Circulation of Books, Manuscripts, and Ideas between Hungary and Italy. Cultural Transfers in the Environment of György Klimo, Bishop of Pécs (1751–1777)
Circulation of Books, Manuscripts, and Ideas between Hungary and Italy. Cultural Transfers in the Environment of György Klimo, Bishop of Pécs (1751–1777)

Summary/Abstract: The period between 1750 and 1800 witnessed a significant transformation in the modernization of Hungarian culture and literature. The members of the ecclesiastical elite, who had completed their studies at the Collegium Germanicum et Hungaricum in Rome, played a pivotal role in this process; they emerged as key figures in the Catholic renewal upon their return to Hungary following their studies in Rome. Their contributions extended beyond the revitalization of the Hungarian Catholic Church and religious life, encompassing the reconstruction of bishoprics, the establishment of educational institutions and libraries, and the publication and dissemination of both religious and secular literary works. This dissemination of knowledge was also closely intertwined with the influential court in Vienna. On the one hand, the rich heritage of ancient Rome played a crucial role in reshaping the baroque tradition. High-ranking clerics began to take a keen interest in the historical context of their immediate surroundings, initiating local excavations and conducting research in the Vatican Archives. On the other hand, they were greatly influenced by the vibrant culture of contemporary Rome, including Catholic reform efforts, the patronage of the Roman aristocracy, and the volumes of recent Italian literature. This paper explores the cultural influence of Bishop György Klimo of Pécs through an analysis of his correspondence with members of the ecclesiastical aristocracy in Rome and Vienna. Notably, Klimo made significant contributions to the spreading of Ludovico Antonio Muratori’s ideas in Hungary. He also played a pioneering role in disseminating knowledge by being the first among his contemporaries to open his personal library to the public. Furthermore, he commissioned research at the Vatican to compile a comprehensive history of his diocese. By examining Klimo’s endeavors, we gain valuable insights into the transformative influence of Roman culture on the Baroque tradition in Hungary. Moreover, the analysis sheds light on the distinct and organic development of the Italian line within Hungarian culture.

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