REGELE LEAR DE W. SHAKESPEARE – VIZIUNE REGIZORALĂ ȘI ACTORICEASCĂ (LA „EUGENE IONESCO”)
KING LEAR BY W. SHAKESPEARE – DIRECTING AND ACTING VISION (AT “EUGENE IONESCO”)

Summary/Abstract: The article analyzes the stage performance of the play „King Lear” by Shakespeare at the National Theater „E. Ionesco” from Chisinau. Emphasis is laid on directing the show, highlighting a series of procedures used by the director: antithesis, parallelism, compositional ring. At the same time, some aspects regarding the scenography and the action of the play are pointed out. The acting , the „dramatic text - show” relationship, the way of mediating between the audience and the show are other important aspects approached by the author.

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