ХУДОЖНЬО-ЕСТЕТИЧНІ ХАРАКТЕРИСТИКИ ВОКАЛЬНО-ЕСТРАДНОГО ВИКОНАВСТВА ЯК ЖАНРОВОГО СИНТЕЗУ МИСТЕЦТВ
ARTISTIC AND AESTHETIC CHARACTERISTICS OF VOCAL AND POP PERFORMANCE AS A GENRE SYNTHESIS OF ARTS
Author(s): Ivan Vasyliovych BobulSubject(s): Music, Aesthetics
Published by: Національна академія керівних кадрів культури і мистецтв
Keywords: vocal and pop art; artistic and aesthetic characteristics; genre specifics; genre synthesis of arts;
Summary/Abstract: The purpose of the article is to study the artistic and aesthetic features of vocal and pop art as a genre synthesis of arts. The research methodology involves the use of system-structural, comparative methods of analysis and culturological and art approaches in the study of these issues. The scientific novelty of the work is to expand the theoretical boundaries of understanding vocal and pop performance as a synthetic genre that combines different arts, and its defining artistic and stylistic features that directly affect the structure and stylistic features of vocals, interpretation of the work, its perception by listeners and representation of values, ideas and impressions generated in the process of performance and its perception. Conclusions. Conclusions. Variety vocal performance as a kind of musical text involves special manifestations of intertextuality, so it is possible to find layers of artistic and species series, expressive forms and meanings, artistic and linguistic means and interpretive techniques. From the point of view of specific tasks of artistic communication, it appears as a generalized form of musical and artistic activity that can claim universality and has its stage and staging canons, determined by value concepts of culture, but in their new popular sense. There are also exemplary compositional and semantic models in this field, the imitation of which is a recognized way to join the pop vocal and performing professionalism. In the field of pop and vocal performance in its theatrical and staged form there is a specific mythologizing, which concerns the figure of the singer as the central actor of the concert program, which forms a certain image to achieve extreme artistic persuasiveness.
Journal: Мистецтвознавчі записки
- Issue Year: 2021
- Issue No: 40
- Page Range: 122-128
- Page Count: 7
- Language: Ukrainian