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Transformative Perspectives: A Post-Critical View. Unraveling ORLAN’s Vision of Augmented Reality, Posthumanism, Body Art, and Feminism

Author(s): Andra Purdea / Language(s): English Issue: 2/2023

This article delves into the daring practices of the French artist ORLAN, investigating her visionary approach through the lens of a post-critical perspective. We explore the dynamic interplay between new digital technologies, such as augmented reality, posthumanism, body art, and feminism, as embodied in ORLAN’s transformative works. Drawing from a post-critical stance, we analyse the transformative potential of ORLAN’s art, moving beyond mere critique to propose constructive alternatives. Augmented reality and her surgical digital performances in which she alters her body enable ORLAN’s interventions to challenge established norms of identity, personification, and aesthetic sensibilities. Following this, she considers technology to be the extension of the human body throughout her practices. The collaborative and dialogic dimensions of ORLAN’s augmented reality installations resonate harmoniously with the tenets of a new wave of critical theories, fostering participatory environments and nurturing communal engagement. By embracing a post-critical lens, this analysis unveils the transformative vision of the artist, underscoring its seminal import within the sphere of fine art movements, feminism, and the reconceptualisation of identity, embodiment, and aesthetics.

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ИЛЮСТРАТИВНИ ТЕХНИКИ В РАБОТАТА НА САЛВАДОР ДАЛИ ПРЕЗ ВТОРАТА ПОЛОВИНА НА ДВАДЕСЕТИ ВЕК

Author(s): Yana St. Vasileva / Language(s): English,Bulgarian Issue: 1/2023

This article examines the illustrative techniques in the work of the artist Salvador Dali in the second half of the twentieth century. His illustrations for the book "Alice in Wonderland, bible and Don Quixote are the subject of research. The graphic techniques and compositional techniques in the artist's work are analyzed.

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ВЛИЯНИЕ НА АБСТРАКТНОТО ИЗКУСТВО ВЪРХУ РАБОТАТА НА СЪВРЕМЕННИТЕ МОДНИ ДИЗАЙНЕРИ

Author(s): Yana St. Vasileva / Language(s): English,Bulgarian Issue: 1/2023

This article examines the influence of abstract art on the work of contemporary fashion designers. The object of research is the work of Piet Mondrian and its application in modern fashion designers. Different fashion collections are analyzed.

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Obraz Matki Bożej Róży Duchownej w kościele parafialnym w Jadownikach. Przyczynek do badań

Author(s): Witold Tadeusiak / Language(s): Polish Issue: 2/2023

Since the 15th century, there has been an image of Our Lady and Child in Jadowniki near Brzesko, referring in style to the hodegetria of Krakow. It was probably painted by the workshop of the Master of the Annunciation from Jodlownik. This image was venerated locally by parishioners, at least between the 17th and 19th centuries, who believed that it was a “grace-bearing” image. Unfortunately, in the 20th century, the memory of its veneration completely disappeared, and after dismantling the wooden parish church where it was kept in the main altar, it was transferred in 1910 to a sep- arate side chapel in the newly built temple. After the image was restored in the 1960’s and the 19th century repaintings were removed, it was considered a fake by many pa- rishioners. Overtime, the silver crowns and other votive offerings, testifying to local worship, also disappeared. The chapel, on the other hand, became a place to store just another painting from the old church. Thanks to the old episcopal and chapter visits from the times when Jadowniki was part of the Krakow diocese, and the science related to the history of the Middle Ages, a long-forgotten history revives, increasing the local cult of Our Lady of the Mystical Rose of Jadowniki and revealing to the faithful the history of their own parish.

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ЕКФРАЗИС ТВОРІВ ЖИВОПИСУ В РОМАНІ П. ЗАГРЕБЕЛЬНОГО “ДИВО”

Author(s): Natalia Bilyk / Language(s): Ukrainian Issue: 2/2022

At the modern stage, ekphrasis was recognized as one of the most fruitful and effective phenomena for comparativistics – the manifestation of specific expressive mediation of one medium in the figurative field of another. Bright, contrasting manifestations of ekphrasis are observed in the content of the novel “Wonder” by the classic of Ukrainian literature P. Zahrebelny. They focus on painting and the work of artists, contain prognostic features of the current semantic potential, and thereby determine the relevance of their coverage. The purpose of the study, therefore, is to distinguish the features of ekphrasis of works of painting, as well as to highlight the formal and semantic dominants and the overall semantic configuration of the expressed poetics of the phenomenon of painting in prose. The novelty consists in the identification, poetic classification, semantic analysis and final systematization of figurative instances of literary prose, which descriptively reveal the expressive means of painting with the generalization of their semantic panorama within the boundaries of a localized description and on the scale of the novel in general, in particular, in relation to landmarks from the field of axiology, as well as with functional weighting in accordance with the definitive signs of literary imagology, which enriches the experience of the ethno-image-creating fruitfulness of the ekphrasis of painting. The study is based on the methods of cultural semiotic and structural-semantic analysis in combination with a descriptive and comparative-typological approach. Conclusions. As a result, it was found that the features of the ekphrasis of painting in “Wonder” testify to a separate experience of a multifaceted ekphrastic model. According to its formal dominants, in compliance with the criteria of the medium and the structure of the image, a condensed discrete ekphrasis is distinguished. In its plot-fabula track, the figurative material that turns out to be the carrier of ekphrastic poetics, the focus on the figure of the common heroine stands out. Its semantic accents emphasize the stages of its spiritual impoverishment and decline and, at the same time, the tragedy of the lack of spirituality, in particular, for creativity. Meanwhile in the heroine, the creation of a semantically multi-dimensional image is observed through the richness of ekphrases: in the combined form-meaning transitions of ekphrasis, the meaning-making line builds up and reaches the sphere of ethnoimagology, for which the basis of identity should be recognized as a full-scale verification of purely artistic meanings and senses. It is about the ability to clarify the idea of striving to avoid negative human qualities, to overcome or compensate for them, in particular, through the power of art, through the prism of the revealed precedent of Russian mental apathy.

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Soviet Ideology of the Friendship of Peoples in the Illustrations of the Lithuanian Children’s Magazine Genys

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Soviet Ideology of the Friendship of Peoples in the Illustrations of the Lithuanian Children’s Magazine Genys

Author(s): Karina Simonson / Language(s): English Issue: 03+04/2023

During the Soviet era, the concept of the friendship of peoples was consistently promoted in schools. Periodicals formed one of the areas where international sentiments held by Soviet-era ideologies were conveyed to schoolchildren. In this article, I examine the representations and manifestations of the Soviet concept of the friendship of peoples with Africa and Asia as illustrated in the pages of the Lithuanian children’s magazine Genys. I will argue that Soviet internationalism was highly selective and question the Soviet use of African- and Asian-themed illustrations to present Soviet foreign policy as progressive and anti-colonial, making anti-racism and anti-colonialism the centrepieces of its Cold War stance vis-a-vis the West. In doing so, this article will contribute to the limited research on international Soviet diplomacy in the cultural sphere generally, and in children’s culture and media specifically.

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Hobune, lõvi ja lohe

Author(s): Anneli Randla / Language(s): Estonian Issue: 03+04/2023

Review of: Loomad keskaegse Liivimaa ühiskonnas ja kunstis. Koost Juhan Kreem, Ivar Leimus, Anu Mänd, Inna Põltsam-Jürjo. Acta Universitatis Tallinnensis. Artes. Tallinn: TLÜ Kirjastus, 2022, 208 lk.

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Mõtestatud keha

Author(s): Raili Marling / Language(s): Estonian Issue: 03+04/2023

Review of: Õige keha, vale keha. Näitus keha tähendustest Eestis. Koost Anu Kannike, Kristel Rattus. Tartu: Eesti Rahva Muuseum, 2023, 302 lk.

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ÜÇ BOYUTLU DİJİTAL İMGE ÜRETİM YÖNTEMLERİ BAĞLAMINDA FOTOGRAMETRİ

Author(s): Tuna Uysal / Language(s): Turkish Issue: 82/2023

Artistic production, which constantly changes its form due to many needs that have emerged throughout history, is a subject of great discussion and examination in terms of the opportunities it provides in the computer age we live in. The blurring boundaries of art enabled other disciplines to benefit from his findings as well as benefiting from other disciplines. Although the widespread use of this technique and understanding, whether recording or depicting, editing, or documenting, has led to putting aside the unique and rare feature of production, the result obtained has paved the way for the emergence of a wide field of sharing. The photogrammetry technique, which emerged at the last point of this development curve today, came to the fore as a quick response to the production and sharing methods in fields that appeal to different need groups such as cinematography, architecture, archaeology, cartography, artistic exhibition, museology, and play. Photogrammetry has given the most important support to the field of three-dimensional modeling, which meets these needs, due to the savings it has created in the field of speed, labor, and economy in the digitalized world. This technology, which was heavily needed in the computer game industry, then entered the cinema industry due to the difficulty of reaching objects. And most importantly, photogrammetry, which is among the methods of displaying and protecting works of art, had the opportunity to meet with its audience, who had difficulty in reaching historical and artistic works. Photogrammetry, which is still in the focus of many different disciplines, including cartography, has grown with the participation of new disciplines that use this technique for its benefit, as well as continues to expand its field gradually thanks to the recently emerged image software that can be combined or produced with the help of artificial intelligence. However, as aimed in this study, if the definition of photogrammetry technique, its history, areas of use, shooting techniques and combining techniques are solidly laid, it will be easier to analyze the new fields added later and the techniques they will need.

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AÇIK ALAN HEYKELİNİN TOPLUM İLE OLAN İLİŞKİSİNDE İŞLEVSELLİK AÇISINDAN ROLÜ

Author(s): Sibel Armağan Benek / Language(s): Turkish Issue: 82/2023

Emerging with principles such as unity, proportion, scale, harmony, balance and symmetry, rhythm, and contrast, the functional sculpture placed in the public space is ready to communicate with the society. Together with the design process and its harmony with the physical structure, it can easily pass on the effect it wants to give to the individual. The word function, which is defined as the ability of an object to function, means fulfilling and realizing the needs and purposes in art in the art of sculpture. The progress of the sculpture in the open space where it came out to meet the society was chosen as the research subject in this study. A research was conducted on the question of what kind of functions the sculpture has in the communication with the society while it is located in the open area, which has positive or negative effects on people. While conducting the research, academic comprehensive written and visual sources related to the open space sculpture in the historical process were scanned. The subject is limited with examples of some modern artist names related to the subject.

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KADIN ÜYELİ METAL MÜZİK GRUPLARI TARAFINDAN KULLANILAN GRAFİK TASARIM ÜRÜNLERİNİN TİPOGRAFİ, İLLÜSTRASYON, FOTOĞRAF VE FOTO-MANİPÜLASYON KULLANIMI AÇISINDAN İNCELENMESİ

Author(s): Turgut Efe Varol,Itır Tokdemir Özüdoğru / Language(s): Turkish Issue: 82/2023

In a modern society, it is seen that women play a role with men in many areas and are effective in thought and decision processes. In terms of the richness of social life, women's contributions can be seen, especially in the fields of art and design, in terms of artistic production and ideas. The role of women in graphic design products produced for music is also important in this sense. The importance of design preferences is seen in the formation of their own visual identities, similar to a corporate identity approach, and the integration of music groups with their fans in many areas from concerts to events. From the listener's point of view, he evaluates and assimilates the music, lyrics and visual style of the group as a whole with his own inner reflection. In this article, it has been examined whether gender affects the design process of female musicians in the graphic design products made for the metal music genre, and whether it finally overlaps with the visual style of the metal culture.

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BAB-I ÂLİ RESSAMLARININ SON TEMSİLCİLERİNDEN: CEMAL AKYILDIZ

Author(s): Açelya Betül Gönüllü / Language(s): Turkish Issue: 83/2023

Born in Trabzon in 1932, Cemal Akyıldız started to work in Babıali, the heart of the press and media world, in 1950. Producing numerous works as an illustrator and calligrapher, Akyıldız has had a rich artistic life, ranging from being a Babıali illustrator to a Presidential Artist. Akyıldız is known as the painter of important architectural structures of Turkish history and Atatürk portraits in Anatolia, the Balkans and Central Asia. His most visible work, which he calls his trademark, is the portrait of Atatürk, which was used in primary school report cards for many years. Unfortunately, there is no information about Akyıldız, who has left many valuable works on Turkish culture and art by doing such important works, in the scientific literature. For this reason, the limitation of this research is that the literature review has to be made from video recordings, newspapers and news websites. With the understanding that "the word flies, the writing remains", the purpose of this study is not only to examine Akyıldız's artistic life and to ensure that it is included in the scientific literature; it is also a debt of loyalty to the last Babıali illustrator of our graphic design history, who passed away quietly with the COVID19 Pandemic.

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ALTIN ORANIN MODERN RESİM SANATINDA KULLANIMI

Author(s): Derya Özdemir / Language(s): Turkish Issue: 83/2023

In modern painting, the golden mean, which can be used as a tool to balance the composition of a painting, is very important in terms of aesthetic balance, composition, and visual impact. Placing the major elements in a painting according to the golden mean creates a sense of balance and harmony that is pleasing to the eye. The geometric principles of the golden mean can increase the impact of a painting on the viewer and create a more attractive composition. On the other hand, a focal point close to the golden mean draws the viewer's eye more and helps to organize the image in an impressive way, which can enhance the aesthetic beauty of the painting and allow the viewer to focus on the attractive elements. The association of the golden mean with repeating forms and proportions can be used to create rhythm and repetition in painting. Objects or patterns placed according to the golden mean can give the viewer a visual sense of flow and order, which can make the painting dynamic and impressive. The golden mean can expand the boundaries of creativity by providing artists with a guideline for their compositions. Although Modernism moved away from the extensive use of the Golden Mean, geometry is very much present in many movements today. As seen in Constructivism, Suprematism, and De Stijl, clean lines and shapes in primary colours fill paintings and graphics. The Golden Mean is a mathematical proportion that can be found almost everywhere-in nature, architecture, painting, and music. Especially when applied to design, it creates an organic, balanced and aesthetically pleasing composition.

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İÇ MEKANLARDA MİNYATÜR EKOSİSTEMLER: MODERN SERAMİK SAKSILAR

Author(s): Melda Genç / Language(s): Turkish Issue: 84/2023

In recent years, growing plants has become a hobby of today, as people need green space. In order to create miniature gardens that allow us to breathe a little in our lives in concrete cities, people have sought pots made of different materials in various colors and sizes. Today, in addition to different materials such as wood, metal, concrete, pots made of materials such as porcelain, ceramics, terracotta and wicker have also started to attract attention. However, it is very difficult for those who want to design miniature gardens to find pots according to the plant they want to grow and their taste. Although there are few new and alternative pot types, there are almost no written sources in the literature on pot designs. For this reason, in this study, in order to create a resource for designers and artists, it was aimed to investigate how pots emerged in the historical process. In line with this information, it was desired to design modern pots that are nature-friendly, provide the vital cycle of plants, meet their functional needs and provide aesthetic experience while providing all these with today's modern art understanding.

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GELENEKSEL MALEZYA ÇÖMLEKÇİLİK SANATI VE LABU SAYONG

Author(s): Melahat Altundağ / Language(s): Turkish Issue: 84/2023

Pottery is one of the oldest arts in human history. Since the beginning of human existence, there has been a need for nourishment in order to survive. The art of pottery, which has continued from prehistoric times to the present day, emerged from the necessity of storing, transporting, and cooking the food and beverages essential for nourishment. Pottery has made the storage, transportation, and cooking of food more efficient and effective. In addition, pottery, which possesses distinct cultures and traditions in various geographical areas, has also enabled the inhabitants of those regions to create unique artworks that reflect their lifestyles, beliefs, and artistic values. Thus, it holds the significant quality of being a document that reflects the identities and traditions of societies up to the present day. Malaysia, located in Southeast Asia, is comprised of 13 states and 3 federal territories. The population of the country, which is highly diverse ethnically and culturally, consists of Malays, Chinese, Indians, and other ethnic groups. Each ethnic group has its own traditions, languages, beliefs, and forms of artistic expression, and this diversity is one of the fundamental elements that constitute Malaysia's cultural richness. Pottery is a significant art form that reflects the cultural heritage of these diverse ethnic groups, and Malaysia's traditional pottery tradition is a part of this cultural mosaic. Different ethnic groups produce unique artworks in pottery using distinct techniques, motifs, and patterns.One of these distinctive artworks is Labu Sayong, which is the subject of this study.Labu Sayong is a traditional water container produced in the village of Sayong, located near the city of Kuala Kangsar in the Perak state of Malaysia. In this study, traditional pottery-making in the Perak state of Malaysia and Labu Sayong, a traditional form of pottery, have been examined.

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Háborgó képzelet

Author(s): Alexandra Mikáczó / Language(s): Hungarian Issue: 4/2022

In my paper, I examine the characteristics of Kant’s dynamic sublime and the visual abstraction in the artworks of William Turner. According to my research, the English painter’s oeuvre contributed to the development of modern art, since the disintegration and dissolution of the contours and the forms can already be observed in his pictures, a technique which Turner generally used to express the overwhelming power of nature and the various phenomena of colour and light. Kant is the most significant author of the examined era and his writings are also useful in order to understand the abstract artistic motifs, so I consider it appropriate to construe Turner’s artworks in the light of Kantian aesthetics.

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O intermedialitě v pojetí nakladatelství POP-PAP

Author(s): Svatava Urbanová / Language(s): Czech Issue: 1/2023

In a handmade accordion leporelo made of recycled paper called MEKY MEK! The real world of animals (POP-PAP, 2022) by the authors Marcela Vostřelová and Ester Stará involves a multiple application of intermediality, an actional overlap of both the initial medium, which is the book leporelo, and accepted reception boundaries. In the presentation of eleven animals, the authors incorporated textual and artistic procedures that manifest themselves both intermediality and immediacy, because in them they connected the visual and verbal components, iconic visual signs with the sound imitation of animals, created visual analogies with the textual form of poems as well as with educational interpretation and creative activation offer. Leporelo strives for literary communication with recipients of different age groups. In the text-image representations, a cognitive statement, close to the artistic-educational genre, prevails, there are situations with experientiality, corresponding to fiction intentional genres for pre-readers and young readers. Leporelo contains ethological and ecological elements, and children can be expected to begin to notice more closely the innate abilities, intelligence and emotions of the animals that live nearby.

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MEKÂNSALLAŞAN SANAT VE SANATTA ALTERNATİF MEKÂNLAR

Author(s): Alpaslan Akpinar,Ebru Arslaner / Language(s): Turkish Issue: 86/2023

Art, which is considered as one of the basic facts of existence, is located in a space from the moment it starts to be produced. Therefore, the production of art and space continue to exist in relation to each other. Art production; In the historical process, from a classical understanding that creates the illusion of space on a two-dimensional surface and emphasizes handcraftsmanship, it gradually emerges with an understanding that approaches the surface, remains on the surface and then overflows from the surface and finds expression in real space. In this direction, formations such as installation, performance and land art offer artists new possibilities of expression. With the adoption of different conceptions of art, forms of exhibition also show a simultaneous development. Galleries and museums, with their conventional forms, have been transformed from places where artworks are exhibited to places where the artwork itself becomes the work of art, or as a result of artists turning to alternative spaces while realizing their art production. In order to question the changing nature of the relationship between artwork, audience and space in the most accurate way, the ideas put forward by thinkers on the concept of space have an important place. The aim of the study is to examine the development of the relationship between space and art in the historical process through the theorists' multifaceted questioning of space, exemplified by contemporary works.

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OKULÖNCESİ ÇOCUKLARININ SEVGİ KAVRAMINA İLİŞKİN RESİMLERİNİN ANALİZİ

Author(s): Gülbin Zeren Nalinci,Şenay Yapici,Mehmet Yapici / Language(s): Turkish Issue: 86/2023

Love is considered to be the most fundamental factor in terms of a person's emotional and cognitive development. Love is a socialization that individuals learn from the moment they are born. People who are raised with love during childhood become happy adults. Therefore, childhood is a critical period. A significant part of this period takes place during the preschool years. Teaching the concept of love to preschool children should be considered as an important support for personality development. Providing a loving environment for children, helping them express their emotions and understand the feelings of others is necessary. Additionally, it should aim to develop empathy skills and positively influence their relationships with others. In this study, the love-themed drawings of children aged 5-6 in the preschool period are being analyzed. This qualitative research involves the thematic analysis of the drawings. According to the thematic analysis conducted, the primary figures in children's drawings are seen to be houses, clouds, people, sun, family, nature, and hearts. It is observed that children use colors such as yellow, red, blue, green, orange, pink, brown, black, and purple in their drawings. It can be said that children use figures and colors harmoniously when depicting the theme of love in their drawings.

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SANATÇILARIN CEPHESİ KAVRAMSAL SANAT

Author(s): M. Yeşim Yorulmaz / Language(s): Turkish Issue: 87/2023

Wars, colonialism, political policies have been among the biggest factors shaping human history. For centuries, artists have been forced to leave their lands due to the devastating effects of wars and have been subjected to forced migration. Artists have transferred the events they have experienced since the existence of art to their works. Although a critical approach was not possible in the early periods, artists have started to reflect the destructive face of art in their works since the periods when humanist approaches became widespread. Some of today's artists, who had to leave their roots, convey what they want to convey about what happened in the countries they left behind, in the geographies they had to migrate, through conceptual art. Artists transfer the environment they live into their works with artistic sensitivity, and they need a source of inspiration to realize their works. The environment they are in also affects their works. Artists, who have a highly sensitive structure, conveyed the hypocrisy of the war with their own fronts and weapons. They did this through art. They display the destructive face of war in the most striking way in their works. In this study, it will be focused on how selected conceptual artists convey the destruction that took place in the period and their lands through conceptual art, which has a critical structure, from the structure of conceptual art, which is a style of today's art.

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