РАПСОДИЯ ДЛЯ СКРИПКИ, ВИОЛОНЧЕЛИ И ФОРТЕПИАНО КОМПОЗИТОРА ЛИВИУ ШТИРБУ В КОНТЕКСТЕ АССИМИЛЯЦИИ СТИЛЕВЫХ И ЖАНРОВЫХ ОСОБЕННОСТЕЙ МАССОВОЙ МУЗЫКАЛЬНОЙ КУЛЬТУРЫ
RHAPSODY FOR VIOLIN, CELLO AND PIANO BY COMPOSER LIVIU STIRBU IN THE CONTEXT OF ASSIMILATION OF STYLE AND GENRE PECULIARITIES OF MASS MUSIC CULTURE

Summary/Abstract: The composition creation of Liviu Stirbu is an example of organic interaction of the idioms of music of European professiona ltradition, national folklore as well as mass musical culture. The purpose of the authors of this article is to reveal the unique conceptof Rhapsody for violin, cello and piano that emerged as a result of the interaction of music of academic tradition, on the one hand,and rock and jazz music, on the other. The influence of academic musical culture is found in using the genre features of scherzo,march and concerto, while the metro-rhythmic aspects of this opus are close to the phenomena of mass musical culture.

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