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Hail to the Supermen: Ideology and Pop Culture (Chwała supermanom. Ideologia a popkultura) by Przemysław Witkowski has been considered by Przemysław Czapliński as ‘the monograph’ of pop culture created in the last thirty years. In his essay, Witkowski has made several attempts to reveal how the neoliberal and nationalistic ideologies are related to the popular or mass movies, TV series and shows, music, books, and other pop cultural phenomena. This article is a review of Hail to the Supermen… The author reconstructs the main assumptions and points out some of the most noticeable simplifications and general problems with the book.
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This article discusses the main theses formulated in Poszerzanie pola literackiego. Studia o literackości w internecie written by Elżbieta Winiecka. The author of this monograph has noteworthily analysed relations between literature and the digital world. Important research context here is the notion of literariness and the concept of literary field. The scholar also combines theoretical reflection on the boundaries of literature and the consequences of technological development with critical interpretations of specific texts or projects. The great value of this book is the fact that the author places the reflection regarding digital e-literature in the context of Polish literature and culture. Furthermore, Winiecka emphasises the links between art and contemporary social and political problems. Thus, the researcher takes part in the debate on socially engaged art and the functioning of literary texts in the social space.
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The article is a review of Peter J. Bowler’s A History of the Future: Prophets of Progress from H.G. Wells to Isaac Asimov. The book presents the history of chosen inventions — and their pessimistic and/or optimistic presentations in various 1900–1965 media — which were to contribute to the progress of British and American culture of the time. Working with a panoply of sources, i.a., selected works of science fiction and popular science, Bowler strives to discuss how particular inventions were enthusiastically and/or fearfully embraced and shaped the future of British and American society.
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In Letramento literário e cordel: o ensino de literatura por um novo olhar [Literary literacy and cordel literature: literature teaching from a new perspective], Gilles Villeneuve Souza Nascimento presents the literary literacy through the cordel genre as a potential solution to the reading and literature teaching crisis in Brazil.Initially, the author dialogues with the theoretical findings of Regina Zilberman, Ângela Kleiman, Rildo Cosson, Ana Cristina Marinho, and Hélder Pinheiro (among others) regarding the reader formation, literacy, literary literacy, and the use of the cordel in literature teaching. The most interesting part, however, is the practical one, which contains a description of the school workshop which proved the appropriateness of the proposal.Although its conclusions are based on results of an experiment on merely 16 students from one school, from a region where cordel literature is particularly popular, Letramento literário e cordel… is a valuable publication which presents very interesting possibilities of making use of a literature often considered — due to its simplicity — as “second-class art.” Moreover, despite the local character of the research, the majority of the author’s observations have a universal application.
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Od dżumy do Eboli. Sposób przedstawienia wybranych chorób zaraźliwych w przykładowych tekstach literatury popularnej [From the plague to Ebola: The presentation of selected contagious diseases in popular literature texts] by Edyta Izabela Rudolf is a pioneering achievement in the Polish research field, opening scientific discourse on the image of an epidemic in popular literature. Published on the eve of the COVID-19 pandemic, the monograph also provides tools for the study of the newly created pandemic literature.Taking into account the complexity of the research material, which lies on the borderline between the humanities, the social, and biological sciences, the author has quite rightly decided to include her study in the field of medical humanities. The chronological distribution of the extensive research material allowed for taking into consideration the broad historical and social context which influenced the shape of works created in subsequent eras.Minor inaccuracies include the inappropriate use of terminology (such as the term topos) and the questionable assignment of the novel The Andromeda Strain to Chapter Three (it could easily have found its place in Chapter Four).Despite these shortcomings, Edyta Rudolf’s work is a valuable monograph which provides tools for studying the image of contagious diseases in popular literature.
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