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BETON - Kulturno propagandni komplet br. 200, god. XIII, Beograd, utorak, 16. oktobar 2018.
UZEMLJENJE, Aleksandra Sekulić, Dejan Vasić.
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UZEMLJENJE, Aleksandra Sekulić, Dejan Vasić.
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MIXER, Saša Ćirić: Napuštanje zmijskog legla; CEMENT, Ana Isaković: Pre i posle 51. BITEF-a; ARMATURA, Srđan Atanasovski: Religija i identitet na Kosovu; VREME SMRTI I RAZONODE, Miloš Živanović: Unutrašnji dijalog
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MIXER, Branislav Jakovljević: Talenat je etička kategorija; ŠTRAFTA, Aleksandar Pavlović: Od trijumfa volje do trijumfa koka kole, Tomislav Marković: Rečnik genocidnih nedoumica; VREME SMRTI I RAZONODE, Predrag Lucić: Povijest filozofije za Todorićeve krave; BLOK BR. V, Radovan Popović: Primeri
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MIXER, Dragana Obrenić: Pravo glasa žena; CEMENT, Goran Cvetković: Na bedemima kulture; ARMATURA, Bojan Tončić: Iskušenja ratnog turizma; VREME SMRTI I RAZONODE, Predrag Lucić: Ćutke ćuti ružičnjak na Adi; BULEVAR ZVEZDA, JOVANOVIĆ DANILOV, Dragan; BLOK BR. V, Lazar Bodroža: Bolji život
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MIXER, Branislav Jakovljević: Fetiš varoš; CEMENT, Goran Cvetković: Evokacija banalnosti; ŠTRAFTA, Andrej Nikolaidis: Analna anksioznost; VREME SMRTI I RAZONODE, Petar Luković: Pregovori oko nove vlade(odlomak); BULEVAR ZVEZDA, MILANOVIĆ, Dragoljub
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Considering as premise the playwriting of William Shakespeare being one of the touchstones of humanities, in this study we will rise the question about the method through which the work of the classic writer became a way of the contemporary society to reflect some of its most polemized, keen, difficult or challenging topics. Going on, a necessary answer will be given regarding the fact that the plays of the English author get today rather the utilitarian aspect in the scenic approach or if, in fact, there are more nuanced positioning. And there are, as we can not put aside the way that artists are often perceiving the message in a whole, not only on the edge of social, documentary or politic theatre. Therefore, what is it transmitted to us and what do we transmit to history when Shakespearean plays are staged in refuges camps or when debating the veteran’s status. In our approach we will focus on some main artistic directions or forum theatre examples: Love’s Labour’s Lost directed by Corinne Jabel at Kaboul in 2005, the Hamlet Globe Théâtre's production directed on refuges camp in Calais, in 2016, and also Macbeth directed by Peter Callender or the one directed by Amy Attaway from 2019, both talking about the veteran’s or vulnerable groups status. But we believe that each of those visions are simply emphasizing the idea that the great literature fights for fundamental humanist and moral principles.
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Objectives of this article refer to ways to increase self-confidence in students from different universities in Transylvania manifested by the values of self-depreciation, infatuation and self-esteem. These are realized through the use of complex exercises on music in the form of dance-therapy and body technique.Purpose: elaboration of an action strategy to modify the self-depreciation, self-esteem, infatuation.Hypothesis: by introducing the exercises of body technique and dance-therapy, the aim is to modify the components of the ASSI psychological test: self-depreciation, infatuation and self-esteemMaterial and Methods: statistical processing was performed with the program Stats Direct v.2.7.2. The graphical representation of the results was done with the Excel application (from the Microsoft Office 2010 package). The tests used are: ASSI and an intervention program based on exercises in body technique and dance therapy.The subjects participating in the experiment with a duration of 6 months by 200 students at the Technical University Cluj-Napoca, and the extension from Baia-Mare and from the Academy of Music "Gheorghe Dima" from Cluj-Napoca.The period: of development was between October 2019 and March 2020.The results: of this study are due to the intervention program through exercises in body technique and dance therapy performed by the experimental group compared to the control group. In the case of A-SN it is a good correlation but of the opposite direction, which means that if (A) self-depreciation decreases then (SN) self-esteem increases. In the case of I-SN it is an acceptable correlation and of the same meaning, which means that if (I) the infatuation increases and (SN) the self-esteem increases, were observed statistically significantly significant differences between the two times (p <0.001).Conclusions: Statistically significant differences were observed in the indicators of the ASSI tests (self-depreciation, self-esteem, infatuation) which indicates, that our intervention program in the preliminary study had a positive and measurable impact on students in terms of improving self-depreciation and infatuation, as well as increasing self-esteem.
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MIKSER, Aleksandra Sekulić: Zapisi iz podzemlja – ogledi o tektonici jedne izložbe; Blok br. V, Danilo Milošev Wostok; Wostok/Grabowski; ŠTRAFTA, Grupa za konceptualnu politiku: Hronologije sadašnjosti Silvena Lazarisa; ZID, Tanja Ostojić: Misplaced Woman?
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ŠTRAFTA, Mirjana Boba Stojadinović: Otuđeni spektakl; CEMENT, Jovan Jović: Lorens generala Lera; ARMATURA, Jelena Veljić: Obavezna vakcinacija – pod hitno; ZID, Hamlet u dvorištu Centra za kulturnu dekontaminaciju; VREME SMRTI I RAZONODE; Vladimir Milojković: Površina od nevidljivih neprijatelja kuda idu
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MIKSER, Galina Maksimović: Linglong – lanac (ne)odgovornosti; CEMENT, Dejan Vasić: Fino poliranje; ŠTRAFTA, Aleksandra Sekulić: Na barikadama – o Festivalu autorskog filma 2021; ZID, Bojana Knežević: „A Queen of Montenegro – Guslarske minijature“ 2018–2021
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MIKSER, Jelena Veljić i Emil Kovač: Ima li opozicije ubijanju i zašto ne; ŠTRAFTA, Aleksandra Sekulić: Distorzija; VREME SMRTI I RAZONODE, Dead Ideas: War Games; ZID, Vesna Vesić: Putanjom dalekom, usamljeni šum se zapleo u travu
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𝑆𝑜𝑐𝑖𝑒𝑡𝑎𝑠 𝐶𝑙𝑎𝑠𝑠𝑖𝑐𝑎 is a multilingual collection of papers presented at the international scientific conference that has been organized by the Department of Classical and Eastern Languages and Cultures of St. Cyril and St. Methodius University of Veliko Tarnovo (Bulgaria) since 2002. Until 2015, the conference was held annually. Since 2018, it is held once every two years. St Cyril and St Methodius University Press issues the collection within the Dr. Nicola Piccolo series. The wide range of topics and the opportunity for authors to submit their academic publications in the original language attracts researchers from all over the world.
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This book is a brief manual of games and theatrical exercises that the team of the show Familia Offline used during a year in the workshops that were the basis of the development of the show. The book includes dramatic writing exercises adapted to the performance script, theatrical improvisation exercises, vocal training exercises and a text about the working method of one of the theorists and practitioners who revolutionized theater pedagogy of the 20th century – Dorothy Heathcote.
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This book is a brief manual of games and theatrical exercises that the team of the show Familia Offline used during a year in the workshops that were the basis of the development of the show. The book includes dramatic writing exercises adapted to the performance script, theatrical improvisation exercises, vocal training exercises and a text about the working method of one of the theorists and practitioners who revolutionized theater pedagogy of the 20th century – Dorothy Heathcote.
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This book is a brief manual of games and theatrical exercises that the team of the show Familia Offline used during a year in the workshops that were the basis of the development of the show. The book includes dramatic writing exercises adapted to the performance script, theatrical improvisation exercises, vocal training exercises and a text about the working method of one of the theorists and practitioners who revolutionized theater pedagogy of the 20th century – Dorothy Heathcote.
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Îmi amintesc cum stăteam la Replika în curte și eram bombardată cu idei. Era începutul rezidenței mele, alături de dramaturga Alexa Băcanu. Apucasem să expun doar câteva lucruri la care mă gândisem: tema educației sexuale în România și comunicarea între părinți și copiii lor.
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Și de aici a început documentarea. Știm că în școală nu se întâmplă de obicei, dar într-un fel sau altul, tinerii află totuși despre sex. Care sunt sursele? Sunt ele de încredere? Le oferă toate informațiile necesare? La nivel de țară, răspunsul la ultimele două întrebări e nu. Suntem pe primul loc în Uniunea Europeană la numărul de mame minore. Ăsta e unul dintre primele lucruri pe care le-am aflat în timpul documentării.
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“Totul e foarte normal” nu beneficiază de un decor în sensul comun al cuvântului, ci de o configuraţie a spaţiului de joc și un raport între acesta şi auditoriu, care determină şi servesc conceptului spectacolului. Tema de la care am plecat a fost declanşarea comunicării pe teme tabu între generaţii într-o formulă ludică, prietenoasă şi jovială cu care să rezoneze ambele categorii de vârstă.
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„Nu, nu am vorbit încă, să nu îi dau idei” sau „Acum au internet, știu ei mai multe ca noi” – acestea sunt două argumente între care oscilează scuzele adulților pentru a evita tematica educației sexuale – fie ei părinți, cadre didactice, directori de școli sau autori de programe școlare. Dacă în toate țările dezvoltate, educația sexuală se predă în școli de zeci de ani, în România, educația sexuală nu se predă decât opțional în cadrul materiei Educație pentru sănătate. În 2016, numai 2.000 dintre cei 19.000 de directori le-au propus părinților să-și trimită copiii la aceste ore. Pentru mulți adulți este dificil de acceptat trecerea de la copilărie la adolescență, faptul că tinerii devin ființe de sine stătătoare care își fac propriile alegeri, inclusiv în ceea ce privește sexualitatea.
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The report “Analysis of interest in the performances of the Bulgarian state theaters in the period 2018-2022” is a kind of analysis of demand and supply in the field of performing arts. The selected period covers the time before the Covid-19 pandemic and after, aiming to interpret the changes that occurred as a result of these events. The report analyzes live performance attendance data by gender, age, education, city, employment status, and more. The data on the number of theaters by type (dramatic, dramatic-puppet, musical), by form of ownership (state, municipal, private) are commented on. The data on average number of visits to one theater, average number of visits to one performance, number of new performances, number of tours are analyzed. The data on the revenues realized by the cultural institutes are also analysed. All data used are from the National Statistical Institute.
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