Pianista sau omul-obiect. Haneke și Jelinek: Între imagine și text
Pianist or the object-man. Haneke and Jelinek: Between image and text

Summary/Abstract: The Michael Haneke’s movie, based on the novel The Piano Teacher by Elfriede Jelinek, is a remarcable illustration of the object-man metaphor, a metaphor marking the road of the identitary degeneration into an apathic and thrilling mecanism of daily automatisms which destroy the intimacy and the perception of corporality. Using a series of filming procedures based on silence and lack of dynamism, the Austrian director creates a pinning of the actual human in the middle of a self-destructive and unemotional universe.

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