Christian archetypes in Taras Shevchenko’s writings and paintings Cover Image

Християнські архетипи у творчості Тараса Шевченка
Christian archetypes in Taras Shevchenko’s writings and paintings

Author(s): Olga Bigun
Subject(s): Language and Literature Studies, Cultural history, Applied Linguistics, Social history
Published by: Wydawnictwo Uniwersytetu Warmińsko-Mazurskiego w Olsztynie
Keywords: Comparative Literature Studies; Old Kievan Literature; reception; plot; aesthetics; archetype; intertextuality; Taras Shevchenko

Summary/Abstract: The assimilation of Byzantine culture in the Slavic lands was accompanied by the exegesis of the New Testament and the formation of the phenomenal value of symbolic images, which were part of the literary and artistic consciousness of that time. The force field of Christian archetypes has preserved a long tradition in the Ukrainian literature. Christian archetypes of the Resurrection and the Crucifixion in Shevchenko’s painting and literary work are studied with modern approaches to comparative literature and theological exegesis, taking into account artistic Christology, philosophical and aesthetic approach to art, and key ideas of archetypal interpretation. It is found out that, in Shevchenko’s poetry, the archetypes of the Resurrection and the Crucifixion are manifested in a number of modifications, where resurrection / crucifixion has a symbolic meaning in the sense of the resurrection / crucifixion of Ukraine, the resurrection / crucifixion of the people, the resurrection / crucifixion of a lyrical hero, etc. In painting, Christian archetypes are directly related to the transmission of the New Testament history.

  • Issue Year: XIV/2023
  • Issue No: 1
  • Page Range: 191-201
  • Page Count: 11
  • Language: Ukrainian