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Gothic fiction in Argentina, represented by such famous authors as Borges, Cortazar, Bioy Casares or Silvina Ocampo has its followers in the 21st century. In our paper, we present one of the contemporary authors, Pablo De Santis, born in Buenos Aires in 1963. His novel “Los Anticuarios” (“The Antiquarian”) is about vampirism in the Buenos Aires of the 1950s. Following the tradition of Gothic literature, the main character is involved in the lugubrious story of vampires known as the antiquarians. Although these long‑lived creatures have adapted to living in our times, they must still feed on blood. However, they prefer a substitute in the form of an elixir which allows them to dominate their victims’ minds. Besides, being victims of unrequited love themselves, just like classic vampires, they have a predilection for female blood.
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In a recent article, Gh. A. Niculescu raises the question of the relation between culture-historical archaeology and the so-called “production of knowledge” on ethnic phenomena. He targets the works of Volker Bierbrauer, Sebastian Brather, and Florin Curta. At a closer examination, however, Niculescu’s paper is based on a distorted understanding of what culture history actually is, and on wrong assumptions about such fundamental concepts as ethnicity or (material culture) style. Besides flaws in this line of thinking, his paper reveals Niculescu’s dishonest citation practices, his efforts to create a straw man, and his weak credentials for assuming any critical position in terms of the “production” of archaeological literature in the culture-historical mode. Beyond rhetorical tricks and smearing tactics, Niculescu does not in fact advance any solution to the problem, and remains ambiguous, if not altogether confused about the role of “social sciences” in the archaeology of (medieval) ethnicity.
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Magazine "Macedonian Review" began to print in 1991 as a continuation of the old magazine, printed from 1924 to 1943 and after restoration of the Sofia Macedonian Scientific Institute work in 1990.
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The paper examines the folklore motif in the epic tradition of the Southern Slavs concerning the maiden-hero and her arrows with feathers, who put Krali Marko and his confreres to the test. The author explains the meaning of vuina as juniper and spruce for the Bulgarians, and as fir in the Russian language, and recalls the semantic closeness between cedar and cypress – the trees symbolising Artemis and Aphrodite, being associated later with the Virgin Mary. The role of the maiden-hero, who is often depicted dancing and the feather is seen not only on her arrows, but also as a part of her garments – above all as head-dress – was associated with the idea of fertility and with the archetypal image of the Great Goddess. The colour of the feathers and their number appears to be of essential importance to the magic power of the arrow that the maiden-hero (samovila) shoots against the hero, while – on the other hand – the hero manages to kill the maiden (samovila) precisely with such an arrow. The feather motif is known in another semantic order as well: the hero’s fight against a mythological dragon-monster, in which he is victorious owing to a feather from the mythical bird Noah (known among the different peoples as Nog, Nogot, Nagar-tur, Nogarshin, Cher-nogot, Cher-nagar, Astratir, Ostrafil, etc.). The different notions about that mythical bird are united by common iconographic features: huge size, radiance, living at the end of the world in a cave, or on top of cliffs, or on a sacred tree. In conclusion, the author stresses that the diversity of feathers in folklore is connected with their magic properties, whereby the emphasis changes depending on their function and origin (from vuina, from a bird or from a mythological creature.
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The purpose of the research. This research is devoted to the significant phenomenon of locating individual parts of the ancient Egyptian Book of the Dead on the unusual type of sources. Attention is focused on the previously unexplored phenomenon of the Book’s of the Dead text and/or illustrations placement on the funerary stelae – commemorative plates, installed in the tombs and funerary temples of individuals. The place of this type of the sources in the context of the entire volume of the Book of the Dead is considered. The chronological framework of the existence of stelae with text/images from the Book of the Dead is described: all currently known stelae are exemplified. The integration of the main plot into the system of funerary stelae is described. The research methodology applied to this study is the use of the comparative method. Without a comprehensive analysis of the exact sources it made possible the consideration of the phenomenon as a whole. Scientific novelty of the article consists of studying of the fact of placing text and/or illustrations from the Book of the Dead on the funerary stelae. This research helped to trace the way of integration of the Book’s of the Dead motives into the funeral cult system of the stelae owners. Conclusions. This research helped to identify the most popular scene from the Book of the Dead, which was integrated into the funeral stelae system during the New Kingdom. It was determined that the motive of the scene corresponds well to the funeral stelae role and thus, substantiates the usage of this sort of sources for the placement of the Book’s of the Dead vignettes.
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Professor Michael Dyhan was a prominent Ukrainian Slavonic scholar who left a solid scientific heritage devoted to important issues in the history of the Bulgarian people and the Russian-Bulgarian and Bulgarian-Ukrainian relations over the centuries.
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The outcry in the American society caused by the defeat of the Ilindenko-Preobrajensko Uprising in 1903 created the prerequisites for the foundation of a Bulgarian-American social committee in March 1904.
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The article examines the names of places that are in the village of Troskovo, Blagoevgrad.
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The current article focuses on the reasons why Fyodor Dostoevsky believe Russia have to intervene in Balkan affairs and defend the orthodox slaves and their cause after the anti-ottoman April uprising, which took place in the south Danube lands of the empire in 1876.
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The publication presents the scientific and everyday relations between the Bulgarian scholar and Professor at Kharkov University Marin Drinov (1838–1906) and the Czech slavist and Librarian of the National Museum Adolf Patera (1836–1912).The relation becomes a mediator of knowledge for the Bulgarians; a mediator of a new concepts in science, culture, Slavic studies etc., whose path starts at the heart of Europe – Bohemia, to reach Bulgarians and affect their worldview. M. Drinov, together with V. D. Stoyanov was greatly influenced by A. Patera and other Czech intellectuals, including in the creation of the Bulgarian Literary Society in Braila. The publication also includes brief biographies of Marin Drinov and Adolf Patera.
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After nearly two decades of development being at low ebb, China’s relations with Eastern European socialist states began to thaw, and realized the normalization in the late 1980s. Just at a time when China initiated the policy of opening to the world, the process of approach and understanding was needed, much more information about East European countries was transferred to the public in China during the early 1980s. The rebuilt of image was not only to change the public cognition to Eastern Europe, but create atmosphere for China’s reform, which also paved the way for improving mutual relationship.
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