СИМВОЛИКАТА НА ЧЕРВЕНАТА ОХРА
THE SYMBOLISM OF RED OCHER
Author(s): Rositsa ManovaSubject(s): History, Anthropology, Social Sciences, Archaeology, Fine Arts / Performing Arts, Cultural history, Architecture, Visual Arts, Sociology, Ethnohistory, History of ideas, Local History / Microhistory, Social history, Ancient World, Cultural Anthropology / Ethnology, Culture and social structure , Sociology of Art, History of Art, Prehistory
Published by: Асоциация за антропология, етнология и фолклористика ОНГЬЛ
Keywords: red ochre; symbolism; cosmological; cosmogonic; eschatological; Apollonia Pontica;
Summary/Abstract: Colours are one of the most important signs and symbolic systems in Antiquity. They reflect a certain cosmic symbolism, manifested as deities in various cosmogonies. They are present, always and everywhere, at the core of the symbolic models, and can be examined from both a semantic and a semiotic perspective. The eschatological significance of the red colour in Thracian culture as well as other ancient societies, i.e. the transition from one space to another, is saturated with signs and symbols. According to ancient treatises related to the making of colours and pigments in ancient Greece during the Hellenistic period, ochre was the most commonly used red pigment. The colour reconstruction of cultural values approximates their authentic appearance and is a scholarly contribution to examine and preserving Bulgarian cultural heritage. Research conducted in 2023 on stelae from Apollonia Pontica necropolis proved the use of red ochre in their inscriptions. The findings of the study confirmed that the verification and valorisation of the cultural-historical heritage of Thracian civilization, particularly in terms of painted decoration, are a necessary consequence of in-depth and targeted comprehensive expertise.
Journal: Годишник на Асоциация за антропология, етнология и фолклористика »Онгъл«
- Issue Year: 2024
- Issue No: 23
- Page Range: 394-399
- Page Count: 6
- Language: Bulgarian
- Content File-PDF