Рембранд: „драматичен ясновидец на страстите и човечността“
Rembrandt: “Dramatic Seer of Passions and Humanity”
Author(s): Kalin NikolovSubject(s): Philosophy, Fine Arts / Performing Arts, Visual Arts, Aesthetics, History of Art
Published by: Институт по философия и социология при БАН
Keywords: Rembrandt; etching; litho; Evgeniy Semenovich Levitin; Lyubomir Dalchev; Evtim Tomov; Ilia Petrov; Petar Chuklev; Yavora Petrova
Summary/Abstract: In recent decades, art history has repeatedly renewed interest in a number of the most important artists of various periods, especially Rembrandt. Research, both on his art and on the large legacy of knowledge and documentation concerning his working processes, should add to his influence on certain of his followers and among Bulgarian artists. Rembrandt's plastic and professional approach is expectedly and unexpectedly found in dialogue with a number of our artists, such as Karl Yordanov, Acad. Iliya Petrov, Kiril Gyulemetov, Prof. Petar Chuklev, Yavora Petrova, and others. On the other hand, it is the innovativeness of the Dutch master that adds certainty to the paths to modernity, which is highlighted in a number of notes, diaries, and interviews of our artists, including those of Prof. . Lyubomir Dalchev, Boris Angelushev, and others.
Journal: Философски алтернативи
- Issue Year: XXXIII/2024
- Issue No: 4
- Page Range: 94-112
- Page Count: 19
- Language: Bulgarian
- Content File-PDF