(s): Serbian Issue: 449/2008

Interview with V.R. Tucić by Dragoslava Barzut

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KRITIČAR KAO IZ/SMEŠTENA INTELIGENTCIJA: SLUČAJ EDVARDA SAIDA

Author(s): Mustapha Ben T. Marrouchi / Language(s): Serbian Issue: 452/2008

Izgnanstvo je“, piše Salman Ruždi u Satanskim stihovima, „san o slavnom povratku. Izgnanstvo je vizija revolucije: Elba, ne Sv. Helena. To je jedan beskonačan paradoks: gledaš ispred sebe gledajući iza sebe. Izgnanstvo je lopta bačena visoko u vazduh. On visi tamo gore, zamrznut u vremenu, preveden u fotografiju; lišen kretanja, nemogućno lebdeći iznad svoje rodne grude, on čeka onaj neizbežni trenutak u kojem fotografija mora početi da se mrda, i da rodna gruda povrati ono što je njeno.“

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EDVARD SAID I NJEGOVI KRITIČARI

Author(s): Leela Gandhi / Language(s): Serbian Issue: 452/2008

Osnovne odlike postkolonijalnog intelektualnog nasleđa – prikazane u prethodna dva poglavlja – ostvarene su i razrađene u Orijentalizmu Edvarda Saida (1991, prvo izdanje 1978)1. U toj knjizi, kao i drugde u svom obimnom opusu, Said odaje nelagodan odnos s marksizmom, karakteristično poststrukturalističko i antihumanističko razumevanje bliske veze između kolonijalne moći i zapadnog znanja i duboko ubeđenje u političke i svetovne obaveze postkolonijalnog mislioca. Ovo poglavlje pružiće nekoliko konteksta za razumevanje kanonizacije te knjige kao postkolonijalnog klasika, uzimajući u obzir njen akademski uticaj i teorijska ograničenja.

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AMATERSKI INTELEKTUALAC: SAIDOV ANSATZPUNKT

Author(s): Vladimir Gvozden / Language(s): Serbian Issue: 452/2008

Godine 1993. Bi-Bi-Si je organizovao jedno od svojih tradicionalnih Rajt predavanja. Ispostavilo se da je tema zadrla nešto dublje u aktuelne probleme i odjeknula snažnije nego što je to ranije bio slučaj. Bilo je, naime, reči o savremenoj ulozi intelektualca, a govornik je bio Edvard Said, koji je naredne godine objavio knjigu Predstave o intelektualcu.

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RAZGOVOR O POEZIJI

Author(s): Milan Đorđević / Language(s): Serbian Issue: 448/2007

Interview by Milan Đorđević

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ПРОНИКНУВАЊЕТО НА АМЕРИКОЦЕНТРИСТИЧКИТЕ КНИЖЕВНИ ПЕРЦЕПЦИИ ОД ТРАДИЦИЈАТА ВО СОВРЕМЕНОСТА

Author(s): Ilija Velev / Language(s): Macedonian Issue: 68/2016

The research conducted aims at providing a typology regarding the status of American Literature within the context of traditional forms, stemming from the oldest indigenous civilizations, all the way to the intercultural transitions found at the onset of the so-called era of migrations, patterns still ongoing. From a present-day perspective, we can ascertain that conditions have been created to begin a process of interpreting the phenomenon of the Americocentric literary perceptions, since American Literature keeps affirming its integral cultural hegemony within global processes. This particular viewpoint is gaining ground since said literary-creative processes run parallel to the prestige associated with political supremacy, which in turn stems from the position of US society within the current world order. It seems as if the defining processes of the cultural-historic (that is to say literary) phenomena are rather complex, due to the complexity of their development within the space that is “the” contemporary state conglomerate, the United States of America (USA). However, viewed from afar, the same processes that marked the civilizational transformations within this space, and are a part of the world’s cultural history, can be observed through the clearly identifiable phrases and forms of the spiritual mergers present among the layered cultural substrates that create the traditional American cultural and historical, on the one hand, and contemporary identity, on the other.

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The Success Story of Communist Literature: the Spy Novel

Author(s): Moris Fadel / Language(s): English Issue: 9/2017

The text examines one paradox: how the spy fiction (a genre which is subordinated to the official ideology of the socialist state) generates great reader’s interest in a period (the 1960s – the second half of 1980s), when the resistance against the regime gains strength. The text is divided into three parts. At the first part the spy literature is compared to the crime fiction. Here is problematized the leading research paradigm, connected with the study of the detective stories: the understanding that they are related to modernity. In contrast to that paradigm we propose the idea that in the crime fiction are intertwined both modern and premodern elements. These elements are overcome in the espionage novels, which are impossible without the modern state. At the second part of the study the spy friction is presented at the background of the socialist juridical system. It turns out that there is a deep proximity between the socialist laws and the espionage stories: in both there is suspicion of violence against the state if the crime is not a result of an accident, but is a product of a careful planning. At the third part the two most popular in Bulgaria series of spy novels are analyzed in detail: Bogomil Rainov’s works with main personage Emil Boev and Andrei Gulyashki’s prose dedicated to the adventures of Avakum Zahov. Here are described the mechanisms by means of which the spy fiction exercises influence upon the reader. The most important device of the genre is its ability to provoke and manage one of the constant suspicions during the 20th century and today: the suspicion that the world is a captive of a hidden, global conspiracy.

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Rhetoric and Culture in John Nkengasong’s Across the Mongolo

Author(s): Napoleon Epoge / Language(s): English Issue: 1/2017

This paper explores and discusses the synergetic link between language, culture and literature as underscored in John Nkengasong’s Across the Mongolo. Nkengasong, in his novel Across the Mongolo, intertwines Cameroon culture and rhetoric through cultural thought patterns such as the family structure, greeting and salutation, communal life and hospitality, culinary delights, days of the week, as well as linguistic thought patterns such as transliteration of metaphorical expressions and imagery, direct loans, coinage, code-mixing, French discourse, and Cameroon Pidgin English discourse, as index of socio-cultural and linguistic identity. These expressions ornament the write-up of the novel giving it a Cameroonian romantic aesthetic in linguistic texturing. They equally reveal that the language of Across the Mongolo portrays the interconnection between language and culture, and language and socio-cultural identity construction. The paper argues that a good knowledge of the socio-cultural and linguistic context of Cameroon is necessary for a good understanding of the rhetoric of the novel Across the Mongolo.

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A Script for Herself: Characterization and Free Indirect Style in Conrad's Victory

Author(s): Nataša Tučev / Language(s): English Issue: 1/2017

Some of the most influential studies written about Joseph Conrad in the 1950s (by Douglas Hewit, Thomas Moser and Albert Guerard) established a critical paradigm that continued to dominate Conrad studies for decades to come – especially with regard to his later novels, which according to these critics represented a decline after the achievements of his major period. The principal reason for this decline, as Moser argues, was Conrad's altered choice of subject matter from the novel Chance onwards – i.e., his newly-discovered interest in romance and female protagonists. Conrad's failure in representing intimate erotic relationship in his later novels, as Moser maintains, is inseparable from his inclination to create melodramatic and inauthentic heroines, incomparably less complex than the striking male protagonists of his earlier works. More recently, critics such as Robert Hampson and Susan Jones have proposed a different approach to the romances of Conrad's later period. A case in point is Hampson's analysis of Lena's character in Victory. Unlike the earlier critics, who accused Conrad of sentimentality in female characterizations, Hampson argues that it is Lena herself who views her own being and her role in Heyst's life through a prism of sentimental romance. Lena's subjective perception of reality amounts to writing a script for herself (Hampson 2004), which casts her in the role of a sacrificial heroine. By using free indirect style, Conrad allows us to see Lena presented through her own idiom, in a manner comparable to Joyce's treatment of Gerty McDowell in Ulysses. The paper draws on Hampson's contention, exploring Conrad's narrative strategies in Victory, while also referring to the theoretical frameworks such as Genette's Narrative Discourse and Bakhtin's Dialogic Imagination.

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Zwroty ku przestrzeni w badaniach literackich – próba uporządkowania pojęć i podstawowe rozróżnienia

Author(s): Kamila Gieba / Language(s): Polish Issue: 23/2015

An increased interest in space in the humanities can be referred to as a spatial, topographic or topological shift. This article is an attempt at organizing these concepts and defining the fundamental differences between them. Based on the findings of European and American researchers (including Edward Soja, Sigrid Weigel, Ernest W.B. Hess-Lüttich, and Joseph Hillis Miller) and a Polish literary scholar (Elizabeth Rybicka), the author tries to distinguish, and define the relationship, between spatial, topographic and topological shifts. This article was inspired by the terminological chaos in the Polish humanities.

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Transgresja i literatura

Author(s): Grzegorz Pertek / Language(s): Polish Issue: 22/2014

The author of this article attempts to redefine the category of transgression. By preparing a preliminary typology of the existing uses of this concept, he puts forward the hypothesis that, on the one hand, transgression can be identified with (is synonymous with) going beyond the limit of something, and on the other hand, it can be equated with the constant conflict between its empirical and linguistic dimensions as well as its thematization and formalization. The author proposes to define transgression as the act of setting/removing a certain limit. This definition overcomes the above-mentioned difficulties because it not only has an ambiguous aspect (undecidability), i.e. both a positive (construction) and a negative (destruction) dimension, but it also pushes the issues related to transgression into the domain of negotiations, i.e. interactions with the reader (reception, tradition and criticism), from which it derives its inventive potential.

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Autor: empiryczny, modelowy czy wirtualny?

Author(s): Paweł Bohuszewicz,Tomasz Markiewka / Language(s): Polish Issue: 22/2014

The article titled Autor: empiryczny, modelowy czy wirtualny? [“An empirical, model, or virtual author?”] presents a discussion about the terms used in the title which was held by the article’s authors. P. Bohuszewicz defends the validity of the concepts of an empirical and a virtual author, the latter being the result of “rewriting” Umberto Eco’s idea of a model author. T. Szymon Markiewka claims that the concept of a model author and that of a virtual author are unnecessary multiplications of theoretical entities: we only need the concept of an empirical author, but we also need to remember about all the complications related to this concept.

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