Живописта като непрекъснат сценарий. Протоколи за преживяването на идея
Painting as a continuous script. Protocols for an idea
Author(s): Bogdan AleksandrovSubject(s): Fine Arts / Performing Arts, Visual Arts, History of Art
Published by: Великотърновски университет „Св. св. Кирил и Методий”
Keywords: painting; memory; idea; continuous script
Summary/Abstract: Every knowledge, every understanding or attempt to arrange the world usually carries within it a certain degree of change, of recreation. Given the general nature of reality, the artist’s accumulated subjective experience is the only possible guide, landmark, or main source of knowledge. An idea is the notion of some thing initself. The ideas and thinking of the world in metaphors make the connection between art and reality, between the integral and the multiple, but also between the real and the imaginary. The artistic effort is reduced to the search for ways to translate, to draw, to express things through forms, giving them both universal validity and individuality. The text protocols a subjective/author’s project from the idea to the realization.
Journal: Визуални изследвания
- Issue Year: 5/2021
- Issue No: 3
- Page Range: 282-285
- Page Count: 4
- Language: Bulgarian