MATKA ZIEMIA, DOM I RAJ UTRACONY TRANSCENDENTNE KINO DARRENA ARONOFSKY’EGO O SYMBOLICZNEJ WYMOWIE „MOTHER!”
MOTHER EARTH, HOME, AND A LOST PARADISE: THE TRANSCENDENT CINEMA OF DARREN ARONOFSKY; ON THE SYMBOLIC APPEAL OF MOTHER!

Summary/Abstract: Both popular culture as such and contemporary Hollywood movies are intended primarily as a form of entertainment, and a culture researcher is not expected to trace hidden symbols, myths or meanings rooted in traditional cultures in them. Modern popular mythologies by no means manifest the mythological pattern described by Mircea Eliade. Today’s popular culture incorporates diverse images, ideas, references, and fragmented meanings and, as such, constitutes a conceptual patchwork. However, I claim that the cinema of Darren Aronofsky delivers more than pure entertainment. It does not consist in a free juxtaposition of elements of popular culture and exhibits tropes and motifs, as well as a symbolic language and archetypal protagonists, pertaining to the myths constantly recurring in the history of culture. The goal of the paper is a discussion of Aronofsky’s Mother! against the concepts of hospitality, home and strangeness (otherness). In his pursuit of answers to the questions he deems as essential, the director (and author of a culturally signifi cant narration) refers to the topoi and tropes characteristic of Mediterranean mythologies and the Judeo-Christian tradition.

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