«ПАЛОМНИЦТВО В ДУНЬХУАН» – З НАГОДИ 30-РІЧЧЯ АКАДЕМІЇ ЖИВОПИСУ ГАНЬСУ
«Pilgrimage to Dunhuang» – on the occasion of the 30th anniversary of the Gansu academy of painting

Summary/Abstract: The aim of the work is to describe «the Pilgrimage to Dunhuang» as an art project organized on the occasion of the 30th anniversary of the Gansu Academy of Painting. The research methodology included the use of general scientific principles of descriptiveness, systematicity and objectivity. The general scientific research methods are used in the work: analysis, synthesis, induction and deduction. Chronological and retrospective methods have become important for our study. The genetic method was used to trace the development of individual schools and artists and the state of contemporary Chinese art. The method of abstraction, which involves the transition from general statements to specific conclusions, has also become important. Scientific novelty. The article highlights the main achievements and results of the Dunhuang Pilgrimage project, which allowed us to rethink the heritage of contemporary Chinese art. Conclusions. The Gansu Academy of Arts, established in the early 1990s, has become one of the most important centers of artistic culture in the region. This institute promotes Chinese cultural achievements and research in various fields. In particular, the academy organizes various scientific lectures, seminars, art exhibitions, creative talks and other educational activities. One such project was the «Pilgrimage to Dunhuang». On a Chinese-wide scale, it has made it possible to accomplish several important tasks. In particular, during the first period of the project, special art exhibitions, lectures and scientific seminars were held, which contributed to the promotion of Chinese cultural achievements. In addition, the main emphasis was on the study and preservation of traditional Chinese culture. At the same time, some attention was paid to highlighting the artistic ties between Chinese and foreign cultures. The second stage involved the introduction of specific mechanisms for managing various artistic events - artists were able to realize their own ideas, to work freely on various projects. Thus, this project has demonstrated high efficiency and value in acquainting society with China's cultural heritage.

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