
Piotr Uklański i sztuka zawłaszczania
The article analyzes the art of Piotr Uklański in the context of so-called ‘Appropriation Art’. The author describes the artist’s most famous works, identifying their precursors and analyzing the qualitative and contextual differences between them. The text also refers to the wave of indignation among Polish artists Uklański triggered when he showed reproductions of works by Polish avant-garde artists from the 1970s at several exhibitions without obtaining their permission and presented them as his own work.
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