SHVATANJE UZVIŠENOG U ESTETIČKOM STANOVIŠTU NIKOLAJA HARTMANA I EDMUNDA BERKA
SUBLIME IN THE AESTHETICS OF NICOLAI HARTMANN AND EDMUND BURKE
Author(s): Saša GrbovićSubject(s): Aesthetics, Early Modern Philosophy, 19th Century Philosophy, Contemporary Philosophy
Published by: Filozofsko društvo Srbije
Keywords: sublime; N. Hartmann; E. Burke; aesthetic; beautiful;
Summary/Abstract: This article is dedicated to the interpretation of the aesthetic thought of Nicolai Hartmann and Edmund Burke, that is, the interpretation of their different understandings of the sublime, and its relation to the beautiful. While Hartmann’s sublime is an aesthetic value that is subordinate to the beauty, Burke defines the sublime as a form of aesthetic experience that is on the same level as beautiful. Burke forms an understanding of the sublime based on his analysis of the aesthetic experience, which includes his understanding of passions, states of the soul and the analysis of the sensible qualities of the aesthetic objects, while Hartmann formally considers sublime as one kind of beautiful, and reaches his understanding of it based on his inquiry of the aesthetic object and his definition of beautiful.
Journal: Theoria
- Issue Year: 64/2021
- Issue No: 2
- Page Range: 111-120
- Page Count: 10
- Language: Serbian