THE ILICIT FORMS OF REALITY UNDER THE AUTOMATIC WRITING. IDENTITY BETWEEN HAZARD AND MANIPULATION IN THE TRILOGY OF "TĂLPI" - NICHITA DANILOV
THE ILICIT FORMS OF REALITY UNDER THE AUTOMATIC WRITING. IDENTITY BETWEEN HAZARD AND MANIPULATION IN THE TRILOGY OF "TĂLPI" - NICHITA DANILOV

Summary/Abstract: Nichita Danilov's work captures the idea of man as a machine that functions on its own rules. The trilogy deconstructs various instances, presenting their physicality as a collage of images as the reflections of the individual subjectivity. Through this exploration, this paper aims to analyse how the subconscious mind and self-censorship contribute to the ambiguity of situations, resulting in a world woven with irrationality and delirium. The concept of living is constantly linked to the genesis and it is influenced by the omnipresent evil within things. However, the representation of existence using mythical rituals remains uncertain given the cognitive limitations of the universe. In a world constantly evolving and embracing change, the author emphasizes freedom, rebellion, duplicity, and the assertion of identity as desired outcomes. The surrealist image explores the connection between thought and reality by using illicit language and by exploiting external objects - an expedition that leads to an immense literary universe. The induced reverie blurs the boundaries of awakening, dreaming, reality, reasoning and madness since any event revealing a desire is considered a hazard.

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